Olt (111 results)

Condition: As New. Unread book in perfect condition.

Hard Back. Condition: Fair. No Jacket. Ex-library with typical library markings/labels/stamps.No dust jacket. Pen writing on fly page. Corner and edge wear. Ex-church Library.

Hardcover. Condition: Good+. Dust Jacket Condition: None. First Edition. 183pp; No DJ, red cloth boards with gilt lettering to front & spine, previous owner's name to front pastedown, scattered underlining, FFEP clipped at corner, binding is tight, Good+ condition. Signed by Author. Study in the psychology of religion. Illustrated with graphs.

Hardcover. Covers faintly spotted; top end of backstrip bumped; otherwise very good condition in slightly worn dust jacket. . 159p. plus numerous illustrated pages.

8°, OLn. mit OSU, 160 S. mit zahlr. s/w. Abb., SU etwas randrissig, sonst gutes Expl. Sprache: Englisch Gewicht in Gramm: 550.

Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Hardcover with cream cloth-bound boards and dust-jacket in very good condition. Minimal shelf-wear to book itself. Dust-jacket has some minor chipping to edges and a couple of small tears which have been repaired.

Paperback. Condition: Brand New. 320 pages. 9.02x5.98x0.72 inches. In Stock.

4°. 26 unpagierte Bl. mit 42 meist ganzseitigen Photos. Photographisch illustrierter Opbd. Unteres Kapital ganz minimal berieben, oberes Kapital am hinteren Gelenk ca. 4 mm eingerissen, sonst gutes Exemplar. Erste Ausgabe. Heidtmann 19610. Hier Teilauflage für den Bertelsmann Lesering (mit entsprechendem, zudätzlich eingeklebtem Zettelchen auf Vorsatz vorne). Einer von mehreren Photobänden des Düsseldorfer Photographen. Sprache: de.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: new. Pages: 64 Language: Estonian. 9789949729012.

Condition: new. Pages: 48 Language: Estonian. 9789985782729.

Condition: New.

Size: 8vo. 160pp. + plates. Publisher's cloth with printed dust-jacket.

gebundene Ausgabe. Condition: Gut. 232 Seiten : Illustrationen ; 24 cm Das Buch ist in einem neuwertigen Zustand. Sprache: Deutsch Gewicht in Gramm: 605.

Condition: Very Good.

Quer-8°, 8 S., illustr. OBll., geheftet, Längsknick; schönes Expl. Seltene Original-Textbroschüre zum Pabst-Film. (Nur das) Titelblatt in niederländischer Sprache, alle Songs des Films (in abweichender Reihenfolge vom ursprünglichen Text) in Deutsch. Texte über bräunlich gedruckte 'stills' aus dem Film montiert; nicht in DtExilAr. Sprache: Niederländisch.

Condition: Very Good.

Hardcover. XXIII Seiten + 799 S., Groß-Oktav, Hardcover/gebunden, Ganzleinen, Kopffarbschnitt. ACHTUNG: ARBEITSEXEMPLAR! Das Buch weist äußerlich eher geringfügige Gebrauchsspuren auf. Es wurde durchgearbeitet. Es finden sich durchgängig Unterstreichungen, Markierungen, Einträge mit Bleistift. Dritte (3.) verbesserte Auflage; Mit pathologisch-anatomischen Beiträgen von Dr. Olt. Sprache: Deutsch (unbesetzt) 1800 gr.

8° Broschur 56 Seiten Gebrauchsspuren am Einband und Block Einband berieben Rücken bestoßen Tintenfleck auf Einband Stichworte: Glasschrank Technik Deutsch 300g.

Softcover. 22,5 x 18,5 cm. Originalheft mit 20 unpaginierten Seiten und vielen s/w Fotos. Sauberer, guter Zustand. Inhalt: Infos zur Filmproduktion, Darsteller, Inhalt / über den Regisseur / Brecht und der Film / Kann man Brecht verfilmen ? (Interview, P. M. Ladiges für die Zeitschrift 'FILM') / Filmografie. - -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K09129-435631.

For Mallards and All Ducks of the Puddler Class. Ten inch 78 RPM record (D-100). Copyright 1951. Duck-illustrated label. Philip S. Olt, manufacturer of hard rubber game and bird calls, Pekin, Illinois. Very good.

8° , OEngl.Brosch. 160 S., Name und Signatur auf Vorsatz, sonst sehr gut (I-II) 5909 Sprache: Deutsch Gewicht in Gramm: 260.

Hardcover. Condition: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Condition: New.

Paperback. Condition: new. Paperback. Preparatory Studies for Orchestral Excerpts - Tim Olt Tuba Excerpts include: Lohengrin - Wagner Ride of the Valkyries - Wagner Hungarian March - Berlioz March to the Scaffold - Berlioz Fountains of Rome - Respighi Each excerpt includes exercises that will help prepare an aspiring tuba player for future auditions. Partial preface from the author: The first thing that must be said about these exercises is this: THESE WILL NOT WIN YOU AN AUDITION! Wow, great way to start a book like this. But this is reality. These exercises are designed to help overcome some of the most common problems within the various excerpts. In each excerpt we will discuss some (note that I underlined some) of the standard issues that a committee is watching over as you perform. These are not the only issues! First and foremost, we must all be great musicians. Yes, we have picked the tuba as our instrument, but don't just strive to be a great tubist, but rather a great musician who chooses the tuba as her/his medium of expression. As you begin to approach orchestral excerpts, the first and biggest thing to do is LISTEN. Get great recordings in your possession (any library will generally have at least the major works, if not some of the more obscure). If possible and/or practical, get a score. Watching the tuba part go by may be fun, but there is WAY more going on. When we audition, the committee wants a sense that we hear everything else in the orchestra happening in our head and that we are inserting our part into that framework, not merely executing a solo rendition of the passage. Know the function of the part: bass for the brass, woodwinds, strings, wind choir, etc., duet/trio/X-tet with bassoon, cello, trombones, horns, basses, etc., accompanied solo, unaccompanied solo. you get the picture. A few general concepts that every committee is looking for: time, rhythm, time, pitch, time, accuracy, time, time and time. Did I mention time? Yes, time is one of the most critical aspects of playing for us in an audition. Bluntly, if you can't put it in the right place at the right time without affecting the tempo around you, it doesn't matter how pretty you play. Plenty of people can play a pretty line with lots of rubato, but few can do the same and keep steady time. Also, notice I mentioned time and rhythm separately. Rhythmic accuracy is very important, but again, if you drag or rush, just because the ratios of the notes is there, you aren't in time. Pitch and accuracy are also important, but there are quite a number of documented cases where the person winning a major audition did not necessarily play every note perfect, but rather presented a strong package with the all the components in place, but maybe a small note bobble. I am sure you are wondering why I didn't mention style in the list. Point blank, style comes from listening and experience. No matter how well notated the work ink on paper does not equal style. That comes from inside us. The notation is merely a guide. Sure, we have to recognize and understand that accents mean different things from one composer to another, but that comes from our immersion in the music. Listen, listen, LISTEN! Another aspect to the listening camp is recording. Record yourself periodically to see how things sound from the other side of the bell. Often we believe everything is great, but one moment on tape tells us a different story. Several ideas on recording yourself: 1. Use a metronome from time to time. Record with and without to see if your time is steady. 2. Don't always listen right after you record. When practicing, do some recording and listening during the session to isolate and work through certain problems. Then at the end of the session do a final recording to keep as an archive for later. Listen to that recording at least one day later, preferably longer. etc. This item is printed Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condition: Brand New. 208 pages. French language. 8.19x5.28x0.71 inches. In Stock.