Pasmore Paolozzi (8 results)

Softcover, staple-bound 20 pages, in Dutch; good condition; ex-college library copy with partially removed stickers on front cover at upper left corner; and library bookplate on inside front cover; no internal marks.

Paperback. Condition: Good. First edition. 21 x 21 cm, (24pp), stapled, orig.wrapper, 11 b/w plates, portraits, documentation. Essays by Bowness Alan; Melville Robert . 59 items. Ink scribble to upper cover. Compliments slip of The British Council loosely inserted.

Soft cover. Condition: Very Good. Softcover, 18 unnumbered pages : illustrations, portraits ; 26 cm. Very good. Exhibit.cat.#271. Text in Dutch.

AK Stedelijk Museum, Amsterdam o.J. (ca. 1962). 4°. 10 Bl. OBr. Verz. 79 Arbeiten, 16 abgeb.

Soft cover. Condition: Very Good. VICTOR PASMORE, EDUARDO PAOLOZZI, GEOFFREY CLARKE, HENRY CLIFFE, MERLYN EVAN (illustrator). 1st Edition. 4to. Bound in plain blue covers with text. Exhibition catalogue for the British contribution to the XXX Venice Biennial, featuring work by artists named above. Not paginated. 16 pages card covers slightly soiled. Black and white photographs of some of the featured works plus a biography of each artist. The back cover has a small corner crease, the covers lightly dusty. Inside the book has suffered from some damp and therefore some off-setting and one page has some damage to surface but text complete. I have photographed the worst pages but it looks better in the flesh then the photographs suggest. Size 30 x 24 cm [12 x 9.5 inches].

0. (Paris), Musée des Arts Décoratifs, 1961, 21 x 21 cm, (24pp), stapled, orig.wrapper, ca 11 b/w plates, 59 items.

First edition, first impression, one of 1,300 copies of the catalogue of the This Is Tomorrow exhibition at the Whitechapel Art Gallery, 9 August - 9 September 1956. The driving force was Theo Crosby, and the intention was to showcase collaborative efforts by groups of artists from both the fine and applied arts. Twelve groups of three to four architects, artists, designers, and theorists were asked to produce work on the theme of modern life. This iconic show pre-empted the emergence of Pop Art, and participants were dominated by ICA artists. Group 1: Theo Crosby, William Turnbull, Germano Facetti, Edward Wright; Group 2: Richard Hamilton, John McHale, John Voelcker; Group 3: J. D. H. Catleugh, James Hull, Leslie Thornton; Group 4: Anthony Jackson, Sarah Jackson, Emilio Scanavino; Group 5: John Ernest, Anthony Hill, Denis Williams; Group 6: Eduardo Paolozzi, Alison and Peter Smithson, Nigel Henderson; Group 7: Victor Pasmore, Erno Goldfinger, Helen Phillips; Group 8 : James Stirling, Michael Pine, Richard Matthews; Group 9: Mary Martin, John Weeks, Kenneth Martin; Group 10: Robert Adams, Frank Newby, Peter Carter, Colin St John Wilson; Group 11: Adrian Heath, John Weeks; Group 12: Lawrence Alloway, Geoffery Holroyd, Tony del Renzio. The final section of the exhibition was directly concerned with systems and communication theories and contains one of the earliest statements about computing techology as a means for the making of art. Square octavo. Full-page black and white photographs and diagrams throughout. Original coil-bound wrappers, lettering to front cover in brown and white. Very light creasing to back cover, otherwise a very good copy.

First edition, first impression, one of 1,300 copies of the catalogue of the "This Is Tomorrow" exhibition at the Whitechapel Art Gallery, 9 August - 9 September 1956. The driving force was Theo Crosby, and the intention was to showcase collaborative efforts by groups of artists from both the fine and applied arts. Twelve groups of three to four architects, artists, designers, and theorists were asked to produce work on the theme of modern life. This iconic show pre-empted the emergence of Pop Art. Participants were dominated by ICA artists. Group 1: Theo Crosby, William Turnbull, Germano Facetti, Edward Wright; Group 2: Richard Hamilton, John McHale, John Voelcker; Group 3: J.D.H. Catleugh, James Hull, Leslie Thornton; Group 4: Anthony Jackson, Sarah Jackson, Emilio Scanavino; Group 5: John Ernest, Anthony Hill, Denis Williams; Group 6: Eduardo Paolozzi, Alison and Peter Smithson, Nigel Henderson; Group 7: Victor Pasmore, Erno Goldfinger, Helen Phillips; Group 8 : James Stirling, Michael Pine, Richard Matthews; Group 9: Mary Martin, John Weeks, Kenneth Martin; Group 10: Robert Adams, Frank Newby, Peter Carter, Colin St.John Wilson; Group 11: Adrian Heath, John Weeks; Group 12: Lawrence Alloway, Geoffery Holroyd, Tony del Renzio. Square octavo. Full-page black and white photographs and diagrams throughout. Original coil-bound wrappers, lettering to front cover in brown and white. Creasing to top right corner of front cover, otherwise a very good copy.