Pre Raphaelites (22 results)

First Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 288 pages : illustrations (some color), portraits ; 30 cm. Notes; Published by order of the Trustees of the Tate Gallery 2000 on the occasion of the exhibition at Tate Britain, London, 9 March-28 May 2000. Includes bibliographical references (page 281) and index. Contents; The beautiful and the true / by Robert Hewison -- Catalogue / by Robert Hewison, Ian Warrell and Stephen Wildman -- Introduction (RH) -- Foundations (IW) -- Learning from Turner (IW) -- Venice and the nature of gothic (RH) -- Patron and collector (RH) -- Ruskin's drawings 1844-1882 (SW) -- Ruskin's pre-Raphaelitism (IW & RH) -- A new era of art (RH) -- The storm-cloud of the nineteenth century (RH) -- Conclusion (RH) -- Chronology / compiled by Ian Warrell and Robert Hewison. Subjects; Ruskin, John 1819-1900 ; Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 Influence ; Exhibitions. 1800-1899. Pre-Raphaelitism Great Britain ; Exhibitions. Art Great Britain 19th century ; Exhibitions. Art, Modern 19th century. 3 Kg.

Paperback edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 288 pages : illustrations (some color), portraits ; 30 cm. Subjects; Ruskin, John 1819-1900 ; Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 Influence ; Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 ; Catalogs. Painting, English History 19th century ; Exhibitions. 3 Kg.

Condition: Very Good. New York, 1964; blue vinyl like paper covers; edge and corner wear; 4to - over 9 3/4" to 12" tall; interior clean and unmarked; not paginated.

First Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 288 pages : illustrations (some color), portraits ; 30 cm. Notes; Published by order of the Trustees of the Tate Gallery 2000 on the occasion of the exhibition at Tate Britain, London, 9 March-28 May 2000. Includes bibliographical references (page 281) and index. Contents; The beautiful and the true / by Robert Hewison -- Catalogue / by Robert Hewison, Ian Warrell and Stephen Wildman -- Introduction (RH) -- Foundations (IW) -- Learning from Turner (IW) -- Venice and the nature of gothic (RH) -- Patron and collector (RH) -- Ruskin's drawings 1844-1882 (SW) -- Ruskin's pre-Raphaelitism (IW & RH) -- A new era of art (RH) -- The storm-cloud of the nineteenth century (RH) -- Conclusion (RH) -- Chronology / compiled by Ian Warrell and Robert Hewison. Subjects; Ruskin, John 1819-1900 ; Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 Influence ; Exhibitions. 1800-1899. Pre-Raphaelitism Great Britain ; Exhibitions. Art Great Britain 19th century ; Exhibitions. Art, Modern 19th century. 1 Kg.

Paperback edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 288 pages : illustrations (some color), portraits ; 30 cm. Subjects; Ruskin, John 1819-1900 ; Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 Influence ; Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 ; Catalogs. Painting, English History 19th century ; Exhibitions. 1 Kg.

Soft cover. Condition: Very Good. 32 pages. Walter Taplin "Steel's Silent War" / Muriel Grindrod "Uneasy Italy" / Francis Williams "Chuter Ede" / Alfred C Bossom "Housing In France" / Three Months Of NHS / George Pendle "Targets & Markets" / Derek Patmore "The Pre-Raphaelites" (Papers).

Printed Wrapper. Condition: Very Good. Dust Jacket Condition: No Jacket. First Edition. 115 item, well illustrated catalogue.

First Edition. Good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Physical description; 2 v. (190, 129 p.) : ill. (some col.), ports. (some col.) ; 30 cm. Notes; Published on the occasion of an exhibition at G.A.L.L.E.R.Y., [8 Nov. - 15 Dec. 1989]. Includes index. Contents; v.1, Text - v.2, Plates. Summary; Burne-Jones, The Pre-Raphaelites and Their Century is one of the most scholarly books on the period, written by Hilary Morgan and edited by Peter Nahum with contributions by Christopher Newall. The detailed index will help both scholars and the curious. It contains ground-breaking essays on: The Nineteenth Century - A Hundred Years On; Before the Pre-Raphaelite Brotherhood; The Pre-Raphaelite Brotherhood and the Influence of Ruskin; Burne-Jones Drawings; The Flower Book; Giovanni and the Etruscan School and Pre-Raphaelitism and the Fin-de-Siecle. This lavishly illustrated book and catalogue of 19th century works has been an important source for academics and collectors since its publication. Subjects; Burne-Jones, Edward Coley Sir (1833-1898). Burne-Jones, Edward (English artist, 1833-1898) Exhibitions. Burne-Jones, Edward Sir (1833-1898) Exhibitions. Burne-Jones, Edward Coley (1833-1898) Exhibitions. Peter Nahum at the Leicester Galleries (London, England) Catalogues. Pre-Raphaelite Brotherhood Exhibitions. Peter Nahum (Firm). Draughtsmen, British 19th century. Painters, British 19th century. Pre-Raphaelitism. Preraphaelitism England Exhibitions. Preraphaelites England Exhibitions. Art, English Exhibitions. Art, Modern 19th century England Exhibitions. Art, Victorian Great Britain Exhibitions. Art, Modern 19th century Great Britain Exhibitions. Pre-Raphaelitism England Catalogs. Pre-Raphaelitism Great Britain. Pre-Raphaelitism Catalogues. Paintings. England. Pre-Raphaelites. Art, Modern-19th century-Great Britain. Exhibition catalogues. Art, Victorian. Pre-Raphaelites. Pre-Raphaelitism. Genres; Catalogue. Illustrated. 1 Kg.

Seitenränder leicht gebräunt, Name aufVorsatz. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

First Edition. Good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Physical description; 2 v. (190, 129 p.) : ill. (some col.), ports. (some col.) ; 30 cm. Notes; Published on the occasion of an exhibition at G.A.L.L.E.R.Y., [8 Nov. - 15 Dec. 1989]. Includes index. Contents; v.1, Text - v.2, Plates. Summary; Burne-Jones, The Pre-Raphaelites and Their Century is one of the most scholarly books on the period, written by Hilary Morgan and edited by Peter Nahum with contributions by Christopher Newall. The detailed index will help both scholars and the curious. It contains ground-breaking essays on: The Nineteenth Century - A Hundred Years On; Before the Pre-Raphaelite Brotherhood; The Pre-Raphaelite Brotherhood and the Influence of Ruskin; Burne-Jones Drawings; The Flower Book; Giovanni and the Etruscan School and Pre-Raphaelitism and the Fin-de-Siecle. This lavishly illustrated book and catalogue of 19th century works has been an important source for academics and collectors since its publication. Subjects; Burne-Jones, Edward Coley Sir (1833-1898). Burne-Jones, Edward (English artist, 1833-1898) Exhibitions. Burne-Jones, Edward Sir (1833-1898) Exhibitions. Burne-Jones, Edward Coley (1833-1898) Exhibitions. Peter Nahum at the Leicester Galleries (London, England) Catalogues. Pre-Raphaelite Brotherhood Exhibitions. Peter Nahum (Firm). Draughtsmen, British 19th century. Painters, British 19th century. Pre-Raphaelitism. Preraphaelitism England Exhibitions. Preraphaelites England Exhibitions. Art, English Exhibitions. Art, Modern 19th century England Exhibitions. Art, Victorian Great Britain Exhibitions. Art, Modern 19th century Great Britain Exhibitions. Pre-Raphaelitism England Catalogs. Pre-Raphaelitism Great Britain. Pre-Raphaelitism Catalogues. Paintings. England. Pre-Raphaelites. Art, Modern-19th century-Great Britain. Exhibition catalogues. Art, Victorian. Pre-Raphaelites. Pre-Raphaelitism. Genres; Catalogue. Illustrated. 1 Kg.

Hardcover with Dust Jacket. Condition: FINE. Dust Jacket Condition: FINE. First Edition. First Printing. 332pp. Color illustrated throughout. 4to, sewn binding in blue paper-over-board hard covers. FINE copy in FINE jacket. 'Challenging the dominant characterization of Edward Burne-Jones as an escapist who withdrew from the modern world into imaginary realms of his own creation, this groundbreaking book argues that he was engaged in a fundamentally radical defiance of the age, protesting against imperial aggression, capitalist economic inequality, and environmental destruction in the wake of the industrial revolution. Harnessing the utopian power of embodied aesthetic encounters, Burne-Jones drew inspiration from the medieval concept of dreams as visionary states of transformation. Therefore, his art functioned not as a retreat, but as a vehicle for revolutionary awakening. Often characterized as a painter, this book re-centers Burne-Jones?s practice in the decorative arts, demonstrating that he consistently interrogated the boundaries of artistic media, in keeping with wider debates over the role of the arts in the nineteenth century. The first scholarly monograph solely devoted to Burne-Jones since 1973, The Radical Vision of Edward Burne-Jones offers a thorough re-examination of his work, illuminating his radical defiance of the artistic, social, and political hierarchies of nineteenth-century Britain.

1p., 12mo. In very good condition, with part of gummed label from mount at head. Writing to 'My dear Faed', he accepts an invitation for 20 November, in the hope that 'we shall not be summoned to a Gen. Assembly on that evening if such things are ever again to be resumed!'.

Couverture souple. Condition: Très bon état. In-8 22 x 21,5 cm. Broché, couverture crème, premier illustré en couleurs, 135 pp., 114 reproductions en couleurs et en noir & blanc à pleine hors-texte. Exemplaire en très bon état. Texte en anglais.

See his entry in the Oxford DNB. 1p., 12mo. In good condition, lightly aged. Folded once for postage. Reads: 'Dear Yonge / Will you bring your rod & try the river this morning / Yours always / Thomas Fairbairn / Saturday'.

1p., 12mo. In good condition, with tiny remains of labels from mount adhering to corners. He returns her 'Burlington Club permit', with 'thanks for the opportunity of seeing so brilliant a Collection', before concluding with regards to her husband and 'Holly'.

First edition hard back binding in publisher's original white vellum over boards, three red silk ties across the front and rear boards blocked in black to the front board, probably designed by Charles Ricketts, top edge gilt. 8vo. 8½'' x 7''. Hand written Number 9 of 50 Limited Edition numbered copies SIGNED by the author to the Limitation Leaf 'Gordon Bottomley'. Produced on Abbey Mills, Greenfield Crown Paper. Contains 6-(xiv), 60 printed pages of text. In very near Fine condition and housed in red cloth drop front box with clear acrylic glass lid. Light sun fading down the spine of the box. Extremely rare production. Member of the P.B.F.A. POETRY, VERSE & RHYMES.

First edition hard back binding in publisher's original ivory cream buckram cloth covers, gilt title and author lettering to the spine, symmetrical Venetian architectural interior design by Charles Ricketts to the upper panel, top edge gilt. Quarto. 9'' x 7''. Hand written Number 12 of 50 Limited Edition Numbered Copies SIGNED by the author to the Limitation Leaf 'Gordon Bottomley'. Produced on Abbey Mills, Greenfield Crown Paper. Contains [xiv] 58 printed pages of text. Superb monochrome relief bookplate belonging to D. R. H. Williams to the front paste down. Light foxing to the end papers and in Very Good condition. Member of the P.B.F.A. POETRY, VERSE & RHYMES.

Paperback. Condition: Very Good. First Edition. 8vo. Original printed wrappers. Some soiling to front wrapper, chipping at foot of spine, else very good, preserved in half morocco slipcase and chemise. Fredeman 82.6. Buchanan's famous attack on Rossetti and the Pre-Raphaelites, which aroused a long and stormy controversy.

See both men's entries in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with slight spot from previous mount at one corner. Folded twice. Signed 'H. H. Armstead'. In reply to a letter of Dafforne, he reports that 'the Statues I have made for the "Colonial Office" Niches are not yet in situ - but are now being raised to the niches, and they will be in their places within the next few days.' He gives the names and positions of the statues, adding: 'The eight men are there as Secretaries of State for the Colonies'. He also indicates the work he has done for 'the central group representing the Queen &c &c': 'the two outside figures only they represent "Navigation" and "legislation", as well as 'the four flattish Reliefs under the central group [.] they are the Virtues "Truth," "Fortitude," "Temperance," and "Obedience." He continues: 'You are, of course, aware that the alto Relievos of the 5 divisions of the World & "Government" and "Education" are by me'. He concludes, with a hint of bitterness: 'I am glad you like the memorial work, it appears to give general pleasure - some satisfaction to the poor artists who were nearly made bankrupt by it.'.

Both items in good condition, on lightly-aged paper. Both of them bifoliums with mourning borders; and both in their original envelopes, addressed by Marston, with stamp and postmarks. ONE: 4pp., 12mo. He begins by stating that he is gratified to find that his poems please Baron. 'The only novel I wrote, (it is more than 20 years ago) has I believe been long out of print. A comparatively short tale entitled "Family Credit" together with other sketches and essays (chiefly contributed to "Household Worlds' [sic] was published many years gone by Messr. Ward and Lock as the 1st. Volume of a Sjhilling series, and is possibly still to be had on application to them.' He would gladly send Baron a photograph, but his supply is exhausted. 'Very good ones I believe are to be had of the Stereoscope Company Regent Street taken 10 years since and also late of Messrs Elliott & Fry. Baker St.' He apologises for the 'hurried scrawl': 'I am in the midst of preparations for leaving London'. TWO: 4pp., 12mo. He regrest that he cannot 'comply with Mrs. Baron's wishes': 'Years ago some valued letters of Mr. Charles Dickens & other correspondents were destroyed by the lamentable mistake of a servant, and of those which remain I have given away all except those which refer to matters important to myself. - | All the letters I retain of my late friend, D. G. Rossetti, are of the same character, with the exception of one or two written during his last illness which on that account I desire to preserve.' Baron was a shameless autograph hunter, and perhaps this prompts Marston to comment: 'Whenever it is known that autographs of distinguished men are to be had the possessor is immediately applied to, so that at this date you will not be surprised to find that I have not one autograph in my possession which I can part with either of Dickens or Rossetti.' Regarding his own 'literary activity', he regrets to say that he has 'no volume of poems in preparation'; his health is 'too much impaired for any mental labour except of the most necessary kind'. He is 'now preparing to quit town for change of air in the hope of benefit'.

A very nice association between two central figures in Victorian book illustration. 2pp, 12mo. Bifolium addressed on reverse of second leaf, with Penny Red stamp and three postmarks, to 'B Forster [sic] Esqr | Cavendish Villa | Carlton Hill | St Johns Wood'. Endorsed with date. In good condition, lightly aged, with traces of glue from mount to one edge. The letter reads: 'Dear Sir | I am sorry I could not send you the address yesterday from the fact of not knowing their number if your proofs have been very recently taken it would be necessary to lay them in the sun for a day or two unless the ink is perfectly dry it is apt to lift up in the darker parts'. He appends the address of the copperplate printers Horwood & Watkins. The Brothers Dalziel engraved much of Birket Foster's work.

4 facsimile pages of the original preliminary matter at the rear of the Rossetti Preface volume, this accompanied by 4 volumes in facsimile of the original periodical, these with tissue-guarded frontispiece etchings by (respectively) W. Holman Hunt, James Collinson, Ford Madox Brown and W.H. Deverell, final pages with offset browning from wrappers, pp. 30, [4], 192 (across four volumes), 8vo, original blue (the Preface) or buff wrappers, some browning and little creased and nicked to overhanging edges, the first volume with small wax-stain to fore-margin of front, the original portfolio of quarter cream and blue boards, browned and spotted with some wear, repaired along hinge, good. The Germ, the manifesto-cum-magazine of the Pre-Raphaelite Brotherhood, was not a financial success and ceased publication after four issues. But it was not without influence, and its status as a collectors' item brought about this facsimile, which adds a Prefatory volume by William Michael Rossetti.