Ornella Volta (169 results)

Mass Market Paperback. Condition: Good. First Tandem Edition. G, Edgewear, creases, ink initials across leading edges of text-block, first page removed, dealer stamps, label stain, browning. "This book was awarded the DRACULA prize". 159 pages. With 4 pages of photographs. Expanded condition report/scan on request.…

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Fine. "Much of the laconic wit, discipline and charm of Satie's music is to be found in the man himself, as demonstrated by his letters. Many of them published here for the first time in any language, these letters create a uniquely revealing portrait of Satie himself, his music and his time. This volume includes correspondence with such major figures as Cocteau, Picasso, Picabia, Debussy, Ravel and Stravinsky. It is illustrated with 75 line drawings by Cocteau, Magritte, Picasso and other contemporaries, as well as drawings and musical scores by the composer himself.".…

Soft cover. Condition: Fine. This is the largest selection (in any language) of Erik Satie's writings yet to appear, and includes previously unpublished texts, drawings and photographs. Dismissed as a bizarre eccentric by many, Erik Satie has come to be seen as a key influence on twentieth century music. His compositions include, among other pieces, the ubiquitous Gymnopedies, the 3 Pieces in the Form of a Pear, and the Dada opera Relache. In later life he gathered round him Les Six and the cream of the new generation of French composers. His influence has continued to widen; John Cage and the New York School composers hailed him as "indispensable," and more recently certain of his pieces have been seen as prefiguring both Minimalist and Ambient music. His poignant, sly and witty writings embody all his contradictions. Included here are his "autobiographical" Memoirs of an Amnesic, and wryly comic musical commentaries; the gnomic annotations to his musical scores ("For the SHRIVELLED and the DIMWITS, I have written a suitably ponderous chorale . a kind of austere, unfrivolous introduction . I dedicate this chorale to those who do not like me."); the publications of his private church; his absurdist play Medusa's Snare; advertising copy for his local suburban newspaper, and the mysterious, elaborately calligraphed, "private advertisements" found stuffed behind his piano after his death. Fifth and last in Atlas's "Archive Documents of the Avant-garde," this is the first about a composer, though it emphasizes Satie's prose writings and pen-and-ink drawings. Musical examples are included only to illustrate Satie's distinctive musical autograph or the placement of whimsical performance directions, such as his command to a pianist to "put yourself in the shade." Satie so enjoyed playing with words and being "original" that translations of his writings are a bit dangerous, but for any English-only reader interested in Satie's iconoclastic, inventive spirit, this well-organized collection of much nonsense and some sincerity?including articles about Stravinsky and Debussy?will be welcome. Excellent, unobtrusive notes give sources and dates and explain certain elements of content. Recommended for larger music collections that already have studies of Satie's music and all collections concerned with the early 20th-century avant garde.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Condition: Very Good. Former owner's name on front endpaper. Light shelf wear. Else clean and tight.

pock. Condition: Fine.

Condition: Fair. : Sumérgete en el mundo de los vampiros con esta antología de historias macabras. Seleccionada por Ornella Volta y Valerio Riva, con un prólogo de Roger Vadim e ilustraciones de Auraleon, esta colección reúne relatos de autores clásicos como Edgar Allan Poe, Sheridan Le Fanu y Bram Stoker, entre otros. Descubre los horrores y misterios que acechan en la noche en esta edición de Paneuropea de Ediciones. EAN: 9788485114092 Tipo: Libros Categoría: Literatura y Ficción Título: Vampiros Autor: Ornella Volta| Valerio Riva Editorial: Paneuropea de Ediciones y Publicaciones, S.A. Idioma: es Páginas: 310 Formato: tapa blanda Año de publicación: 1974.…

Soft cover. Condition: Good. Page tanning, some wear to cover edges, one spine crease, some light cover creasing, spine lean, some marks to cover.

30 x 21 cm ; kart. . Condition: Gut. 123 S. ; Großformatige Paperbackausgabe, 123 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. pw550 ISBN: 3807702016.

Softcover. Condition: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

imo. Condition: Very Good.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover staple bound, 16 pages, in Dutch and French; ex-college library copy with partially removed stickers on front cover at upper left corner; and library bookplate on inside front cover; no internal marks.

123 S. Kartoniert. Einband und Seitenränder etwas gedunkelt. [K 565].

Zustand: gut bis sehr gut Großformatiges Paperback.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

imo. Condition: Fine.

imo. Condition: Fine.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: New. Condition Notes: New from the publisher.

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Soft cover. Condition: Good. No jacket. Cover is shelf worn and slightly scratched, particularly in the front back cover. The bottom corner edge of the back cover is creased. Binding is tight and inside is clean and unmarked.

imo. Condition: Fine.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. New/sealed. This is the largest selection, in any language, of the writings of Erik Satie (1866-1925). Although once dismissed as an eccentric, Satie has come to be seen as a key influence on modern music, and his writings reveal him as one of the most beguiling of absurdists, in the mode of Lewis Carroll or Edward Lear--but with a strong streak of Dadaism (a movement in which he participated). The nonconformism of Satie's private life seems deliberately calculated: he assumed various personae at different periods of his life, from the mystical "velvet gentleman" to the Dadaist disguised as quizzical bureaucrat. His poignant, sly and witty writings embody all of his contradictions. Included here are his "autobiographical" "Memoirs of an Amnesic"; gnomic annotations to his musical scores ("For the Shrivelled and the Dimwits, I have written a suitably ponderous chorale . I dedicate this chorale to those who do not like me"); the publications of his private church; his absurdist play Medusa's Snare; advertising copy for his local suburban newspaper; and the mysterious, calligraphed "private advertisements" found stuffed behind his piano after his death. Satie referred to himself as "a man in the manner of Adam (he of Paradise)" and added: "My humor is reminiscent of Cromwell's.I am also indebted to Christopher Columbus, as the American spirit has sometimes tapped me on the shoulder, and I have joyfully felt its ironically icy bite." He died as he lived: "without quite ceasing to smile.".…

Condition: Used - Good. Good paperback. Pan Books edition, reprinted 1978. Foreword by Roger Vadim. Pages slightly yellowed; spine worn & creased.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Book is in very good condition with colour illustrations. 0.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Book is in very good condition with a good dust jacket. Colour illustrations. 0.

OKart.. Condition: in bestem Zustand. (s. Foto). München, Rogner & Bernhard, 1984. 124 S. mit zahlreichen teils farbigen Abbildungen und Notenbeispielen. OKart., in bestem Zustand. (s. Foto). Sprache: ger/deu.

Perfect Bound Hardcover. This is the largest selection, in any language, of the writings of Erik Satie (1866-1925). Although once dismissed as an eccentric, Satie has come to be seen as a key influence on modern music, and his writings reveal him as one of the most beguiling of absurdists, in the mode of Lewis Carroll or Edward Lear--but with a strong streak of Dadaism (a movement in which he participated). The nonconformism of Satie's private life seems deliberately calculated: he assumed various personae at different periods of his life, from the mystical "velvet gentleman" to the Dadaist disguised as quizzical bureaucrat. His poignant, sly and witty writings embody all of his contradictions. Included here are his "autobiographical" "Memoirs of an Amnesic"; gnomic annotations to his musical scores ("For the Shrivelled and the Dimwits, I have written a suitably ponderous chorale . I dedicate this chorale to those who do not like me"); the publications of his private church; his absurdist play Medusa's Snare; advertising copy for his local suburban newspaper; and the mysterious, calligraphed "private advertisements" found stuffed behind his piano after his death. Satie referred to himself as "a man in the manner of Adam (he of Paradise)" and added: "My humor is reminiscent of Cromwell's.I am also indebted to Christopher Columbus, as the American spirit has sometimes tapped me on the shoulder, and I have joyfully felt its ironically icy bite." He died as he lived: "without quite ceasing to smile.".…