Pieter Borcht (24 results)

Hardcover. Condition: Very Good. No Jacket. Pieter van der Borcht (illustrator). First published in 1602. Handsomely printed on oversize pages. Paper is textured ivory. Text in Latin with full page engravings. Clean and well-kept copy in sturdy thick covers. Initials surrounded by simple drawing on endpage. Covers have a few small surface marks and are worn at spine tips. Heavy and large.

Condition: Very Good. 174 pp. + plates, hardcover, minor library markings, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condition: Fine. Pieter van der Borcht (illustrator). Banjamin Bloom. 1970. Engravings by Pieter van der Borcht, After Designs by Marten de Vos. Originally Published Antwerp, Ex Officina Plantiniana, 1595. Introduction Hans Mielke. Folio. Blue cloth with decorative gold titles on front cover and spine. Lower edge of spine lightly bumped, some small "wrinkles" in the cloth on the spine (binding issue), else fine bright unread oversize hardcover.

Hardcover. Condition: As New. No Jacket. Hbk, large folio, 174pp, illustr, text in Latin, no dj as issued, fine blue boards, previous owner's inscription on front pastedown, otherwise appears unused and a fine, clean, tight and unmarked text.

Hardcover. Condition: Very good+ condition. First thus edition. xxvi, 176 pages of facsimile text, followed by 25 pages of black & white plates. Blue hardcover cloth binding with minimal shelfwear, in almost near fine condition. Text by Johannes Bochius, engravings by Pieter van der Borcht after designs by Marten de Vos, originally published in 1595. To which is added, a supplement of plates from the Royal Entry of Albrecht and Isabella, Antwerp 1599. Measures 13 3/8" (height). Size: Folio. Book.

Rare first separately published French edition of an important and influential interpretation of the stories of the Old and New Testament, in the popular form of 113 engraved illustrations by Pieter van der Borcht (1535-1608), from Mechelen, and explanatory text by the anti-denominational Dutch mystic Hendrik Jansen (van) Barrefelt, also known as "Hiël" (ca. 1530-1594?). Barrefelt initiated two series of engravings for pictorial Bibles around 1582, believing that the contemplation of the biblical images would speak to a wide audience and bring them closer to God, though he also believed that other pictorial Bibles distorted the Bible's meaning. He enlisted Van der Borcht to produce two series of etched and engraved illustrations of Bible stories and wrote brief commentaries to help people understand the images. Hamilton convincingly argues that the present series B was designed to appeal more to Protestants and the other series A to appeal more to Catholics. Hamilton calls these pictorial Bibles Barrefelt's "most successful" publications, "both in his lifetime and after."With an early owner's name partly obscured with an ink wash on the title page. Slightly browned, a few quires with faint water stains, and an occasional marginal tear or early restoration, but still generally in good condition. The vellum of the binding is wrinkled and shows several small tears, holes and cuts, and some early repairs and restorations.l A. Hamilton, "From Familism to Pietism: the fortunes of Pieter van der Borcht's biblical illustrations and Hiël's commentaries .", in: Quaerendo XI (1981), pp. 271-301, at pp. 287-289; KVK & WorldCat (7 copies, some incomp.); New Hollstein . Pieter van der Borcht, p. 133, 3a (1 copy) & plates 335-422 excluding 365, 367, 371, 385, 400; STCN 080084095 (2 copies); cf. R. Dekoninck, "Entre réforme et contre-réforme: le 'Imagines et figurae bibliorum' de Pieter van der Borcht et Hendrik Jansen van Barrefelt .", in: Quaerendo XIX (1999), pp. 96-131; Poortman, Bijbel en prent II, pp. 23-24 & 39; P. Visser, "Jan Philipsz Schabaelje and Pieter van der Borcht's etchings .", in Quaerendo XVIII (1988), pp. 35-76, esp. pp. 67-69; TB 633 & 634 (the 2 earlier eds.). 17th-century vellum, sewn on 3 vellum supports, laced through the joints. With a general title page plus a divisional title page for the New Testament, each with Colijn's woodcut device (Archangel Michael vanquishing Satan, in a cartouche with motto "hoc custode tutus"), 113 Bible scenes printed from 35 (Old Testament) and 48 (New Testament) engraved illustration plates (plate size 10 x 22.5 cm) by Pieter van der Borcht (New Testament plates 7-9, 18-19 & 24-48 include 2 scenes each), and 1 woodcut decorated initial. Set in roman types with incidental italic. Pages: [6], 35, [1 blank]; [1], [1 blank], 48 pp.

Soft cover. Condition: Very Good. FROM THE LIBRARY OF PELLEGRINO PELLEGRINI c.1570-80. Oblong 12mo, ff. [4 blank], 57 of a possible 60 plates, [8 blank], 59 and 60 apparently never included, residue of stub to pl. 20. Watermark: coat of arms surmounted by trefoil. Engraved title with half-figure of Christ within frame depicting scientifically accurate fruit and animals; 57 numbered miniature engravings (62 x 48mm) printed on recto or verso, signed HSD, PB or IS. A few lower edges untrimmed, slight browning in places (damp paper), small ink burn to blank lower edge of a dozen ll., extreme lower outer blank corner of last few ll. ink stained and a trifle frayed, occasional minor finger-soiling to blank margins. A very good, unsophisticated copy in contemporary limp vellum, lacking ties. Ms. autograph 1583 Di Pellegrino Pellegrini (lightly crossed out) and later ms. Di Francesco Spada to first blank, C16 pen trials to blank verso of pl.12 (Pellegrini s?). This charming little book was in the library of Pellegrino Pellegrini (or Pellegrino Tibaldi, 1527-96) c.1583, the famous Italian Mannerist painter and architect, who worked extensively in Milan (esp. at the Chiesa di San Carlo Borromeo) and at the Escorial, replacing Federico Zuccari. This autograph is strikingly similar, in shape and style of the letters, to that on a holograph architectural drawing of the Sanctuary of Caravaggio (Pellegrini, pl.VII). Illustrated works focusing on the New Testament were very popular at the time, Pellegrini had a similar one for the Old Testament in his library. Pellegrino may have used such works not only for personal devotion, but also as iconographic sources for his paintings (Giuliani, p.80). Very rare collection of miniature biblical engravings illustrating episodes from the life of Christ. In addition to the title, this volume includes 57 exquisite plates here in fine impression out of a total of 60 (cf. Nagler, Brulliot and New Hollstein), plus an engraved title with charming and naturalistic depictions of plants and animals. Pocket-size collections of images like this one were carried around by artists as both instruments of personal devotion and sources of inspiration; for this reason they very rarely survive intact or complete. Of the 6 recorded copies in New Hollstein - excluding the present, which appears to be the only one known to have been bound 4 are incomplete and 1 unspecified. 18 engravings were cut by Monogrammist HSD. About 40 overall are after designs by Pieter van der Borcht (cf. New Hollstein). A renowned Flemish painter and etcher, Borcht worked as an illustrator for Plantin, e.g., on Dodoen s famous herbarium as well as numerous liturgical works. Monogrammist HSD was a Dutch engraver active in the period 1570-80, possibly in Antwerp (cf. Nagler). His extant work focuses on biblical illustrations, including a suite of engravings of the 12 apostles, after the German painter Hans Sebald Beham. 8 engravings, including the title, are here signed PB . No. 32 bears a monogram which could be read IS or SI , and which remains unidentified; no. 46 is signed HDS , perhaps for HSD . Nagler III, p. 635, n. 1519; Brulliot I, p. 202, n. 1592; New Hollstein Dutch, Borcht I, 15-75; Thieme-Becker, XXXVII, p. 412. M. Giuliani, La biblioteca di Casa Pellegrini , Studia Borromaica, 12 (1998), pp.39-100; P. Pellegrini, L architettura, ed. G. Panizza (1990).

Condition: Very Good. Pieter van der Borcht (illustrator). Blue cloth boards with gilt decor to front board and gilt title to spine. 175 pages to which is added a supplement of plates from The Royal Entry of Albrecht and Isabella into Antwerp,1599. First Published Antwerp, Ex Officina Plantiniana, 1602; Folio ; 175 pages; All shipments through USPS insured Priority Mail.

Vellum. Condition: Very Good. No Jacket. Theodor Galle / Pieter van der Borcht (illustrator). 3rd Edition. Please email for Photographs or further information. Very Good - Quarto (4vo). 2 works in one volume, bound with: Lipsius ? Analecta sive Observationes reliquae ad Militiam et hosce libros.Contemporary-style limp vellum over boards, titled in manuscript to spine, edges sprinkled red. Engraved Plantin device on both titles; numerous full-page and folding copper-engraved plates and diagrams after Pieter van der Borcht, engraved by Theodor Galle in the Plantin-Moretus workshop, showing Roman soldiers, standards, armour, cavalry and tactical formations, including the large folding Iconismus aciei vulgatae. Small burn-mark to lower outer margins of prelims and title, plates generally crisp and darkly impressed; a tall and attractive copy. Marginal restoration to the initial pages, including the title page. Pages (4); 366; 39; 6nn. (6). Brunet III, 1100; Cockle 689; Graesse IV, 258; Mortimer (Harvard) 335; Adams L-824. . 1602 3rd Edition , With Provenance DE MILITIA ROMANA LIBRI QUINQUE, COMMENTARIUS AD POLYBIUM By Justus (Iustus) Lipsius Author Bio: Justus Lipsius (also Iustus Lipsius, 1547-1606) was one of the most important humanist scholars of the late Renaissance ? a philologist, historian, moral philosopher, and one of the founders of Neo-Stoicism. Illustrated By: Theodor Galle / Pieter van der Borcht Illustrator Bio: Theodor Galle (Dirck or Theodoor Galle, 1571-1633), working from designs by Pieter van der Borcht the Elder (c. 1545-1608) Provenance: S. del C. de Torrepalma - a provenance note for the Spanish noble house that held the title Conde de Torrepalma ("Count of Torrepalma"). The Condado de Torrepalma is a Spanish comital title created by King Carlos II in 1679 (royal dispatch 4 Nov 1680) for Alonso Verdugo y Albornoz. The title later passed into the Álvarez de las Asturias Bohórquez line and, by marriage and succession, connected with the Dukes of Gor. The name derives from the Torrepalma estate near Carmona (Seville). Notable holders include Alonso Verdugo de Castilla (1706-1767), 3rd Count, a diplomat, poet, and member of the Real Academia Española and Real Academia de la Historia. Synopsis: [Bound with:] Analecta sive Observationes reliquae ad militiam. Antuerpiae: apud Ioannem Moretum, 1602. Giusto Lipsio First Plantin-Moretus illustrated edition of Lipsius's classic reconstruction of the Roman army, a foundational text of early modern military science. In De Militia Romana Lipsius (1547-1606) systematises the organization, discipline, and tactics of the legions from Polybius and other classical sources, reviving Roman practice for use in the age of gunpowder. Its companion Analecta supplies further antiquarian notes. The magnificent suite of engravings?executed under Theodor Galle from van der Borcht's designs?represents one of the high points of the Plantin-Moretus press and the first sustained visual archaeology of the Roman army. The work was studied by Maurice of Nassau and other reformers who shaped seventeenth-century drill and tactics. A cornerstone of Renaissance military scholarship and a beautiful product of the Antwerp engraving tradition. Complete examples with all plates and the large folding Iconismus intact are now uncommon. Binding: Vellum, quarto (4to 9 1?2 × 12 in 241 × 305 mm ) Note: Binding/size selection follows standard bibliographic conventions and is approximate; exact measurements may vary. Collation: pp. 421 Language: Latin Published By: Ex Officina Plantiniana, Apud Ioannem Moretum, Antwerp Condition Report: Dust Jacket: No Jacket, Dust Jacket Condition: No Jacket Very Good - Quarto (4vo). 2 works in one volume, bound with: Lipsius ? Analecta sive Observationes reliquae ad Militiam et hosce libros.Contemporary-style limp vellum over boards, titled in manuscript to spine, edges sprinkled red. Engraved Plantin device on both titles; numerous full-page and folding copper-engraved plates and diagrams after Pieter van der Borcht, engraved by Theodor Galle in the Plantin-Moret.

The Flight into Egypt; The Virgin Mary seen to left, riding a donkey sideways and feeding Baby Jesus; St Jopseph seen to right with a basket filled with carpenter's tools; in the background, to left: Mary and Joseph starting their journey; illustration from Montano's 'Humanae Salutis Monumenta' (Antwerp). Signed at the bottom: 'PB' and 'IHW'; in brown ink below left:'P. Breugel'[sic!] and 'H. Wierix'. On the verso collector's mark: Gustave Francotte (1852-1925) L. 3196 l Very nice engraving on paper with small margins; platemark: 114 x 73; total: 124 x 78 mm Hollstein 11.A.(79) (Wierix; Book Illustrations); Alvin 1866 168, 1614b; Mauquoy-Hendrickx 1979 2190.

Album in oblungo in piena pergamena ottocentesca, cm. 10 x22,5, 41 cc incise all'acquaforte al recto e verso per un totale di 82 incisioni. Alcune incisioni contengono due scene, pertanto si possono ammirare complessivi 110 episodi dell'Antico e Nuovo Testamento. Bellissima fresca impressione, molte incisioni presentano firma sulla lastra dell'A. Sebbene una delle incisioni sia datata 1582 nella targa, la serie stampata fu pubblicata per la prima volta nel 1602 da Cornelis Claesz ad Amsterdam. La famiglia di Van der Bocht nel terzo e quarto quarto del XVI secolo, fu responsabile di un importante contributo all'arte grafica ad Anversa, città che godeva di un pregevole riguardo nell'arte della stampa del periodo. Album rarissimo a trovarsi completo.

Illustrated with an engraved title vignette of a knight on horseback with background and 20 full-page etchings, attributed to Pieter van der Borcht. (illustrator). First Plantin edition. Illustrated with an engraved title vignette of a knight on horseback with background and 20 full-page etchings, attributed to Pieter van der Borcht. First Plantin edition. In contemporary limp vellum. Title on spine lettered in ink. Edges tinted in red. Roman type. 20 verse lines, and headline. Large floriated and historiated woodcut initials, ornamental tailpieces, printer's device at the end. 8º: ***8, AN8, O4 [O4 blank, its residual part mounted to pastedown]; (32), 208, (8) p. Scarce, illustrated Spanish edition, the first by Plantin, of La Marche's allegorical work Le chevalier délibéré. A beautiful 16th-century edition of this popular allegory with the suite of twenty-one splendid etchings, attributed to Pieter van der Borcht. Translated into Spanish by Hernando de Acuna (c.15201580) the much-esteemed poet and translator of the Spanish Golden Age. Le chevalier délibéré is the most important poetic work of Olivier de La Marche (14221502), the Burgundian courtier, poet and chronicler, "a didactic poem describing a knight's search for salvation through the vehicle of a quest. At first, he is impulsive, leaving his house par une soudaine achoison, on the spur of the moment. He is started along the way by Thought, who brings him to a realization of his soul's unprepared state and who acquaints him with the encounters he must face with the henchmen of Atropos, Goddess of Death: Accident and Debility. The knight as Author is befriended by the hermit Understanding and eventually arrives at the house of Study where Fresh Memory begins his real instruction." (Caroll, 1999.) USTC 440151; Imhof M-5; Brunei 111:782; Hollstein Dutch 111:106, 473493; Palau VII 130356. Bibliography: Caroll, C. W. (ed.): Olivier de La Marche. Le Chevalier delibere (The Resolute Knight). (Medieval & Renaissance Texts & Studies. Volume 199). Tempe: Arizona Center for Medieval and Renaissance Studies, 1999. p. 4. Imhof, D.: Jan Moretus and the Continuation of the Plantin Press. A Bibliography of the Works published and printed by Jan Moretus I in Antwerp (15891610). Vol. I. (AM). Leiden: Brill, 2014. pp. 437438. . A few stains on the binding, rear panel rubbed at lower left corner. Title page artistically restored at the lower margin, with no effect on the text. Last leaf (O4) cut, the residual part mounted on pastedown. Inside clean, illustrations are sharp, the margins wide. An attractive copy, in fine condition. In contemporary limp vellum. Title on spine lettered in ink. Edges tinted in red. Roman type. 20 verse lines, and headline. Large floriated and historiated woodcut initials, ornamental tailpieces, printer's device at the end.

Very rare 1662 edition (first issue), in the original Dutch, of an important and influential interpretation of the stories of the Old and New Testament, in the popular form of (originally) 119 engraved illustrations by Pieter van der Borcht (1535-1608), from Mechelen, and explanatory text by the anti-denominational Dutch mystic Hendrik Jansen (van) Barrefelt, also known as "Hiël" (ca. 1530-1594?). Barrefelt initiated two series of engravings for pictorial Bibles around 1582, believing that the contemplation of the biblical images would speak to a wide audience and bring them closer to God, though he also believed that other pictorial Bibles distorted the Bible's meaning. He enlisted Van der Borcht to produce two sets of etched and engraved illustrations of Bible stories and wrote brief commentaries to help people understand the images. Hamilton convincingly argues that the present series B was designed to appeal more to Protestants and the other series A to appeal more to Catholics. Hamilton calls these pictorial Bibles Barrefelt's "most successful" publications, "both in his lifetime and after."Lacking 7 leaves with 14 engravings, and heavily trimmed at the head. Fortunately the text of Barrefelt's commentaries is unaffected and the pictorial images of Van der Borcht's engravings almost unaffected. Several leaves are detached and there are several other defects. Since only one or possibly no complete copy of this issue is known to survive and only one complete copy of the later issue of this edition, one must be grateful that the present copy has survived with all preliminary leaves and with about 85% of the engravings and commentaries.l A. Hamilton, "From Familism to Pietism: the fortunes of Pieter van der Borcht's biblical illustrations and Hiël's commentaries .", in: Quaerendo XI (1981), pp. 271-301, at pp. 294-295; KVK & WorldCat (3 copies, at least 2 incomp.); New Hollstein . Pieter van der Borcht, p. 133, 5 (same 3 copies, at least 2 incompl.) & plates 335-422; STCN (2 of the same 3 copies, both incompl.; cf. 1671 reissue, 1 compl. & 1 incompl.); Poortman, Bijbel en prent II, p. 39, c1 (see also pp. 23-24); cf. R. Dekoninck, "Entre réforme et contre-réforme: le 'Imagines et figurae bibliorum' de Pieter van der Borcht et Hendrik Jansen van Barrefelt .", in: Quaerendo XIX (1999), pp. 96-131; P. Visser, "Jan Philipsz Schabaelje and Pieter van der Borcht's etchings .", in Quaerendo XVIII (1988), pp. 35-76, esp. pp. 67-69. Early 19th-century half vellum, sewn on 2 tapes (but now detached), marbled sides (small shell pattern, brown with yellow veins), with the remains of a gold-tooled spine-label that originally read "BIBELSCHE|FIGUEREN|1662". With a general title-page plus a separate title-page for the New Testament alone, each with the same new woodcut rendition of the device Michiel Colijn used in his 1613 editions (Archangel Michael vanquishing Satan in an oval cartouche with motto "hoc custode tutus"), 97 (of 119) engraved and etched Bible scenes printed from 32 (of 38) Old Testament and 42 (of 50) New Testament plates (plate size 10 x 22.5 cm) by Pieter van der Borcht (31 of this edition's New Testament engravings contain 2 scenes each, so that its 88 engravings contain 119 scenes), 1 large woodcut headpiece and 1 woodcut decorated initial. Set in textura types with incidental roman and italic. Lacking 7 leaves containing 14 engravings. Pages: 44 [lacking 15-16, 41-44]; 52 [lacking 41-48] pp.

Full Calf. Condition: Near Fine. First Edition thus. Beautifully presented collection of 72 etchings by Pieter van der Borcht the Elder (who signed the plate on p. 357), from one of the gems of Renaissance illustrated books, a very early juvenilia, Ovid's Metamorphoses abbreviated. Oblong 16mo: 209-212,215-218,221-246,251-310,315-362,[17, index and approbatio]pp, with 72 full-page plates on 71 leaves (the versos of which carry the letterpress texts related to the plates on the rectos); the final plate is the full-page Plantin device, with the legend 'Labore et Constantinia.' Newly bound by Fitterer in full mottled calf with richly gilded spine. A defective copy (priced accordingly), but rich in beautiful plates and beautifully bound. Funck 374-375. Hollstein III, 100, nos. 200-377. Adams O-504 (misidentifuing the format as oblong 8vo]. Delen II, 92-93. The vast majority of pages are interleaved with period blanks, which are neither paginated nor signed. The missing plates and texts from this sequence would have appeared on O3 (Pictura), O6 (Hercules and Achelous), Q4 (Ganymede), Q5 (Hyacinth), V4 (The Destruction of Troy), and V5 (Polymnestor). In total there would have been 181 plates, which includes the etched title page through the plate illustrating the Plantin device. Our copy, p. 209 through the Plantin device plate woiuld have had 78 plates.Thus, 6 plates are missing from this sequence. Rare full-page plates from the first illustrated edition of this summary of stories from the Metamorphoses, once ascribed to the medieval grammarian Aelius Donatus and later to Lactantius Placidus, the ostensible author of a medieval Latin glossary, but both attributions proven incorrect by Gerlinde Bretzigheimer.) The etchings are by Pieter van der Borcht (c. 15301608), the Flemish Renaissance artist, who signed the plate on p. 357. (Van der Borcht went to work for Christopher Plantin at an early age and designed many of the printer's typographical ornaments.) "One of the gems of Renaissance illustrated books, adapted anonymously .from Ovid for the young and dedicated by the printer to two young boys, Luis and Martin Perez de Baron. N. B. With few exceptions (always identified), we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).

Komplette Folge von vier Kupferstichen von ca. 1580. 4 Kupferstiche auf 1 Blatt. Alt aufgezogen. -- Blatt-Maße: 36 x 49 cm. -- gut erhalten. || Original copper engravings from c. 1580. Very rare complete series of 4 engravings. Four engravings mounted on one sheet. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Condition: Sehr gut. 12,2 x 16,7 cm (Innenansicht) bzw. 19,9 x 24,5 cm (mit Bordüre). Mit kleinem umlaufenden Rändchen. *Hollstein 389. Aus einer seltenen Monatsfolge von 12 Blatt, hier das Blatt vom Monat November. Zeigt zwei Schweinehirten beim Füttern der Schweine am Waldrand. Mit üppigem Zierrat, Figuren und Putten in der breiten Umrahmung. Unten mittig die Bezeichnung "Novemb" mit lateinischem Sinnspruch. - Pieter van der Borcht (1545 Mechelen - Antwerpen 1608) war ein produktiver Maler und Kupferstecher, über dessen Leben wenig bekannt ist. Man nimmt an, dass es sich entweder um einen ungemein produktiven Künstler handelt, oder dass es zwei oder mehrere Künstler dieses Namens gab. Die Zwölf Monatsbilder (undatiert und ohne Plattensignatur) mit den Rahmenbordüren von Lucas van Doetecum wurden früher Hans Bol zugeschrieben, heute werden sie dem Künstler Pieter van Borcht zugeschrieben. - Schöner Abzug in sehr guter Erhaltung. Sprache: Deutsch Gewicht in Gramm: 200.

Appeared in the 1612 edition and later of Guicciardini's "Beschryvinghe of all the Netherlands; (.)", this plate numbered as "8" on the bottom right represents the Hanzehuis in Antwerp, the headquarter of the Hanseatic League. In front of the building, on the square, figures walking, riding horses and carriages. Two large ships at each side of the building.Inscribed above in two different cartouches: "DOMUS HANSAE / TEUTONICAE" and "SACRI ROMANI / IMPERII". (Guicciardini Illustratus, Antwerpen-Hanzehuis, 2.2, p. 134). Copper engraving on paper with margins; plate mark: 238 x 320 mm, total: 261 x 346 mm; state II/2; two pages joined together in the middle. Foolscap watermark.

Appeared in the 1612 edition and later of Guicciardini's "Beschryvinghe of all the Netherlands; (.)", this plate numbered as "6" on the bottom right represents the Cathedral of our Lady in Antwerp. Some citizens on the bottom right are conversing with a cripple sitting in front of the church.Titled above in a panel held by two angels "TEMPLE D. VIRGINIS / MARIAE VERA DEINEATIO". Therefore, this is the second version of the plate (Antwerpen-Kathedraal 3.2 in Guicciardini Illustratus, p. 137) which appeared at first in the 1612 Blaeu Dutch edition, until Janssonius' in 1648. Copper engraving on paper with margins; plate mark: 237 x 318 mm, total: 258 x 346 mm; state II/2; two pages joined together in the middle. On verso transfer traces of fresh ink due to the piling of sheets after pressing. Watermark with foolscap on the right.

Appeared in the 1612 edition and later of Guicciardini's "Beschryvinghe of all the Netherlands; (.)", this plate numbered as "6" on the bottom right represents the Cathedral of our Lady in Antwerp. Some citizens on the bottom right are conversing with a cripple sitting in front of the church.Titled above in a panel held by two angels "TEMPLE D. VIRGINIS / MARIAE VERA DEINEATIO". Therefore, this is the second version of the plate (Antwerpen-Kathedraal 3.2 in Guicciardini Illustratus, p. 137) which appeared at first in the 1612 Blaeu Dutch edition, until Janssonius' in 1648. Copper engraving on paper with margins; plate mark: 237 x 318 mm, total: 264 x 332 mm; two pages joined together in the middle. Light stain on the right and left margins; folding on bottom right corner. On the bottom left a small worm hole. Countermark on the right.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 158. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages: - 99, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 99 99.

Leather Bound. Condition: New. Language: Latin. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2022, utilizing the invaluable guidance of the original edition published many years ago in 1583. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages:- 175, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 175.

Leather Bound. Condition: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1571. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: : - 198, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 198 198.

Pieter van der Borcht I (illustrator). 'IHW P.'Scene of the Circumcision of Christ in a richly decorated interior, with multiple figures surrounding the infant Christ on a table.Made by Johannes Wierix after Pieter van der Borcht I.Medium: Engraving on hand laid (verge) paper.Sheet size: 7.6 x 12 cm (2.99 x 4.72 inch). Image size: 7.4 x 11.8 cm. (2.91 x 4.65 inch).CIRCUMCISION OF CHRIST, BIBLICAL SCENE, WIERIX, VAN DER BORCHT, ENGRAVING, FLEMISH PRINT, 16TH CENTURY, CHRIST CHILD, TEMPLE RITUAL | PCO-E18-25BACKGROUND INFORMATIONWith rear text.Reference: Hollstein Wierix 66; New Hollstein Wierix 298.Biography engraver: Johannes Wierix (1549-c.1620) was a prolific Flemish engraver and draughtsman. Known for his meticulous technique and contributions to Counter-Reformation art, he worked for major publishers like Plantin and collaborated with artists such as Maerten de Vos. Despite a turbulent lifestyle, he produced an enormous volume of detailed engravings and miniature drawings.Biography artist: Pieter van der Borcht I (c.1530-1608), Flemish Renaissance draughtsman and print designer, known for botanical illustrations and genre scenes. Collaborated extensively with the Plantin Press and introduced new satirical motifs like the singerie. His religious and scientific illustrations were influential across Europe. Condition: very good, given age. Minor age-toning, strong impression, wide margins, no tears. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Full Leather Bound. Condition: NEW. Language: Latin. {Size: 14.60 x 22.86 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, PURPLE DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in [1583] and this unique edition is Reprinted in 2022 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Latin, Pages 175, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. 175.