Pinter Donald (20 results)

Soft cover. Condition: Very Good. 92 pages. Barbara Everett "In searck of Prufrock " / P G Mudford "T.S. Eliot's plays and the tradition of 'High Comedy'" / Donald Crompton "George Orwell's autobiographical writings and the early novels - False Maps of the world" / Roger B Henkle "From Pooter to Pinter: Domestic Comedy and Vulnerability" (U.P.).

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. 1st edition. VG+. 8vo, 168pp, printed wrappers. Another prime issue of this essential postwar literary magazine, includes letters from Cummings to Pound; interviews with Pinter and Albee, plus work by Di Prima, Padgett, Sotere Torregian, et al. Unmarked copy with light toning and wear and minor bump to one corner. Not Signed.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Original colour card wrap covers [soft back]. 4to. 12˝'' x 9˝''. Contains 72 pp + covers with monochrome photographic stills throughout, colour illustrated advertisements to front and rear. Thin wavy damp tide mark to the bottom edge of the first 20 leaves, diagonal crease line across the rear corner. Member of the P.B.F.A. THEATRE PROGRAMMES.

Original Wraps. Condition: Near Fine. Dust Jacket Condition: No Jacket, as Issued. Sean Jennett (Cover design) (illustrator). First Edition. Vol. 5. No. 19 - August 1950 - the eighteenth issue in the original series of the historic Poetry magazine, edited by Richard March and Nicholas Moore, who had taken over from Tambimuttu. With front cover mandala illustration by Sean Jennett. ***Includes the poems: "New Year in the Midlands" and "Chandeliers and Shadows" - these being the first published appearance by Nobel laureate Harold Pinter, preceded only by his juvenilia. ***Front cover mandala type illustration by Sean Jennett. ***Near fine in the original thin blue illustrated stapled covers. The covers are remarkably clean and unmarked, with just light rubbing to the fragile spine. No significant creasing, just very light corner creases. Complete with the subscription slip present bound inside the rear cover. Hardly any of the usual foxing. Interior pages clean. Covers clean. No inscriptions. ***32 pages (plus adverts on inside of covers, including an advert for the forthcoming publication of "The Rent That's Due to Love" by Gwyn Williams and "The Pallisades of Fear" by Ronald Bottrall - Editions Poetry London. 248mm x 185mm. ***Contents: David Wright 'Verses from Northamptonshire', Gavin Ewart and Jack Clark 'Uncle Tom's Cabin', Louis Johnson 'On the Road', Harold Pinter 'New Year in the Midlands' and 'Chandeliers and Shadows', Donald Davie 'Christmas Week, 1948', Allen Curnow 'Elegy on my Father', B. A. Giles 'Europa', Peter Jackson 'I, Who Would Not See His Death', and 'On Mornings Claiming Kinship with the Sun', E. H. Kesterton 'Nostalgia, with a Little Despair' and 'Poem in the Manner of Seferis the Greek', Ruth Tenny 'The One Eternal', 'The New Age', 'The Wage' and Snare, Hook and Words'. ***Points of View: 'A Modern Tragedy' by Christopher Hassall, 'Prophets and Tramps' by Paul Dehn, 'What a Party!' by Jon Manchip White and 'The Recovery of Tradition' by S/ L. Bethell. ***Vol. 5. No. 19 - the nineteenth issue of the original first series of this renowned poetry magazine, published five years after the Second World War, and in remarkably good condition considering the fragility of the publication. Of interest to collectors of poetry first editions, the publications of Poetry London. and the early work of Harold Pinter. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Two vintage promotional photographs from the 1976 film. Rubber stamp to the verso of one photo. Based on the unfinished 1941 novel by F. Scott Fitzgerald. Effectively a tribute to early cinema, in which Robert De Niro plays a movie producer who nearly works himself to death. Director Elia Kazan's final directorial effort, and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Nominated for an Academy Award. Set in Hollywood and shot there on location. One photo 7.25 x 9.75 inches and one photo 8 x 9.75 inches. Near Fine. Godard, Histoire(s) du cinema.

Hard Cover. Dust Jacket Condition: Dust Jacket. First Edition. First UK Edition. Publisher's dark green boards lettered in gilt to the spine. A near fine copy (or better) copy in like dustwrapper with the usual slight fading to the yellow spine. FROM THE COLLECTION OF THE ACTOR JAMES GROUT (MOST FAMOUS FOR HIS LONG-STANDING ROLE AS CHIEF-SUPERINTENDENT STRANGE IN INSPECTOR MORSE). In 1985 James Grout was one of the stars of the play "Sweet Bird of Youth" by Tennessee Williams at the Theatre Royal Plymouth. This copy is signed, inter alia, by HAROLD PINTER who directed the play, LAUREN BACALL as the faded Hollywood actress "The Princess Kosmonopolis" reduced to getting her kicks from drugs and sex with a young handsome masseur-gigolo (Chance Wayne played by Michael Beck). James Grout powerfully played the role of local tycoon and political bigwig Boss Finley who just stops short of being over the top. Finley's mistress is played by FRANCES CUKA with a "rubber ball bounciness". The total number of signatures numbers 27 (including those mentioned above). Laid in is the Plymouth accommodation list for the cast noteworthy for the fact that LAUREN BACALL stayed at the Mayflower Post House Hotel, JAMES GROUT at the Plymouth Holiday Inn with lesser B & B style accommodation for most of the rest of the cast. It is likely that James Grout arranged for this book to be multi-signed in this way. It is likely to be unique containing as it does the signatures of, inter alia, Harold Pinter and Lauren Bacall. An important piece of theatre ephemera. Photographs/scans available upon request.

Five vintage borderless photographs from the 1961 Broadway production. Two photographs with mimeo snipes, four photographs with the stamp of photographer Sam Siegel, and one photograph with the stamp of photographer Michael Boys on the verso. The Caretaker opened at the Lyceum Theatre on October 4, 1961, for a run of 165 performances, closing on February 24, 1962. Harold Pinter's sixth major work and first commercial success, a tragicomedy highly indebted to Samuel Beckett's Waiting for Godot (1953). The play premiered at the Arts Theatre Club in London in April of 1960, transferring to the Duchess Theatre a month later, then, after 444 performances, to Broadway in 1961, where it starred Alan Bates, Donald Pleasence, and Robert Shaw. Nominated for three Tony Awards, including Best Play, Best Actor in a Play for Donald Pleasance, and Best Direction of a Play for Donald McWhinnie. Revived twice on Broadway, in 1986 and 2004. Basis for the 1963 film, directed by Clive Donner, adapted for the screen by Pinter, and with Bates, Pleasance, and Shaw all reprising their roles. 8 x 10 inches. Light edgewear, else Near Fine.

Condition: New. Print on Demand pp. xi + 232.

Condition: New. Print on Demand pp. xi + 232.

Condition: New. PRINT ON DEMAND pp. xi + 232.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Since the early rise of the novel, utopian stories have held the public imagination. This text argues that though these books may appear to be social statements or ideological propaganda, they should be treated as literary texts, not as blueprints for a hum.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Since the early rise of the novel, utopian stories have held the public imagination. This critical text argues that though these books are commonly seen as social statements or ideological propaganda, they should be treated as literary texts, not as blueprints for a human community. Thomas More's Utopia, H.G. Wells's A Modern Utopia, Aldous Huxley's Brave New World, and Arthur C. Clarke's The City and the Stars are examined as texts representative of utopianism during specific historical periods. This thoughtful study is a vital addition to critical discussion of utopian literature.

Taschenbuch. Condition: Neu. The Anatomy of Utopia | Narration, Estrangement and Ambiguity in More, Wells, Huxley and Clarke | Károly Pintér | Taschenbuch | Kartoniert / Broschiert | Englisch | 2010 | McFarland | EAN 9780786440368 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.