Platier Jules (16 results)
"Le Bureau du Commissaire de Police: C'est la verite, Monsieur le Commissaire, ma poche a ete devalisee par ce morveux.," [Office of the Police Commissioner: It's true, Officer, my pocket was robbed by this brat!], plate no. 5.
Platier, Jules (after); Imprimerie d'Aubert & C.ie. (engrav.).
Published by Paris: Le Charivari, [ca. 1840s]., 1840
- Art / Print / Poster
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Add to basketCondition: Good. 14 x 9.75 inches (36 x 25 cm). Unbound sheet. Good with marginal tearing along upper left corner and some staining on upper right corner. Original black and white 19th century lithograph by Julies Platier in Le Charivari. Contains signature on bottom left: "J. Platier." Additional text on bottom reads: "Imp. D'A…ubert & Cie." Verso is newspaper page from Le Charivari. En Francais.
"Le Bureau du Commissaire de Police: Oui, Mr. Le Commissaire, j'ai ete engorge, assasine par Mr. Montonnet." [Office of the Police Commissioner: Yes, Officer, I was slaughtered, assassinated by Mr. Montonnet.], plate no. 6.
Platier, Jules (after); Imprimerie d'Aubert & C.ie. (engrav.).
Published by Paris: Le Charivari, [ca. 1840s]., 1840
- Art / Print / Poster
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Add to basketCondition: Good. 14 x 9.75 inches (36 x 25 cm). Unbound sheet. Good with light staining on right side. Original black and white 19th century lithograph by Julies Platier in Le Charivari. Contains signature on bottom left: "J. Platier." Additional text on bottom reads: "Chez Banger R. du Croissant 16" and "Imp. D'Aubert & Cie." V…erso is newspaper page from Le Charivari. En Francais.
"N'Ecoutez pas cet infirme Sergent." [Don't listen to that infirme sergeant.], plate no. 1.
Platier, Jules (after); Imprimerie d'Aubert & C.ie. (engrav.).
Published by Paris: Le Charivari, [ca. 1840s]., 1840
- Art / Print / Poster
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Add to basketCondition: Good. 14 x 9.75 inches (36 x 25 cm). Unbound sheet. Very good with some foxing on upper edge and light ink staining on left side. Original black and white 19th century lithograph by Julies Platier in Le Charivari. Contains signature on bottom left: "J. Platier." Additional text on bottom reads: "Chez Banger R. du Croi…ssant 16" and "Imp. D'Aubert & Cie." Verso is newspaper page from Le Charivari. En Francais.
"Le Bureau du Commissaire de Police: Oui, mon commissaire, les emondices sortaient de chez Madame." [Office of the Police Commissioner: Yes, Officer, that filth was leaving Madame's house.], plate no. 2.
Platier, Jules (after); Imprimerie d'Aubert & C.ie. (engrav.).
Published by Paris: Le Charivari, [ca. 1840s]., 1840
- Art / Print / Poster
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Add to basketCondition: Good. 14 x 9.75 inches (36 x 25 cm). Unbound sheet. Very good with some foxing on upper edge and cropped text on bottom. Original black and white 19th century lithograph by Julies Platier in Le Charivari. Contains signature on bottom left: "J. Platier." Additional text on bottom reads: "Chez Banger R. du Croissant 16"… and "Imp. D'Aubert & Cie." Verso is newspaper page from Le Charivari. En Francais.
Published by Paris: Aubert & Cie., circa 1840., 1840
- Art / Print / Poster
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Add to basketCondition: Good. Original lithograph. 26 x 32.5 cm (sheet). Very Good, some tears along sheet edges, missing lower left sheet corner.
Published by Imp. D'Aubert. París, 1841, 1841
Seller: FARRÉ Libreria Anticuaria, Barcelona, B, SpainFARRÉ Libreria Anticuaria
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Add to basket. 36,5 X 40,5 cm. Litografía.
Published by Paris: Aubert & Cie., circa 1840., 1840
- Art / Print / Poster
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Add to basketCondition: Good. Hand-colored lithograph. 25.5 x 33.5 cm (sheet). Very Good, some tears along sheet edges, missing lower right sheet corner.
Published by Paris, France: Chez Aubert, [mid 19th century]
- Art / Print / Poster
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Add to basketCondition: Good. 26.5 x 23.5 cm. Good. Foxing; some scuffs and staining; worn sticker on reverse; uneven top edge; small tear along right edge; else very good. Hand-colored etching. Text in French. [From series: "Les activité domestiques : la soirée à la maison"].
Published by Imp. D'Aubert. París, s.a. (c. 1840, 1840
Seller: FARRÉ Libreria Anticuaria, Barcelona, B, SpainFARRÉ Libreria Anticuaria
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Add to basket). 37,5 X 45 cm. Litografía.
Published by Imp. Aubert. París, s.a. (c. 1840, 1840
Seller: FARRÉ Libreria Anticuaria, Barcelona, B, SpainFARRÉ Libreria Anticuaria
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Add to basket). 37,5 X 45 cm. Litografía.
Published by Imp. D'Aubert. París, s.a. (c. 1840, 1840
Seller: FARRÉ Libreria Anticuaria, Barcelona, B, SpainFARRÉ Libreria Anticuaria
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Add to basket). 37,5 X 45 cm. Litografía.
Published by Paris: Chez Aubert, circa 1844., 1844
- Art / Print / Poster
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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US$ 200.00
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Add to basketCondition: Good. Hand-colored lithograph. 26.5 x 35 cm (sheet). Very Good, light matte staining and foxing, colors fresh.
Published by Paris: Chez Aubert, circa 1844., 1844
- Art / Print / Poster
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Add to basketCondition: Good. Hand-colored lithograph. 27 x 34.5 cm (sheet). Very Good, light foxing, mostly in the margin areas, colors fresh.
More imagesPublished by Paris Aubert & Cie C1840, 1840
- First Edition
- Art / Print / Poster
Seller: Harrison-Hiett Rare Books, Richelieu, FranceHarrison-Hiett Rare Books
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Add to basketFirst edition. A lovely hand coloured caricature by the little known French caricaturist Jules Platier. An old lady speaks to an ancient sodier, and tells him that there are cherry trees near the guard house which he may scare! Perhaps a reference to his red cheeks or uniform? This plate is the 15th in the series published by Au…bert under the ironic title Les Jolis Petits Visages, comprising 20 plates published between 1839 and 1841. These also appeared in black in La Nouvelle Lanterne Magique from the same publisher. Beautifully coloured. Very slightly darkened sheet, with evidence of being hung / tipped in at some point. Fractional edgewear but overall an excellent example. 27.5cm x 36cm. Jules Platier is one of the least known French caricaturists, despite his evident skill. His wonderful compositions show a high level of artistic skill. His birth and death dates or places are unknown. He was particularly associated with the Parisian publishing house established by Charles Philippon and Gabriel Aubert. .
More imagesPublished by Paris: Chez Bauger, 1842, 1842
- First Edition
Seller: David Brass Rare Books, Inc., Calabasas, CA, U.S.A.David Brass Rare Books, Inc.
Contact seller5-star sellerFirst Edition. Jules Platier - Les Lions A Virtually Unknown Suite of Hand Colored Lithographs PLATIER, Jules. Les Lions. Paris: Chez Bauger, [1842]. First and only edition. Oblong folio (13 1/4 x 9 11/16 inches; 335 x 246 mm.). Six (of eight?) magnificent hand colored lithographs heightened with gum arabic. First plate with exp…ert and almost invisible restoration to blank lower left hand corner (1/2 x 1/2 inch; 12 x 12 mm.). Chemised in a quarter black morocco over black cloth boards clamshell case. Spine with five raised bands decoratively tooled and lettered in gilt. This suite is virtually unknown. There is no record of any other example. It is possible and highly likely that the suite consisted of eight lithographs as there are records of two uncolored prints from this series - numbers 7 & 8 at Le Musée Carnavalet in Paris (see below). The Cleveland Museum of Art have one uncolored Le Charivari print from this exceptionally rare suite (number 3). Le Musée Carnavalet in Paris have two uncolored prints titled Le Faux Lion - The False Lion (no. 7) & Le Vieux Lion - The Old Lion (no. 8) According to OCLC & KVK there are no other examples in libraries & institutions worldwide. Jules Platier was an artist, active in the 1830s to 1840s and who notably drew a series of caricatures on the various types of male characters called "lions", published in Le Charivari, in 1842. This series is called The Lions, with: "The false lion", "The low floor lion", "The old lion", "The artistic lion", "the Sunday lion", "The literary lion", etc. He also collaborated with the newspaper La Mode among others. Jules Platier was a caricaturist and lithographer who published a number of works through the Parisian publishing house established by Charles Philippon and Gabriel Aubert but otherwise little is known of his life and works (see James Cuno, 'The Business and Politics of Caricature - Charles Philipon and the Maison Aubert', Gasette des Beaux-Arts, cvi (1985) pp. 95-112). "Platier, Dessinateur-lithographe, qui a travaillé surtout entre 1840 et 1855. Une de ses suites: Le Bureau du Commissaire de Police, eut, à l'epoque, un grand succès de popularité." (Grand Carteret. Bibliographie des Artistes Caricaturistes, p. 665). Jules Platier, Draftsman-Lithographer, who worked mainly between 1840 and 1855. One of his suites: The Office of the Police Commissioner, had, at the time, a great success of popularity. (Grand Carteret. Bibliographie des Artistes Caricaturistes, p. 665). The Plates: Plate 1. LE LION LITTÉRAIRE. Le Lion littéraire est le cauchemar des directeurs de théâtres et des rédacteurs de journaux, il a la manie du drame et des nocturnes à 2 voix, il se nourrit de lait et de fromage et passe ses soirées dans les coulisses de théâtres extra-muros, il meurt poitrinaire laissant une foule d'ouvrages inédits. THE LITERARY LION. The literary Lion is the nightmare of theater directors and newspaper editors, he has a mania for drama and 2-voice nocturnes, he feeds on milk and cheese and spends his evenings backstage at extramural theaters, he dies chest-deep leaving a host of unpublished works. Plate 2. LE LION EXCENTRIQUE. Il a 40 ans 1500 livres de rente, un faux râtelier et perche dans une mansarde de la rue de la Paix ; il fréquente les maisons de jeux et fait une grande consommation de modistes, son excentricité s'étend aussi sur son langage ; il dit c'est chamant, admiable, étoudissant, il porte corset. THE ECCENTRIC LION. He is 40 years old with 1500 pounds of rent, a fake rack and perch in a garret on the rue de la Paix; he frequents gambling houses and makes a great consumption of milliners, his eccentricity also extends to his language; he says it's embarrassing, admirable, suffocating, he wears corset. Plate 3. LE LION DE BAS ÈTAGE. Il est marchand de contremarques, courtier-marron ou professeur de pugilat; sa tournure est athlitique sa chevelure abondante et sa barbe inculte. On le trouve passade du Saumon, boulevard du Temple et à la porte de tous les théâtres; il exerce de grands ravages parmi les écaillères de la rue Montorgueil; du reste il est insolent et porte des chemises de couleur. THE LOW LEVEL LION. He is a countermark dealer, maroon-broker or professor of fistfights; his figure is athletic, his hair abundant and his beard uncultivated. You can find it on the Passade du Saumon, Boulevard du Temple and at the door of all the theatres; it exerts great ravages among the scales of the rue Montorgueil; besides, he is insolent and wears colored shirts. Plate 4. LE LION DU DIMANCHE. C'est aux Tuileries ou au jardin des plantes qu'il a placè le théâtre de ses exploits, là le binocle d'une main et le jonc proverbial de l'autre, il se livre à une foule de poses plus ou moins excentriques. Bien différent du véritable lion, notre héros ne sort que le Dimanche, fait cirer ses botles dans un passage et rentre avant minuit pour ne pas payer d'amendes au portier. THE SUNDAY LION. It was at the Tuileries or the Jardin des Plantes that he set up the theater of his exploits, there with binoculars in one hand and the proverbial rush in the other, he engaged in a host of more or less eccentric poses. Very different from the real lion, our hero only goes out on Sundays, has his shoes shined in a passage and comes back before midnight so as not to pay a fine to the doorman. Plate 5. LE LION ARTISTIQUE. Il est chevelu, mèlancolique et musard, mais il est laid, sale et vaniteux : ses promenades favorites sont les galeries du Louvre. (Ecole Flamande.) Il se nourrit de farineux tels que lentilles, haricots. Sur ses vieux iours il vend des allumettes chimiques. THE ARTISTIC LION. He is hairy, melancholic and dawdling, but he is ugly, dirty and vain: his favorite walks are the galleries of the Louvre. (Flemish School.) It feeds on mealy foods such as lentils, beans. In his old days he sells chemical matches. Plate 6. LE VÈRIABLE LION. De toutes les variétés du Lion celle-ci est la plus belle et la moins nombreuse. Le vrai Lion est.
Published by Aubert gal. Vero-Dodat. c.1840, Paris, 1840
- Art / Print / Poster
Seller: Alexandre Antique Prints, Maps & Books, Toronto, ON, CanadaAlexandre Antique Prints, Maps & Books
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Add to basketCondition: Very Good. A very scarce Peepshows & Magic Lanterns lithograph in fine original colour.Jules Platier a talented lithographer very much in the style of Daumier. He published a number of series of caricatures, exploring the French life and culture in the first half of nineteen century. His style, is the popular face, th…e grotesque. A certain proximity with Daumier. An undeniable talent and a penchant for drawing top hat. , Image Size : , Platemark Size : , Paper Size : 270x355 (mm), 10.63x13.98 (Inches), Original Hand Coloring, Lithograph.
