Pellizzi (410 results)

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good. 1st Edition.

Soft cover. Condition: Very Good. 1st Edition.

Soft cover. Condition: Very Good. 1st Edition.

Soft cover. Condition: Very Good. 1st Edition.

Soft cover. Condition: Very Good. 1st Edition.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: Good. 1st edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Good. 1st edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. 1st Edition.

Soft cover. Condition: Very Good. 1st Edition.

Hardcover. Condition: VG / VG-. VERY-GOOD EXCEPT DUSTJACKET A LITTLE EDGEWORN.

Soft cover. Condition: Very Good. 1st Edition.

Soft cover. Condition: Very Good. 1st Edition.

Soft cover. Condition: Very Good. 1st Edition.

Soft cover. Condition: Very Good. 1st Edition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Hardback in very good condition with a good plus dust jacket. a few markings inside.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Crisp, clean pages except for one mark in blue pen on p.49 and some age-toning and chipping around the edges of the errata slip; square, secure binding; hard cover shows only mild shelfwear at extremities; jacket bears short, closed tears around the top edges and shallow creasing with occasional chips around top and bottom edges as well as a few pale handling prints on the back, otherwise sound and bright, now protected in a clear sleeve.…

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. 1st Edition.

Black Printed Wrappers. Condition: Good-. First Edition. Binding has wear, including scratches and chips; the first page has small bit of soil and a stamp indicating that this book was not retained by a Harvard University library (never accessioned, no other library marks); tight, text clean. 219 p., illustrated [otob: 61] Size: Oversize.…

Soft cover. Condition: Very Good. Binding sound, text clean, light shelfwear. Not paginated, approx. 70 pages. Oversize, illustrated exhibition catalogue. Spanish and English texts. Book.

Green Pictorial Soft Cover. Condition: Very Good. While this volume is still in the publisher's shrink wrap, the front cover underneath the shrink wrap has some soil -- which is probably easy to remove, given that the binding is coated/glossy, but I'm grading this as Very Good just in case the soil is not easy to remove. [otob] Size: Oversize.…

Trade Paperback Original. Condition: Good+. First Edition. Volume is a bit curved at top; bottom of spine has a very small chip; top outer edge has minor soil; tight, text clean. 262 p., illustrated. [otob: prpl spn] Size: Oversize.

Trade Paperback Original. Condition: Very Good. Spine area is sunned and has a minor half-inch closed horizontal tear at center; otherwise the volume is bright and fresh. 241 p., well illustrated. [otob] Size: Oversize.

Softcover. Condition: Near Fine. First printing (number line). 272 p. With detailed notes, bibliography and index. A beautiful copy, nearly as new. Tight binding with square, uncreased spine. No marks. Hardly any cover wear.

Trade Paperback Original. Condition: Very Good+. 263 p., illustrated. Contents: Editorial, Socrates' death / Remo Guidieri -- Antimasque, Pageant: Restoration and Bethlem at Moorfields / Christine Stevenson -- Picturing Madness in 1905: Giacomo Balla's La Pazza and the cycle The Living / Christine Poggi -- Quoting Eros: Visual culture, irony and anachronism in Thomas Mann / Filippo Fimiani -- Cosmos and warfare on a Classic Maya vase / Oswaldo Chinchilla -- Women and political power: The inclusion and exclusion of noblewomen in Aztec pictorial histories / Lori Boornazian Diel -- Ancestors and commemoration in Igbo Odo masquerades / Benjamin Hufbauer and Bess Reed -- Style and the standardization of forms in certain arts of the Sepik / Romain Chambrin -- The modality of time-maps: Quilting in the Pacific from another point of view / Susanne Kuechler -- Lectures, Documents and Discussions: Slit drums on Atchin; an unpublished manuscript by John Layard, edited and with an introduction by Haidy Geismar -- Style and meaning: Abelam art through Yolngu eyes, the 1998 Anthony Forge Lecture / Howard Morphy -- Vodou in the age of mechanical reproduction / Donald Cosentino -- Heterosomatics: Remarks of an historian of women's bodies / Barbara Duden [alo br 15] Size: Oversize.…

Trade Paperback Original. Condition: Very Good-. First Edition. Cover and pages through p. 40 have small creasing in bottom fore-edge corner; tight, text clean. 211 p., illustrated [otob: 14] Size: Oversize.

Soft cover. Condition: New. Still in publisher's shrinkwrap. According to WorldCat, this volume has 241 p. and is illustrated. Contents: African works: anxious encounters in the visual arts / Z.S. Strother -- Autobiography and art history: the imperative of peripheral vision / Suzanne Preston Blier -- Fieldwork and the text preceding the (question) mark: prolegomena for a response to Mudimbe's "African Art as a Question Mark" / Ikem Stanley Okoye -- "Can you go out without your head?": fieldwork as transformative experience / Ruth B. Phillips -- Entangled traditions: photography and the history of media in southern Ghana / Tobias Wendl -- When is an object finished? The creation of the invisible among the Bamana of Mali / Sarah C. Brett-Smith -- Astonishment and stickiness in Kongo art: a theoretical advance / Wyatt Macgaffey -- "Immaginacy set free": Aristoleian ethics and Inigo Jones's Banqueting House at Whitehall / Vaughan Hart and Richard Tucker -- Body in pieces: desiring the Barcelona Pavilion / George Dodds -- Solidity of the mask: color contrasts in modern architecture / William W. Braham -- "Thou shalt not take the Lord's name in vain": being a sort of sermon on the hesitations of religious speech / Bruno Latour -- Great and small expectations / Remo Guidieri. Oversize [otob].…