Philip Needham (32 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condition: Very Good. The fourth edition of Parks and Protected Areas is a comprehensive and engaging overview of Canadian park management and planning.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The fourth edition of Parks and Protected Areas is a comprehensive and engaging overview of Canadian park management and planning.

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Paperback. Condition: New.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: Very Good. First Edition; First Printing. 5.25 X 0.5 X 7.75 inches; 160 pages; personal stamp from previous owner on the title page. Very Good condition otherwise. No other noteworthy defects. No markings on text pages.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.…

xii, 220 pages. Paperback: H 26.75cm x L 19cm. Paper dust jacket rubbed with mildly rippled panels having some light stains; short tear and creasing at bottom of front panel. White paper covers. Past owner's ink signature at top of title page; several leaves have toned bands caused by tipped-in color plates on opposing verso or recto; a few spots of minor soiling but otherwise interior pages are clean. Binding is firm. A very good copy. Prepared as the accompanying catalogue for an exhibition opening at the Cleveland Museum of Art from July 9 to August 31, 1975 thereafter touring to the Rutgers University Art Gallery from October 4 to November 16, 1975 and the Walters Art Gallery from December 10, 1975 to January 26, 1976. ISBN 0910386226.…

Soft cover. Condition: Very Good. Dust Jacket Condition: FRENCH FLAPS. 1st Edition. A RARE TITLE BEAUTIFULLY PHOTOGRAPHED MANY TIPPED IN PLATES SOLID CLEAN BRIGHT AND UNMARKED PUBLISHED IN CONJUNCTION WITH AN EXHIBIT EVERY PIECE HAS A HISTORY AND DESCRIPTION A VERY WELL RESEARCHED BOOK FAINT DISCOLORATION WHERE GLUE FROM THE TIPPED IN PLATES LEAKED OVER SOME DISCOLORATION TO THE SPINE STILL QUITE A LOVELY BOOK NO BENDS OR FOLDS. PHOTOS TIPPED IN PLATES (illustrator).…

Paperback. Condition: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Hardback book (220 pages) with color frontispiece, tipped in clor plates and b/w photographs/reproductions. Dust jacket shows light soiling/creases with tips bumped. Bookseller since 1995 (LL-Base2-C-1-Middle) rareviewbooks.

Hardcover. Condition: Good. Dust Jacket Condition: Fair. 1st Edition. Dust jacket has light stains, foxing, light yellowing; pencil residue to front endpaper--pricing notes; otherwise a clean and sound copy of this book; no writing, highlighting, odors, stains, tears or folds. Proceeds from this sale benefit the Multnomah County Library in Portland, Oregon. This is not an ex-library book.…

paperback. Condition: Good. Ex-library book, usual marking. Clean copy in good condition. Quick dispatch from UK seller.

Soft cover. Condition: Very Good. 1st Edition. Clevland Museum of Art, USA, 1988. Softcover. Condition: Very Good+ 1st edition.

Paperback. Condition: Collectible-Very Good.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. First Edition, First Printing. Very Good, with a Very Good dust jacket. A few short tears to jacket edges, toning. Interior is clean and unmarked. Profusely illustrated throughout. 4to, 10 3/4"h x 7 3/4"w.

Paperback. Condition: New.

Soft cover. Condition: Good. Dust Jacket Included. 1st Edition. English text.; Paperback (with dust jacket).; 19.5 x 27 cm.; 0.8 kg.; 220 pages with black and white and a few colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows wear marks, edge wear, scuffs and scratches on the front cover, spine and back cover. Tear and chip at the bottom of the dust jacket spine. The Paperback shows also a chip and tear at the bottom. Tear at the bottom of the dust jacket back cover. Interior with minor signs of wear.; Catalog from an exhibition shown at The Cleveland Museum of Art, July 9-Aug. 31, 1975; The Rutgers University Art Gallery, Oct. 4-Nov. 16, 1975; and The Walters Art Gallery, Dec. 10, 1975-Jan. 26, 1976.; "Japonisme: Japanese Influence on French Art 1854-1910 marks a milestone in examining relationships periodically existing between the Far East and the West. As the exhibition and accompanying catalog suggest, contacts with the Far East led to fruitful periods of artistic interchange. The creation of chinoiseries during the eighteenth century is one such example. While contacts were maturing with China, Portuguese and Dutch traders searching for a faster way to reach the Orient contacted Japan and established trading ties. At first these ties were cordial, but misuse of the arrangements forced Japan to adopt a policy of seclusion. While some goods reached European ports during this bleak period and collections of Japanese objects were formed in Holland, it was not until the nineteenth century that Japan reached out to again establish normal relations with Western nations. Then, under the stimulus of Commodore Matthew C. Perry's trip to Japan, the doors of the country were thrown open to all Western nations. Throughout the 1850's and 1860's, art objects poured into the West, turning attention from the fading tradition of chinoiseries toward a fuller appreciation of Japonisme the study of the culture, history, and art of Japan. Lacquers, fans, bronzes, kakemonos, ceramics, illustrated books, and single ukiyo-e prints became prized possessions, frequently fought over by collectors in their quest to obtain all that was new and novel from this exotic country. The result of this constant association with and study of Japanese art objects is recorded in the French prints, paintings, and decorative-art objects assembled for this exhibition." excerpt from the foreword by Sherman E. Lee, Director, The Cleveland Museum of Art; Richard Randall, Director, The Walters Art Gallery, Baltimore; and Phillip Dennis Cate, Director, Rutgers University Art Gallery.…

Condition: New. Satisfaction Guaranteed or your money back.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

3. Cleveland, Museum of Art (and others), (1975), 27 x 19 cm, 220 pp, hardback, with orig. printed wrapper, 308 items and b/w ills + some col. tipped-in coloured plates, bibliographies. ISBN 0-910386-22-6 .