Parshall David (42 results)

Soft cover. Condition: Good. No Jacket. Corners lightly bumped. Mailing label on back. Otherwise good condition.

Stapled. Condition: Very Good. Edition Not Stated.

Condition: Fine. *Price HAS BEEN REDUCED by 10% until Monday, June 15 (weekend SALE item)* 500 pp., Hardcover, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Condition: Fine. Dust Jacket Condition: No Jacket Issued. 2nd Edition. paperback, illustrated, 352 pages, a fine clean copy. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf 311.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. Nice copy with just minor wear. Pages of text are clean, bright and free of markings. Binding is tight and secure. ***Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes, not envelopes.***.

Soft cover. Condition: Good. No Jacket. Wrappers Rubbed.

Soft cover. Condition: Very Good. Very good, clean, tight condition. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.

Paperback. Condition: Good. Paperback - clean, clean cover, no marks - from private collection - book only.

Paperback. Condition: Very Good. 2nd printing. 193pp, small octavo, yellow wraps, tight binding, clean throughout, light crease to front hinge, light wear to wraps.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Mint condition book on the emergence of the American Mathematical Research Community. From a series on the history of mathematics. ONLY VOLUME 8!!!

Hardcover. Condition: Fine. No Jacket. 1st Edition. First edition. 500 pages. Illustrated. Fine condition. (M2).

Softcover. Condition: Very Good. Very good softcover (Volume 8 History of Mathematics).

Softcover. Condition: Sehr gut. San Diego, Academic Press (1994). gr.8°. 155 p. Pbck. "This issue . honours the singular achievements of Dirk Jan Struik, who celebrates his 100th birthday on September 30, 1994." (David E. Rowe).- With contributions by David E. Rowe, Helen May Walther, Dirk J. Struik, Gerard Alberts, Reinhard Siegmund-Schultze, Lorraine Daston, Paulus Gerdes, John McCleary.

paperback. Condition: Very Good. Front cover is slightly bowed due to storage. Pages are unmarked. Binding is tight. No crease in spine. Ships quickly. Mild shelf/reading wear. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids.

Hardcover. Condition: Near Fine. No Jacket. (Ref.S1 ) Laminated pictorial hardboards. No DJ as published. Previous owner's book label to ffep otherwise unmarked.

Hardcover. Condition: Sehr gut. Providence, AMS (1994). gr.8°. Some figs. XXIV, 500 p. Hardbound. (top edge slightly stained).- History of Mathematics, 8.- Incl. bibliography.- Name on flyleaf.

Hardcover. Condition: Good. Dust Jacket Condition: Very Good. 448 page hardcover with many print illustrations (383), Notes, Large Bibliography, Appendix, Index.A thorough account of how Renaissance prints were realized, distributed, acquired, and eventually handled by the public. The text has the flaw of some light margin lines throughout the book - not a major issue. Otherwise very good condition and a very good book on the subject. Large and heavy, mailing other than domestic standard might require extra charges.

Soft cover. Condition: Near Fine. tiny crease at bottom corner of back cover. With 383 illustrations. 433pp 4.71lb 11.2x9.7x1.2in.

softcover. Condition: near fine. First edition. Quarto. 28cm x 23cm. 433pp.

Soft cover. Condition: Near Fine. 1st Edition. Large soft cover in beautiful condition. 433 pages. Light surface wear. Selling quality books for 35 years.

Binding sound, text unmarked. Condition: Near Fine. Dust Jacket Condition: Good+. 383 black & white illustrations and some in colour. Dustwrapper edgeworn but unfaded and unclipped. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. No ownership marks. Size: xii, 433pp., 30 x 26 cm. No ownership marks.

Soft cover. Condition: Very Good. Standard reference work on the history renaissance prints. 433 pages, illustrations (some colour). Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Photographs available on request. All books dispatched same or next working day in robust packaging.

Hardcover. Condition: Fair. Dust Jacket Condition: Fair. Ex library hardback with DJ; usual stamps/markings. Published in 1994 by Yale University Press, New Haven. DJ has a few chips & front hinge is split otherwise this is in a good very clean overall condition. Contains 383 illustrations many in colour which are intact & free from markings. Heavy book will ship overseas for extra postage. Ready for immediate despatch from Uk. 36E*.

Hardcover. Size: [9.5" x 11"], 433pp. Near new condition, covers bright, text clean and binding tight in a lightly chipped dust jacket with tape repair to the top of the spine panel / near new slipcase.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. Book measures 29x25.5.cm. xii, 433pp, illustrated. Bound in original publishers black cloth, with gilt lettering. Slight lean on spine. Binding in very good clean condition. Dust jacket in very good clean condition. Internally, pages clean throughout. A nice clean copy. Size: Quarto.

Soft cover. Condition: Good. Oversized soft cover book (433 pages)illustrated with numerous black and white and color photographs/reproductions. Cover show moderate rubbign/scuffing with tips creased. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-BS-9-Bottom-R) rareviewbooks.

Hardcover. Black cloth with gilt lettering, black glossy, color-illustrated dustjacket. xii, 433 pp., 383 illustrations, including about 40 in color. Never before has the Renaissance fine print received the type of multifaceted scrutiny elaborated in this superb synthesis. While focusing on the great prints and printmakers of Italy and Germany, the authors have articulated a consideration that rigorously evokes the various graphic techniques, their stylistic qualities and visual ramifications, and the aesthetic and theoretical context in which the prints were produced. Not only is the proximate setting of the prints' production convincingly educed, but the societal milieu of their dissemination, acquisition, and appreciation are also cogently reconstructed. All this is set within an overview that encompasses the rise, efflorescence, and decline of this new artistic medium. This is a work so rich in information, observation, and insight that no collection seriously concerned with the history of the graphic arts of Renaissance culture may dispense with it. -- Library Journal. Robert Cahn, Fashion Inst. of Technology, New York. Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public. Printmaking matured in western Europe between 1470 and 1550, when the great generation of artists and printmakers brought international recognition to print as an art form. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired. David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Examining documentary evidence and many individual prints, Landau and Parshall provide an integrated view of the Renaissance print as a social and artistic enterprise and reevaluate the achievements of the most influential phase in the history of European printmaking. -- Publisher's website. Contents include: Framing the Renaissance print -- Craft guilds, workshops, and supplies -- How prints became works of art: the first generation -- From collaboration to reproduction in Italy -- The cultivation of the woodcut in the North -- Artistic experiment and the collector's print -- Epilogue. Good+/Good+ (ex-library with labels and stamps on dj spine, block, inside front and rear covers and title page verso. Bottom right of pages are bent, curled. Pages are otherwise clean.).