Nelson Jonathan K (122 results)

Condition: As New. Unread book in perfect condition.

paperback. Condition: Very Good. The book in very good shape and Very clean copy. May have little to No writing/marks. 24/3.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condition: As New. No Jacket.

Paperback. Condition: New. First Edition. New book, xii., 263 pp. This engaging collection of fifteen essays offers new perspectives on a wide range of subjects in Italian art history, architecture, history, and urban studies. Topics range from eleventh-century urbanism in Florence and northern influences on Lombard painting to the rewriting of history in the nascent Italian state. The contributors are former students of Syracuse Universitys Florence Graduate Program in Renaissance Art.The volume is dedicated to Professor Rab Hatfield, a renowned teacher and scholar in Italian Renaissance studies. He has taught at Syracuse University in Florence since 1971.…

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

hardcover. Condition: As New. Never read, no marks or highlighting in the book. Our copy is hardback with printed covers, showing light shelf-wear.

Condition: New.

Hardback. Condition: New. The first monograph in a generation, and the first study in English in over eighty years, this book presents a new understanding of the Renaissance master-artist Filippino Lippi. Celebrated as 'ingenious' by Vasari in 1550, Filippino was highly praised and influential, then fell out of favour and was forgotten for centuries. He was rediscovered by the poet Swinburne, who in 1868 celebrated the painter's 'inventive enjoyment and indefatigable fancy'. In a similar spirit, this volume explores Filippino's creativity in solving artistic problems. If a Roman cardinal requested a classically inspired work, or a Florentine humanist wanted to dazzle observers with his antiquarian interests, Filippino had the sensitivity to understand these diverse needs and express them with highly original solutions.…

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. This Element represents the first systematic study of the risks borne by those who produced, commissioned, and purchased art, across Renaissance Europe. It employs a new methodology, built around concepts from risk analysis and decision theory. The Element classifies scores of documented examples of losses into 'production risks', which arise from the conception of a work of art until its final placement, and 'reception risks', when a patron, a buyer, or viewer finds a work displeasing, inappropriate, or offensive. Significant risks must be tamed before players undertake transactions. The Element discusses risk-taming mechanisms operating society-wide: extensive communication flows, social capital, and trust, and the measures individual participants took to reduce the likelihood and consequences of losses. Those mechanisms were employed in both the patronage-based system and the modern open markets, which predominated respectively in Southern and Northern Europe.…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Good. No Jacket.

Hardback. Condition: New. The first monograph in a generation, and the first study in English in over eighty years, this book presents a new understanding of the Renaissance master-artist Filippino Lippi. Celebrated as 'ingenious' by Vasari in 1550, Filippino was highly praised and influential, then fell out of favour and was forgotten for centuries. He was rediscovered by the poet Swinburne, who in 1868 celebrated the painter's 'inventive enjoyment and indefatigable fancy'. In a similar spirit, this volume explores Filippino's creativity in solving artistic problems. If a Roman cardinal requested a classically inspired work, or a Florentine humanist wanted to dazzle observers with his antiquarian interests, Filippino had the sensitivity to understand these diverse needs and express them with highly original solutions.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: As New. Looks like new.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Book.

Hard cover. Condition: Very good. Dust Jacket Condition: Very good. The jacket is very slightly creased on the top edge of the jacket. The book is in great condition with no visible flaws apart from some light handling wear. Binding is tight and inside is clean and unmarked.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. In The Patron's Payoff, Jonathan Nelson and Richard Zeckhauser apply the innovative methods of information economics to the study of art. Their findings, written in highly accessible prose, are surprising and important. Building on three economic concepts--signaling, signposting, and stretching--the book develops the first systematic methodology for assessing the meaning of art patronage and provides a broad and useful framework for understanding how works of art functioned in Renaissance Italy. The authors discuss how patrons used conspicuous commissions to establish and signal their wealth and status, and the book explores the impact that individual works had on society. The ways in which artists met their patrons' needs for self-promotion dramatically affected the nature and appearance of paintings, sculptures, and buildings. The Patron's Payoff presents a new conceptual structure that allows readers to explore the relationships among the main players in the commissioning game--patrons, artists, and audiences--and to understand how commissioned art transmits information.This book facilitates comparisons of art from different periods and shows the interplay of artists and patrons working to produce mutual benefits subject to an array of limiting factors. The authors engage several art historians to look at what economic models reveal about the material culture of Italy, ca. 1300?1600, and beyond. Their case studies address such topics as private chapels and their decorations, donor portraits, and private palaces. In addition to the authors, the contributors are Molly Bourne, Kelley Helmstutler Di Dio, Thomas J. Loughman, and Larry Silver. …

Hardcover. Condition: new. Hardcover. Offering particular insight into Filippino Lippis artistic problem-solving, an innovative look at the Renaissance master. The first monograph in a generation, and the first study in English in over eighty years, this book presents a new understanding of the Renaissance master-artist Filippino Lippi. Celebrated as 'ingenious' by Vasariin 1550, Filippino was highly praised and influential, then fell out of favour and was forgotten for centuries. He was rediscovered by the poet Swinburne, who in 1868 celebrated the painter's 'inventive enjoyment and indefatigable fancy'. In a similar spirit, this volume explores Filippino's creativity in solving artistic problems. If a Roman cardinal requested a classically inspired work, or a Florentine humanist wanted to dazzle observers with his antiquarian interests, Filippino had the sensitivity to understand these diverse needs and express them with highly original solutions. The first monograph in a generation, and the first study in English in over 70 years of Renaissance master-artist Filippino Lippi. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. In The Patron's Payoff, Jonathan Nelson and Richard Zeckhauser apply the innovative methods of information economics to the study of art. Their findings, written in highly accessible prose, are surprising and important. Building on three economic concepts--signaling, signposting, and stretching--the book develops the first systematic methodology for assessing the meaning of art patronage and provides a broad and useful framework for understanding how works of art functioned in Renaissance Italy. The authors discuss how patrons used conspicuous commissions to establish and signal their wealth and status, and the book explores the impact that individual works had on society. The ways in which artists met their patrons' needs for self-promotion dramatically affected the nature and appearance of paintings, sculptures, and buildings. The Patron's Payoff presents a new conceptual structure that allows readers to explore the relationships among the main players in the commissioning game--patrons, artists, and audiences--and to understand how commissioned art transmits information.This book facilitates comparisons of art from different periods and shows the interplay of artists and patrons working to produce mutual benefits subject to an array of limiting factors. The authors engage several art historians to look at what economic models reveal about the material culture of Italy, ca. 1300?1600, and beyond. Their case studies address such topics as private chapels and their decorations, donor portraits, and private palaces. In addition to the authors, the contributors are Molly Bourne, Kelley Helmstutler Di Dio, Thomas J. Loughman, and Larry Silver. …

Paperback or Softback. Condition: New. The Patron's Payoff: Conspicuous Commissions in Italian Renaissance Art. Book.