Neff William (128 results)

Condition: very_good. Neff, Jordan (illustrator). Item may have minor cosmetic defects such as marks, wears, cuts, bends, or crushes on the cover, spine, pages, or dust cover. Shrink wrap, dust covers, or boxed set case may be missing. Item may contain remainder marks on outside edges, which should be noted in listing comments. Item may be missing bundled media.

Condition: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

Hardcover. Condition: Good. Dust Jacket Condition: Includes dust jacket. Dust jacket shows shelf wear and scuffing. Jacket is in a plastic protector. Pages are lightly tanning, text and pictures are intact and unmarred.

Soft cover. Condition: Very Good +. Interior clean but for small owner stamp on inset page, binding tight, covers with light shelf wear.

Mass Market Paperback. Condition: Very Good +. Dust Jacket Condition: No Dustjacket, As Issued. First Edition. In Wraps; covers are very lightly soiled and lower front and top rear corners have light creases; book interior is clean and tight; to interior pages have been previously dogeared;16mo; 421 pages; Anchor number A450.

Trade Paperback. Condition: Good. several early pages are completed. Book.

Condition: Used: Good. former library 1982 hc no dj as issued vol 7 withdrawn stamp in book/ on edge of pages clean text has book plate 242 pages/// G-17.

Paperback. Condition: Very Good. 182 pages, illustrations (some colour); 29 cm. Exhibition held at the National Gallery of Art, Washington, D.C., October 11, 1995 to January 7, 1996, and the Museum of Fine Arts, Houston, February 4 to April 28, 1996. Firm binding, clean inside copy. Moderate shelfwear to wraps, age toning. Another copy available. Profusely illustrated. *** "John Singleton Copley is well known in America as the creator of the finest portraits of the Colonial era. Less well known is the fact that he left America in 1774, when the impending armed struggle between the Colonies and England threatened to destroy his livelihood, and settled in London to pit himself ambitiously against the Old Masters and the English giants of the day. Copley's English career was long and brilliant - and represents the most important period of his working life. During the forty-one years he spent in England, Copley created his great masterpieces of history painting and portraiture that stand as key monuments of British painting. From the earliest days of his career in London Copley realized that he would have to do everything possible to stand out in a crowded field of painters and create works that would bring him instant notice. This he did with his first great English picture, The Copley Family (1776-77) and, even more dramatically, with the landmark Watson and the Shark (1778). He quickly mastered the elements of the fashionable English style of painting, exchanging the tight and linear handling of the Colonial period for one more fluid and expressive. By the 1780s Copley was reckoned one of the most important painters working in England, a clear rival to his compatriot Benjamin West. With his masterpiece, The Death of Major Pierson (1784), Copley assumed a place of primacy in the field of history painting. While William L. Pressly gives a balanced, up-to-date exposition of Copley's English career, Emily Ballew Neff examines his masterpiece, The Death of Major Pierson, in particular detail, and is the author of the catalogue of his major English works. This is a long overdue study of this important painter." - Publisher. Size: 4to.

Hardcover. Condition: Good. Book shows common (average) signs of wear and use. Binding is still tight. Covers are intact but may be repaired. We have 75,000 books to choose from -- Ship within 24 hours -- Satisfaction Guaranteed!

First Edition. Very Good/Near Fine: book straight and unwrinkled, with name blacked out 3 times on front endpapers; jacket bright in rubbed mylar protector. Hardcover in jacket, 263 pp.

Paperback. Condition: New. Paperback, AS NEW.

Original Wraps. Condition: Very Good. Dust Jacket Condition: No Jacket as issued. 1st Edition. First printing in large format paperback. Published on the occasion of the exhibitions at National Gallery of Art, Washington and the Museum of Fine Arts, Houston 1996. Copiously illustrated catalogue. Mild wear to the covers otherwise a firm, clean copy.

Condition: Used: Good. FREE MEDIA MAIL CREDIT ($3.99) upon payment for book priced at 50 dollars or higher. Former library 1982 hc no dj as issued vol 6 withdrawn stamp in book/ on edge of pages clean crisp pages has a book plate 209 pages/// G-16.

Paperback. Condition: Very Good. very good paperback 1965.

Paperback. Condition: Very Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. very good paperback 1965.

Condition: Good. Good condition. (organ music, instruction and study, hymns) [ISBN 0849417270] A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condition: Near Fine. 182 pages, illustrations (some colour) 29 cm. Exhibition held at the National Gallery of Art, Washington, D.C., October 11, 1995 to January 7, 1996, and the Museum of Fine Arts, Houston, February 4 to April 28, 1996. Near fine. Firm binding, clean inside copy. Age toning. Profusely illustrated. *** "John Singleton Copley is well known in America as the creator of the finest portraits of the Colonial era. Less well known is the fact that he left America in 1774, when the impending armed struggle between the Colonies and England threatened to destroy his livelihood, and settled in London to pit himself ambitiously against the Old Masters and the English giants of the day. Copley's English career was long and brilliant - and represents the most important period of his working life. During the forty-one years he spent in England, Copley created his great masterpieces of history painting and portraiture that stand as key monuments of British painting. From the earliest days of his career in London Copley realized that he would have to do everything possible to stand out in a crowded field of painters and create works that would bring him instant notice. This he did with his first great English picture, The Copley Family (1776-77) and, even more dramatically, with the landmark Watson and the Shark (1778). He quickly mastered the elements of the fashionable English style of painting, exchanging the tight and linear handling of the Colonial period for one more fluid and expressive. By the 1780s Copley was reckoned one of the most important painters working in England, a clear rival to his compatriot Benjamin West. With his masterpiece, The Death of Major Pierson (1784), Copley assumed a place of primacy in the field of history painting. While William L. Pressly gives a balanced, up-to-date exposition of Copley's English career, Emily Ballew Neff examines his masterpiece, The Death of Major Pierson, in particular detail, and is the author of the catalogue of his major English works. This is a long overdue study of this important painter." - Publisher. Size: 4to.

Paperback. Condition: Brand New. Neff, Jordan (illustrator). 1st edition. 42 pages. 6.00x4.00x0.10 inches. In Stock.

Hardcover. Condition: Good. Book shows common (average) signs of wear and use. Binding is still tight. Covers are intact but may be repaired. We have 75,000 books to choose from -- Ship within 24 hours -- Satisfaction Guaranteed!

Soft Cover. Condition: Very Good. Volume 11, No. 3, July 2002. 186 pp. Vol. 11, Number 3, July 2002 only! ISSN: 1043-4070. Solidly bound copy with minimal external wear, crisp pages and clean text.

Hardcover. Condition: VG/VG. Black cloth/red DJ. 182 pp. 40 large color, 81 smaller color & bw plates. John Singleton Copley is well known in America as the creator of the finest portraits of the Colonial era. Less well known is the fact that he left America in 1774, when the impending armed struggle between the Colonies and England threatened to destroy his livelihood, and settled in London to pit himself ambitiously against the Old Masters and the English giants of the day. Copley's English career was long and brilliant - and represents the most important period of his working life. During the forty-one years he spent in England, Copley created his great masterpieces of history painting and portraiture that stand as key monuments of British painting. From the earliest days of his career in London Copley realized that he would have to do everything possible to stand out in a crowded field of painters and create works that would bring him instant notice. This he did with his first great English picture, The Copley Family (1776-77) and, even more dramatically, with the landmark Watson and the Shark (1778). He quickly mastered the elements of the fashionable English style of painting, exchanging the tight and linear handling of the Colonial period for one more fluid and expressive. By the 1780s Copley was reckoned one of the most important painters working in England, a clear rival to his compatriot Benjamin West. With his masterpiece, The Death of Major Pierson (1784), Copley assumed a place of primacy in the field of history painting. William L. Pressly gives a balanced exposition of Copley's English career, and Emily Ballew Neff examines his masterpiece, The Death of Major Pierson, as well as authoring the catalogue of his major English works. Excellent illustrations. Published to accompany the exhibition held in Washington, DC: National Gallery of Art, Oct. 11, 1995 to Jan. 7, 1996, one other location.

hardcover. Condition: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Broschiert. Condition: -- Good --. 421 S. -- Bibliotheks-Exemplar mit dem entsprechendem Rücken-Aufkleber und Stempel auf dem Vorsatz, ansonsten einwandfrei. Politik.

Hardcover. Condition: As New. Dust Jacket Condition: Near Fine. First Edition. Large format hardcover, quarto bound in dark gray cloth lettered in gold on spine, in publisher's bold pictorial dust-jacket. 182 pages. Bibliography. Profusely illustrated in back and white and color. First edition. Published on the occasion of the eponymously named exhibition organized by the National Gallery of Art, Washington DC and The Museum of Fine Arts, Houston Texas. The present title is represents a catalogue of Copley's work in England and a long overdue study of an important painter. No previous ownership marks. A clean, fresh, unmarked and like new copy. As new in a near fine dust-jacket. Standard mail only, customers seeking other means of shipping please contact us.

Hardcover. Condition: Good. 8vo, hardcover. Prev. owner's name, light lower-edge shelf-wear, otherwise vg condition. Dj moderately scuffed & edge-worn, else good. 274 pp. Illus.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. First edition. Slim octavo. 274pp. Illustrated with graphs and from black and white photographs. Bookplate and ownership signature of a noted American psychologist on the front fly. Bookplate causing a bit of light rippling on the front fly, binding trifle worn, near fine in a very good dust jacket with lightly sunned spine and edges, and a small chip at the spine base.