Paul Makovsky (16 results)

Soft Cover. Condition: Very Good. Volume 20, No. 10, June 2001. 192 pp. Vol. 20, No. 10, June 2001only! Over-sized and/or over weight book; extra postage required. Solidly bound copy with moderate external wear, crisp pages and clean text. Book slightly warped cover to cover. Slight damage to front cover, bottom edge near spine.…

Soft cover. Condition: Near Fine. Nice copy.VVtv2/1.

1.000 copies, 8vo, (230x153mm), 80p. numerous illustrations. A very good copy in original stiff wrappers. Please note that the advised postage is based on an average book weight of approx. 1 kilo packed, if possible the postage will be reduced to the correct amount and you will be notified by email.

Soft cover. Condition: Very Good. 79 pp. Catalogue that accompanied the exhibition. Illustrated with b&w photos and images, 8 pages of colour works. Bright clean copy.

Hardcover. Dust Jacket Condition: No Dust Jacket As Issued. First Edition; First Printing. First Edition, First Printing (No additional printings stated). Like new with light wear to covers and no marks to text. No jacket as issued. Oversize book: Priority and international shipping will be extra. Design; 4s; 400 pages Near Fine No dust jacket as issued. …

Hardcover. Condition: Good. Dust Jacket Condition: No Jacket as Issued. 1st Edition. Boards have light general wear but a few label marks. University ink stamp to top edge of page-block. One small label mark to ffep, otherwise internally very clean. Binding tight. 432pp With works by an illustrious roll call of designers such as Jens Risom, Ludwig Mies van der Rohe, Eero Saarinen and Harry Bertoia lining its archives, Knoll has long been known as one of the great furniture manufacturing pioneers of postwar America. What few are aware of, however, is the profound impact the textile arm of the company had on the industry. Using what little material options were available in the early 1940s, Hans Knoll and his wife Florence blazed a trail with an approach that combined innovative designs with the latest technologies. Founded in 1947, the aim of the textiles division was to provide chintz-free fabric solutions for the growing needs of Knoll's modern interiors range, focusing on colour and texture as key elements. In its early days, it used a mixture of leading textile names and fledgling designers. The division quickly began to thrive, and in the 1970s and 80s, it turned to fashion designers and architects to boost the brand. Textile development tends to be seen as part of a bigger design history within the industry, and 'Knoll Textiles, 1945-2010' is first comprehensive book to delve beyond the surface at the company. Here, the many ideas, production techniques and textile designers that made up the brand sit alongside the context with which fabrics contribute to the history of design and the decorative arts. Size: 220mm x 270mm. Book.…

Soft cover. Condition: Very Good. Covers are smudged. Some shelf wear.

Hardcover. Condition: As New. 1st Edition.

Hardcover. Condition: Brand New. 400 pages. 10.63x8.66x1.81 inches. In Stock.

Soft cover. Condition: Fine. No marks. Not a library book. Ships in a cardboard enclosure.

Hardcover. Condition: gut. 2011. Knoll Textiles Nineteenhundredfortyfive - Twothousandten In englischer Sprache. pages.

Paperback. Condition: New. 10.9 X 9.6 X 1.3 inches; 240 pages.

Hardcover. Condition: New. In 1940, Hans Knoll founded a company in New York that soon earned a reputation for its progressive line of furniture. Florence Schust joined the firm and helped establish its interior design division, the Knoll Planning Unit. In 1947, the year after their marriage, Hans and Florence Knoll added a third division, Knoll Textiles, which brought textile production in line with a modern sensibility that used color and texture as primary design elements. In the early years, the company hired leading proponents of modern design as well as young, untried designers to create textile patterns. The division thrived in the late 1940s through 1960s and, in the following decade, adopted a more international outlook as design direction shifted to Europe. In the late 1970s and 1980s, Knoll tapped fashion designers and architects to bolster its brand. The pioneering use of new materials and a commitment to innovative design have remained Knoll's hallmarks to the present day. With essays by experts, biographies of about eighty designers, and images of textiles, drawings, furniture, and ephemera, Knoll Textiles, 1945-2010 is the first comprehensive study devoted to a leading contributor to modern textile design. Highlighting the individuals and ideas that helped shape Knoll Textiles over the years, this book brings the Knoll brand and the role of textiles in the history of design to the forefront of public attention. (20120226).…

Hardcover (Original Cloth). Condition: Very Good. No Dust Jacket. First Edition. Light scuff marks to boards but overall still very presentable. Illustrated in colour throughout. Size: Quarto. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Fashion, Fabrics & Style; Inventory No: 57170. …

Soft cover. Condition: Fine. Fine; very slight bumping to forecorners; else As New. Auction (21 January 2016) catalog with 406 lots illustrated in 348 color images. "Irving never sold his paper sculptures during his lifetime. With the exception of fewer than ten works, this auction represents the complete output of his paper sculptures." ISBN 9780997149302. Book.…

Condition: Muy bueno. Textos de André Breton y Paul Elusar en checo y francés. Ilustraciones de Jinrich Styrsky, Toyen, Vincent Makovsky. Este es el primer Boletín publicado de un total e 4. Se hizo con motivo e la exposición el grupo surrealista checo en la Sala Mánes e Praga entre enero y marzo de 1935. André Breton y Paul Eluard acudieron al evento con la idea e apoyarlo y e internacionalizar el movimiento, siendo este el primer acto e este tipo realizado. Tanto Eluard como Breton acataron sendas conferencias, que se publican en este volumen, en francés original y su traducción al checo. A diferencia de las futuras posiciones internacionales de surrealismo y otras patrocinadas por el grupo, esta muestra se centró en el grupo checoslovaco, sin exponer a sus colegas de otros países, como se hizo ya siempre desde la siguiente en Tenerife y en todas las futuras. 12 pp. 30 x 21 cm.…