Periti (146 results)

hardcover. Condition: New.

Hardcover. Condition: New. New copy.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine in a Fine jacket. 1st Printing. 294pp 4to.

Hardcover. Condition: Like New. Dust Jacket Condition: as new. Factory sealed. This fascinating study considers the poetic and mythological artworks made for elite female monastic communities in Renaissance Italy. 100 color and 110 b/w illustrations. 304p. Measures 8.5x11 inches.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Hardcover. Condition: New. Dust Jacket Condition: New. New oversized hardcover in a new dust jacket. Pages are clean and free of marks or underlining. (8.9 x 1 x 11.3 inches) Includes author's notes, bibliography, index, and high-quality art prints. 304 pp. Fast shipping in a secure book box mailer with tracking. This fascinating study considers the poetic and mythological artworks made for elite female monastic communities in Renaissance Italy. Nuns from the patrician class, who often disregarded obligations of austerity and poverty, commissioned sensually appealing, richly made artifacts inspired by contemporary courtly culture. The works of art transformed monastic parlors, abbatial apartments, and nuns' cells into ornate settings, thereby enriching and complicating the opposition of religious and worldly spheres. This unconventional monastic and yet courtly decoration was a new form of art in the way it entangled the sacred and the profane. The artwork was intended to edify both intellectually and spiritually, as well as to delight and seduce the viewer. Based on extensive new research into primary sources, this generously illustrated book introduces a thriving female monastic visual culture that ecclesiastical authorities endeavored to suppress. It shows how this art taught its viewers to use their eyes to gain insights about the secular world beyond the convent walls.…

hardcover. Condition: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

Hardcover. Size: 9x11.25 inches, 304pp., illus. As new, clean, tight and bright condition, with bright and crisp dust jacket.

Soft cover. Condition: Very Good. 1st Edition. Binding has light edgewear; back cover and pages at back have small bottom-corner crease; tight, text clean. 348 p., illustrated. Oversize [otob nr frn rm ; otob: 28].

Brossura. Condition: Usato -Ottimo. Catalano Giuseppe e Periti Enrico (a cura di), I servizi agli studenti nell'attività gestionale dell'universitÃ. Strumenti ed esperienze a confronto, il Mulino, 2006In-8 (cm 21,2x13,5), pp. 257, brossura edit. Collana Percorsi. Minimi segni d'uso. Ottimo.

Condition: New.

Hardback. Condition: New. From the late 15th to the mid-16th century, an impressive corpus of architecture, sculpture, and painting was created to embellish monastic sites affiliated with the Benedictine Cassinese Congregation of Italy. A religious order of humanistically trained monks, the Cassinese engaged with the most eminent artists and architects of the early modern period, supporting the production of imagery and architecture that was often highly experimental in nature: from Raphael's Sistine Madonna in Piacenza to Andrea Riccio's Moses/Zeus Ammon, from Andrea Palladio's church of San Giorgio Maggiore (Venice) to the superbly crafted choirstalls of San Severino and Sossio (Naples).Applying a network framework to the congregation's infrastructure of monasteries makes clear that the circulation of sophisticated Renaissance art and architecture constituted only a segment of the monks' investment in the arts. Monks also served as custodians of an antique monumental heritage and popular votive images, assuring the survival of ancient buildings and artifacts of limited aesthetic value that supplied opportunities for early modern masters to confront an array of artworks for the reinvention of reformed Christian art and architecture.Text in English, Italian and German.…

hardcover. Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Usato - Come Nuovo. In-8 (cm 21,3x13,4), pp. 232, brossura edit. con alette. Collana Percorsi Diritto. Minimi segni d'uso, ottimo.

Hardcover. Condition: UsedVeryGood. Hardcover; Volumes 1 and 2; symposium held in Florence, Italy, July 19-24, 1981; light fading, light shelf wear to exterior; in very good condition wi th clean text, firm binding.

Cloth. Condition: Fine Condition. Dust Jacket Condition: Fine Condition. 304 pages with 210 illustrations 100 in color. Crisp, tight, sharp and clean condition. Selected Bibliography.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 385 x 225 mm. [ISBN: 978-0300214239] Hardbound. A fine bright copy in like dustwrapper.

Rilegato. Condition: new. A cura di Nova A. e Periti G. Milano, 2021; ril., pp. 343, 182 ill. b/n, 15 ill. col., cm 16,5x24. (Saggi in Officina). Dalla fine del Quattrocento alla metà del Cinquecento viene realizzato un incredibile corpus di opere di architettura, scultura e pittura per ornare i monasteri della Congregazione cassinese dell'Ordine di san Benedetto in Italia. La congregazione era stata fondata dall'abate Ludovico Barbo, dell'abbazia di Santa Giustina a Padova, e ad essa aderirono altri giovani umanisti di nobili famiglie veneziane come Antonio Correr e Gabriele Condulmer. I Cassinesi commissionarono opere ai maggiori artisi del momento, supportando la creazione di immagini e architetture dal carattere sperimentale: dalla Madonna sistina di Raffaello a Piacenza al Mosè/Zeus Ammone di Andrea Riccio, dalla chiesa di San Giorgio Maggiore a Venezia di Palladio al superbo coro dei Santi Severino e Sossio a Napoli. Tuttavia la circolazione delle opere più sofisticate e dell'architettura più innovativa costituiva solo una parte dell'impegno dei monaci nell'arte. Erano anche i custodi di un antico patrimonio monumentale e di immagini votive popolari, e assicurarono la sopravvivenza di antichi edifici e manufatti magari di valore estetico minore, ma che offrirono l'opportunità agli artisti rinascimentali di confrontarsi con una serie di opere d'arte che sarebbero state poi alla base della reinvenzione di un'arte e un'architettura cristiane riformate. Libro.…

Condition: New.

Hardcover. Condition: Brand New. multilingual edition. 272 pages. Italian language. 9.50x6.75x1.50 inches. In Stock.

Condition: New. Num Pages: 304 pages, 100 color + 110 b/w illus. BIC Classification: 1DST; ACND; AGR. Category: (P) Professional & Vocational. Dimension: 280 x 216. . . 2016. First Edition /First Printing. Hardcover. . . . .

Condition: New.

In-8° pp. 257, bross. edit. Come nuovo.

Condition: Gut. o. A. Dieser Separatdruck in GUTEM Zustand (mit Gebrauchsspuren und Stempel) gehörte zu der umfangreichen Sammlung des Geobotanikers Heinrich Zoller. Wir haben tausende Separatum aus dieser Sammlung. Sprechen Sie uns bei Interesse darauf an! Die Sprache des Textes entnehmen Sie bitte dem Titel der Publikation. Separatum in GOOD condition (some traces of use, with stamp). Sep2 3314 Sprache: Englisch Gewicht in Gramm: 330.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Condition: COME NUOVO. Firenze, Olschki cm.16x24, pp.XXIV,108, brossura con soprac.fig.a col. Collana Cultura e Memoria,48. Questo primo catalogo dedicato ai postincunaboli - oltre a mostrare la consueta ricchezza di edizioni di grande utilità per la ricostruzione della storia del libro fiorentino e toscano che contraddistingue la Moreniana, accompagnata dalla presenza di unica e rara italiani e stranieri - si sviluppa attraverso lo stretto dialogo con i repertori di Domenico Moreni e l'attenta recensione degli esemplari sottoscritti e postillati, tra cui alcuni di particolare interesse per la trasmissione del testo a stampa.…