Hardcover. Condition: Collectible. Signs of The Times Publishing Company, Cincinnati, copyright 1950. 194 pages. Color plate, 99 illustrations: processes, equipment, radio dials, metal signs, toy television store display, decals. 9 x 6", cloth. Fabric, inks, register, knife-cut, block-out, photographic, stencil plates, machines, flocking, color. VG.
Published by Cassell, New York, NY, 1880
First Edition
Not Bound. Condition: Very Good. Art. 10 loose art-plates; printed in colors; in the original printed envelope and collated complete with all ten plates. Including: Calton Hill and King's Park; Cranton Pier from the Breakwater; Wreck of the "White Bear"; Peterstown; Holyrood Palace and Arthur Seat; Harford Yettes; The Elfin Kirk; John MacBeth's Cottage; Manse of Ballenfold and Ley Grange. No publisher, place or date noted; our research indicates that these may have been printed by Cassell publishers NY circa 1880. Their 19th century printings included the 'Gems of Art' magazine which had occasional color plates; these may have also been available for single image purchase, as here. Each chromo is titled below and gives a volume reference and page number as well. Approx. 5 1/2" x 8" size, overall, slight wear. Envelope with closed tears, dustiness; images in very good condition.
Published by London: Cassell, 1906
Seller: Barry McKay Rare Books, Appleby-in-Westmorland, CUMBR, United Kingdom
Association Member: PBFA
US$ 77.06
Quantity: 1 available
Add to basket4to, (290x215mm), viii,118; [4],1119-240; [4],112; [4],113-231p. 20 full-page rotogravure plates printed by the Rembrandt-gravure process together with numerous illustrations from photographs and line drawings. Original green morocco-grain cloth, backstrips ornately blocked in gilt, a little faded at the heads and tails of the backstrips, stitching a little shaken. The handsome plates were printed in Lancaster at the firm of Storey's Rembrandt Intaglio Printing Co, using the rotogravure process invented by Karl Klic which is noteworthy for the depth of 'colour' and quality of tonal values of the reproduced image. HEAVY BOOK please note that this title weighs more than the 1 kg packed average on which postage charges are based, email us through the 'Ask the bookseller a question' option for delivery options and additional charges.
Published by Newark, Wayne County, New York State
Seller: Terrace Horticultural Books, St. Paul, MN, U.S.A.
Soft cover. Condition: Good. Process Color Printing Co., Rochester, New York Plates (illustrator). Oblong Vertical Format, Ca 1910, Beautiful Color Plate Illustrations In Natural Color, Nearly 100 Bright Color Photos Of Fruit, Flower And Landscape Specimens For Designer Selection Good, Light Staining To Cover, Crease At Cover, Very Good And clean Text Illustrations.
(London, Richard and John E., Taylor, 1843. 4to. No wrappers as extracted from "Philosophical Transactions" 1843 - Part I. Pp. 1-6. First appearance of a pioneer-paper in the history of early photography, as Herschel here for the first time describes his discovery of the iron printing process with ammonio-citrate of iron by both methods, namely with blue lines on a white background and white lines on a blue ground.
Published by Constable & Co, London, 1913
Seller: Tavistock Books, ABAA, Reno, NV, U.S.A.
Housed in a manila folder. Collection of ~ 130 color separation sheets, in twelve groups. Each ~ 10" x 7-1/2" Robinson a respected book illustrator, later known for his drawings of whimsically elaborate machines to achieve simple objectives. These sheets here offered used by Constable in the production of Bill the Minder [1912] & Hans Christian Andersen's Fairy Tales [1913]. Presumed to be Constable file copies, the sheets demonstrate the myriad of steps in the photographic color separation process, based on the CMYK color model. CMYK refers to the four color inks in this printing process: cyan, magenta, yellow and key (or black). The model works by "partially or entirely masking colors on a lighter, usually white, background." The ink reduces the light that would otheerwise be reflected. Such a model is called subtractive because inks "subtract brightness from white." In the 12 groups of illustrations are found examples of "subtractive" sheets from each of these inks used in the process. In the case of each illustration, these sheets are grouped togewther with sheets in which the inks have been combined to reveal full color examples, though often with different tonal qualities. In a classroom setting, this batch would undoubtedly prove useful for teaching the color reproduction process as it developed in commercial applications during the early 20th C. Expected signs of use, smudges, soiling, production annotations. Overall, Very Good.