Pringle Aileen (13 results)

Paperback. Condition: Very Good. Dust Jacket Condition: No Dust jacket. Vintage magazine. Light age/reading-wear. Includes: Richard Pryor (cover); Aileen Pringle Overview; The Abused Gothic Heroine; Harlem Nights Review; Born on the Fourth of July Review. This is likely the first/only appearance of many of these pieces. Text unmarked. Binding is tight, covers and spine fully intact. Slight shelf-wear and bumping to corners. Quantity Available: 1. Shipped Weight: 1-2 Pounds. Category: Film & Media::Film Magazines; Inventory No: 013519.

No Binding. Condition: VG+. 92-46. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

Grey Cloth. Condition: Near Fine. Dust Jacket Condition: Very Good Dustjacket. First Edition. 120 Pages. Beige Cloth Stamped In Red. First Printing. A Bright Copy, Top Of Page Block Quite Dusty And With A Few Tiny Spots, Foredge Of Page Block Aged. Violet Dust Jacket Is Aged At Edges And Heavily Browned At Spine So That Lettering Is Just Barely Readable; It Has Tiny Chips Along Some Of Top Edge, Particularly The Top Edge Of The Rear Panel, And At Bottom Edge Of Spine, As Dust Jacket Is About 1/8" Taller Than The Book. Small Inscription "Frances From Aileen, July 1928" On Endpaper, Probably An Inscription To Intellectual Screenwriter Frances Marion As This Is From A Collection Books From Her Library And Inscribed To Her; And Probably From Actress Aileen Pringle, Who Starred In Films In The 1920'S With Screenplays By Marion. H. L. Mencken Visited Hollywood, Which He Loathed, Ostensibly To See Sterling Etc. But Motivated Primarily By His Desire To Pursue His Relationship With Pringle, Who Then Became Acquainted With Sterling.

Vintage press portrait of silent film actress Aileen Pringle, circa 1930s. Pringle was best known for "Stolen Moments" (1920), "Three Weeks" (1924), "The Wilderness Woman" (1926), and "Dreams of Love" (1928). Like many silent actors, her career flagged with the advent of sound film, but she continued to take small and uncredited roles until retiring in the late 1940s. 8 x 10 inches. Very Good plus, with light wear to the corners and faint toning to the edges.

Vintage press portrait of silent film actress Aileen Pringle to publicize Robert Z. Leonard's 1927 film "Adam and Evil." With a mimeo snipe and the stamp of American Weekly Editorial Department on the verso. Pringle was best known for "Stolen Moments" (1920), "Three Weeks" (1924), "The Wilderness Woman" (1926), and "Dreams of Love" (1928). Like many silent actors, her career flagged with the advent of sound film, but she continued to take small and uncredited roles until retiring in the late 1940s. 8 x 10 inches. Very Good plus, with light edgewear and a small chip to the bottom left edge.

Vintage reference photograph from the 1931 pre-Code film, showing actors Aileen Pringle and Jack Holt. Based on the 1929 play by Eva Kay Flint and Martha Madison. 10 x 8 inches. Very Good plus.

No Binding. Condition: Fine. 3 " x 5" card - SIGNED (inscribed) by actress Aileen Pringle. Comes with a unsigned B&W photo of Pringle. AUTOGRAPH.

Mass Market Paperback. Condition: Fair. No Jacket. Book condiiton is fair. Edges lighlty rubbed. Tear to head spine edge. Front and back head corner and some head leaves chipped with pieces missing. Spine edge rubbed. Scuff to back cover with tear. Front fore edge chipped in middle. 128 pages. A tense dramatic story based on the motion picture story by Katherine Newlin Burt. Size: 12mo - over 6¾" - 7¾" tall.

No Binding. Condition: Very Good. Signed-Autograph Very Good PRINGLE, Aileen. SIGNATURE on album leaf [Hollywood, 1938]; with signature of comedian/entertainer Jimmy Durante on verso. Oblong 8vo. Signed by Author(s).

This silent screen siren appeared opposite Rudolf Valentino in "Stolen Moments" (1920) and her 1924 film "Three Weeks" caused a furor; she appeared in talkies such as "Jane Eyre" throughout the 1930s and was nicknamed "Darling of the Intelligentisa" by journalists because of her literary friendships and second husband, novelist James M. Cain. "For Richard / from / Aileen Pringle in black fineline on a fine heavy stock 5" X 3" card, dated by her 26 March 1985 at upper right. Fine. With original envelope. Accompanied by a fine 4 3/4" X 7½" heavy stock sepia-tone half-length portrait of her at the height of her fame (bearing printed inscription and signature). A superb pair.

No Binding. Condition: Very Good. Signed-Autograph Very Good PRINGLE, Aileen. SIGNATURE on album leaf [Hollywood, 1942]; with autograph sentiment of comedian Allyn Joslyn on verso. Oblong 8vo. Signed by Author(s).

Octavo (20cm). Glossy pictorial wrappers; 98pp. Pulp text paper toned (as expected); light wear to covers; still a complete and well-preserved copy, Very Good. Novelization of the 1929 Columbia Pictures feature film, directed by Roy William Neill and Starring Ralph Ince and Aileen Pringle. The film was released just a month after the Crash and features, in its climactic scene, the suicide of a Wall Street big-wig by jumping from his office window. Uncommon; none others in commerce (2013); OCLC gives two locations (NYPL, BL).

No Binding. Condition: Very Good. (not signed) on a 3/4 length portrait of Aileen Pringle, bare shoulders, wearing an unusual halter dress with lavish beaded appliqués. Note the strand of beads and her six strand pearl bracelet. Photograph is by Ruth Harriet Louise* with her blindstamp on the bottom margin and her four line rubberstamp on the back and is on heavy weight stock; 8" x 10"; very good (minor signs of handling), ca. 1930. Rubberstamp that reads: "AILEEN PRINGLE METRO-GOLDWYN-MAYER." *Ruth Harriet Louise (1906-1944), Louise joined Metro-Goldwyn-Mayer, the studio with "more stars than there are in heaven," she was twenty-two years old and the only woman working as a portrait photographer for the Hollywood studios. In a career that lasted from 1925 until 1930, Louise (born Ruth Goldstein) photographed all the stars, contract players, and many of the hopefuls who passed through the studio's front gates, including Greta Garbo, Lon Chaney, John Gilbert, Joan Crawford, Marion Davies, and Norma Shearer.