Probst Georg Balthasar (90 results)

[An der linken unteren Ecke eine Fehlstelle, am oberen Rand Einriße und Eselsohren, der untere weiße Rand verso alt verstärkt, es fehlt die Angabe des Künstlers, die sich im untersten weißen Rand befand, zum Zustand vgl. die Abbildungen]. Seltenes Guckkastenblatt. - Ein Guckkastenbild ist ein optischen Druck, auch "vue optique" oder "vue d'optique" genannt, der für die Betrachtung durch ein Zograscope, oder entsprechende andere Apparate, hergestellt wurde, mit denen die optische Illusion räumlicher Tiefe erzeugt wird. ---------------------------------------------------------------------------- ------------------------------------------------------------ ------------------------------------------------------------ ------------------------ BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland.

Condition: en bon état. Paris chez basset, 1770 une vue d'optique en couleurs, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE SUR PAPIER DE FORMAT: 35 x 51 cm. trés légère tache brune en bas à droite, (1770) à Paris : Chez Basset, Rue St. Jacques Editeur, en bon état Les vues d'optiques sont un type particulier d'estampes populaires publiées en Europe au XVIIIe siècle. Ces estampes étaient une forme de divertissement destinée à être vue à travers des appareils appelés « machines optiques », « optiques », « zograscopes ». Ces estampes étaient exposées par des forains ambulants dans les rues de toute l'Europe et étaient également collectionnées par les professionnels et les classes supérieures qui possédaient des machines optiques chez eux. Il y avait une grande curiosité pour l'apparence des villes européennes non visitées et des lieux exotiques aux confins du globe, et ces estampes étaient l'un des seuls moyens pour le grand public d'avoir un aperçu du monde. Les machines optiques utilisées pour ces gravures étaient équipées d'une lentille qui améliorait pour les spectateurs le grossissement et la perception de la profondeur tridimensionnelle des scènes représentées. Un miroir était souvent utilisé pour que les gravures en perspective puissent être vues à plat, et dans ces cas, les images étaient vues à l'envers. Il n'est donc pas rare que les scènes représentées soient dessinées à l'envers, et il y a souvent aussi un titre imprimé à l'envers en haut, permettant aux spectateurs de le lire rapidement. Il y avait généralement un texte supplémentaire au bas des gravures, souvent en plusieurs langues, qui pouvait être lu par l'opérateur de l'optique au bénéfice de son public . rare gravure . en bon état (good condition).

Condition: Gut. Zustand: Gut | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.

Couverture souple. Condition: Bon. P. N. Revetman ( ? ) . VUE d' OPTIQUE de ZUTPHEN ( HOLLANDE ) . " DE GROOTE OF St WALBURGS ( WALDBURGIS ) KERK TE ZUTPHEN ALDUS TE ZIEN AAN TEIND VAN DE RODEN TOREN STRAAT " Vers 1770 . OPTICAPRENT - KOPERGRAVURE . 28,5 x 39,3 cm . Petites déchirures dans la marge inférieure , 2 petites taches sur le vitrail , discrete mouillure sur la marge de gauche .

Holzrahmen Tadellos. Condition: 0. Cum gratia et privilegio Sac. Coes. Majestatis. EIN OFFSET-DRUCK. Sehr dekoratives Guckkastenbild, ursprünglich ca. 1770, sehr leichte Flecken am Bild, jedoch kaum sichtbar, handkoloriert, Maße 40 x 31,5 cm mit Passepartout im hübschen vergoldeten Holzrahmen mit befestigter Aufhängung, minimale Gebrauchsspuren, Rahmengröße 58,5 x 50,5 Cm, intakt und tadellos. +++ UNE GRAVURE OFFSET. Une charmante vue d'optique, à l'origine vers 1770, encadrée, excellent état. +++ AN OFFSET REPRODUCTION. A charming perspective view, originally around 1770, of the city hall of Nurnberg towards the market, framed, clean and intact, excellent condition. +++ Nur an Selbstabholer. +++ 58,5 x 50,5 cm. 2,1 kg. +++ Stichwörter: Guckkasten Guckkasten-Bild Guckkastenblatt Guckkastenblätter Ansicht Ansichten Guckkasten-Blatt Guckkastenblätter Zograscope Gewicht in Gramm: 2100.

Condition: Good. (Published by Georg Balthasar Probst) (illustrator). 'Gesigt van de Stads-Waag te Gouda aan den IJzel. (in 3 other languages.).''Etching / engraving on hand laid (verge) paper. Sheet size: 58,5 x 46,5 cm. (23 x 18,3 inch). Image size: 42 x 30,5 cm. (16,5 x 12 inch).This attractive print was published around 1760 in Augsburg. This is an optical print, also called 'vue optique' or 'vue d'optique', which were made to be viewed through a Zograscope, or other devices of convex lens and mirrors, all of which produced an optical illusion of depth.Made by an anonymous engraver after '(Published by Georg Balthasar Probst)'. Publisher: Georg Balthasar Probst (1732 - 1801) was a German artist, engraver and publisher in Augsburg, a major European publishing center in the 17th and 18th centuries. He produced architectural views of places around the world, including vues d'optiques, which were published in various places during the last half of the 18th century, including Paris, Augsburg and London.Condition: Good, given age. Attached to cardboard. Stain in upper right corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: STADSWAAG-CITY SCALE-GOUDA-NORTHERN NETHERLANDS-SLED-HORSES-DOGSRBOS-T.21-large.

Altkolorierter Kupferstich 27,5 x 40 cm Bildgröße, 36 x 46 cm Blattgröße. Der altkolorierte Kupferstich von Georg Balthasar Probst im Stile eines Guckkastenblattes. In der Bildmitte Joseph in einem prunkvollen offenen Wagen, um ihn herum Menschen, die gefüllte Säcke zusammentragen. Unter dem Bild in zwei Spalten der Titel in vier Sprachen, dazu die Anmerkung Cum Gratia et Privilegio Sae. Caes. Majestatis. Die Szene bezieht sich auf den 49. Vers aus Gen. 41, Joseph sammelt in des Jahren des Überflusses Getreyde für die Jahre der erwarteten Not. - Georg Balthasar Probst 1732 1801, Vedutenstecher aus einer Verlegerfamilie in Augsburg. Das Papier deutlich staubig und fleckig. Leuchtendes altes Schablonenkolorit, einige Partien handkoloriert. Einige Einrisse hinterklebt. Die Platte am unteren Bildrand gebrochen. Der Druck blass. Die Darstellung beeindruckt durch die klare Fluchtpunktperspektive.

Condition: Good. Hand-colored engraving. 30 x 40.5 cm. sheet size. Mounted to paper support. Good. Margins trimmed to plate mark. Vertical tear at bottom of sheet. Soiling throughout.

G.G. Winkler (illustrator). 'AMBULATIO AD SINISTRAM PARTEM, VIRIDARIIS - ALLÉE A COTE GAUCHE, DU JARDIN DE PLAISANCE - SPASSEGGIATA A PARTE SINISTRA, DEL GIARDINO DI PIACERI - SPAZIERGANG ZUR LINCKEN SEITE DES LUST-GARTENS'.'This optical print shows a walking people in a beautiful garden with high hedges, sculptures and fountains.Made by Georg Balthasar Probst after G.G. Winkler.Medium: Engraving, handcoloured on handlaid (verge) paper.Sheet size: 45 x 33.5 cm (17.72 x 13.19 inch). Image size: 40.5 x 30 cm. (15.94 x 11.81 inch).GARDEN-PEOPLE WALKING-FOUNTAINS-HEDGES-SCULPTURES | RBOS-T32-LARGEBACKGROUND INFORMATIONThis attractive optical print (vue d'optique) was published ca 1760 in Augsburg, Germany.Biography engraver: Georg Balthasar Probst (1732 1801) was a German artist, engraver and publisher in Augsburg, a major European publishing center in the 17th and 18th centuries. He produced architectural views of places around the world, including vues d?optique, which were published in various places during the last half of the 18th century, including Paris, Augsburg and London. Condition: good, given age. Mounted on cardboard. Text in Dutch with pencil in lower margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Handsome view of the centre of the Dutch town of Gouda. Title on lower edge in four languages: Dutch, French, German and Italian. This print was produced in Augsburg by Georg Balthazar Probst, who specialized in producing optical prints of European cities, prints which could be viewed through an optical device to give an impression of deepened perspective. Copper engraving. Fine condition. Original colour. Size: 42 x 32 cm. (16½ x 12½ inches).

(titolo ripetuto in latino, francese e tedesco). Incisione in rame di mm 320x430, con coloritura d'epoca. Piccoli difetti al margine superiore; qualche traccia di umidit? che interessa anche lo specchio di battuta. Vistosa piega centrale.

Technic: Copper print, colorit: original colored, condition: Tear on upper margin perfectly restored, size (in cm): 32,5 x 41 cm, Decorative view of the city Babylon, now in Irak.

LeatherBound. Condition: NEW. LeatherBound edition. Condition: New. Reprinted from (1799) edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 42.

Altkolorierter Kupferstich 26,5 x 40 cm Bildgröße, 31 x 41,5 cm Blattgröße. Der altkolorierte Kupferstich von Georg Balthasar Probst zeigt neben den Gebäuden mittig den Tiber. Im Bildvordergrund Schiffsverkehr und lebhafte Personenstaffge am Ufer. Unter dem Bild in zwei Spalten der Titel in vier Sprachen, dazu die Anmerkung Cum Gratia et Privilegio Sae. Caes. Majestatis. Georg Balthasar Probst 1732 1801, Vedutenstecher aus einer Verlegerfamilie in Augsburg. Alt kaschiert. Das Papier deutlich staubig und fingerfleckig. Leuchtendes altes Schablonenkolorit, einige Partien handkoloriert. Klarer, kraftvoller Druck. Die Darstellung beeindruckt durch die klare Fluchtpunktperspektive. Trotz der benannten Mängel ein schönes Blatt.

Framed Print. Condition: Very Good. Hand colored, copper plate engraving of Dunkirk harbor, circa 1750. Framed and mounted, under plexi-glass. 15 labeled sites, in French and German. Nice coloration. A few waves in the print. Vue d'optiques were created to give the illusion of perspective when viewed with a zograscope or perspective glass.

Incisione in rame, mm 276x415, dipinta mano d'epoca. Firmata in basso "Georg balthasar probst excud. A.V.". Piacevole veduta ottica in bella coloritura antica, non comune. G. B. Probst, aveva ereditato la stamperia da Geremia Wolff, fondatore della stessa, specializzata nella pubblicazione di grandi vedute di citt?, come la presente. I Probst furono tra i maggiori editori tedeschi di stampe nella prima met? del '700: la loro officina produsse incisioni di ogni genere fra cui le vedute ottiche e le grandi vedute di citt? europee. Qualche alone e traccia di sporco superficiale ai margini; un piccolo lieve alone al centro nel cielo Nr.cat: 1536.

'"NAVIGATIO SUPER GLACIEM / LA NAVIGATION SUR LA GLACE"'Colored optical print showing ships navigating icy waters with polar bears in the foreground.Made by after an anonymous artist.Medium: Etching with old hand colouring on hand-laid (verge) paper.Sheet size: 45.2 x 34.4 cm (17.8 x 13.54 inch). Image size: 45.2 x 34.4 cm. (17.8 x 13.54 inch).OPTIC PRINT, POLAR EXPLORATION, SHIPS, ICE, POLAR BEARS, GEORG BALTHASAR PROBST, 18TH CENTURY | PCO-EXPO-97BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Georg Balthasar Probst (1732-1801), a German engraver and publisher from Augsburg, specialized in optic prints and decorative works. His prints were often vibrant, hand-colored pieces that catered to both aesthetic and educational markets. His works often featured perspectives or scenes to be viewed in special optical devices, adding a three-dimensional effect. Condition: good, given age. Minor age-related toning and some wear on edges; otherwise well-preserved. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Altkolorierter Kupferstich 28 x 40 cm Bildgröße, 32,5 x 43 cm Blattgröße. Der altkolorierte Kupferstich von Georg Balthasar Probst, gezeichnet von Friedrich Bernhard Werner zeigt neben den Gebäuden mittig eine Gartenanlage. Im Bildvordergrund lebhafte Personenstaffage. Unter dem Bild in zwei Spalten der Titel in vier Sprachen, dazu die Anmerkung Cum Gratia et Privilegio Sae. Caes. Majestatis. Friedrich Bernhard Werner 1690 1776, Ansichtenzeichner und Kupferstecher aus Schlesien; Georg Balthasar Probst 1732 1801, Vedutenstecher aus einer Verlegerfamilie in Augsburg. Das Blatt am oberen Rand bis an den Bildrand beschnitten, alt kaschiert, dabei sind einige leichte Falten entstanden. Leuchtendes altes Schablonenkolorit, einige Partien handkoloriert. Klarer, kraftvoller Druck. Die Darstellung beeindruckt durch die klare Fluchtpunktperspektive. Ein schönes Blatt.

Technic: Copper print, colorit: original colored, condition: Perfect condition, size (in cm): 32 x 41 cm, Decorative view of the city Baylon, now in Irak.

Original hand-coloured copper engraving of Dresden's marketplace. Plate Size: 40 cm x 30 cm. Sheet Size: 42 cm x 31 cm. Original engraving. In very good- condition. Some slight smudges to outer margins. Carefully repaired tear to lower edge. Beautiful copper engraving showing the panoramic view (vue d'optique) of the Altmarkt Square in 18th Century Dresden. Markets, festivities, tournaments and games were staged here and important historical events also turned the Altmarkt square into one of the social centres in town. During the bombing raids of February 1945 the historical Altmarkt square was completely destroyed. Here the Altmarkt is captured in a more peaceful time with people coming and going around the stalls and markets in the early hours of a dawning day. The artist's use of shadowing and light is attention grabbing. In the middle background the dome and steeple of the famous Frauenkirche can be seen. Beneath the illustration, the title and text - in Latin, French, Italian and German - reads as follows:"Prospectus Areae Fori veteris, ex parte Arcis Plateae Dresdae. Vüe de la Grande Place du vieux Marche, du cote de la Rue du Chateau Royal de Dresde. Veduta della grand Piazza del Mercato vecchio, della parte della Strada di Castello Reale a Dresda. Gesicht des großen Plaz der Alte Marck genannt, von Seiten der Schloß Graßen zu Dreßen. Georg Balthaser Probst excud. A. V. Median Folo. No. 7., 77." From about 1740 to about 1820 optical prints, also called "vue optique" or "vue d'optique" prints were made to be viewed through a Zograscope, or other devices of convex lens and mirror, all of which produced optical illusion of depth. Intaglio optical prints have exaggerated converging lines and bright hand-colours which contribute to the illusion of depth. Typically the legends of optical prints have reversed words along the top edge as those would be seen though the scope, but words on the bottom of the prints are normal. (Wikipedia) Georg Balthasar Probst (1732-1801) was a German engraver and print publisher working in Augsburg between 1766-1790.

Technic: Copper print, colorit: original colored, condition: Stains outer margins, size (in cm): 32,5 x 41,5 cm, The peep-box picture shows the statue of King Nebuchadnezzar II in Babylon (in modern-day Iraq), where Shadrach, Meshach and Abednego were thrown into the fiery furnace because they disobeyed the king's decree. Thanks to an angel of God, they remained unharmed. The king had to realise that there was someone more powerful than him. Below you will find the picture description in German and French.

Technic: Copper print, colorit: original colored, condition: trimmed, upper corners supplemented, size (in cm): 25,5 x 41 cm, English title: ?Prospect of St. John's Cathedral, opposite the Collegiate Church of the Holy Cross in Breslau.? The view shows St. John's Cathedral, the town hall and St. Matthias Church in Breslau. Also in the foreground are figurative staffage and ships on the Oder River.

Technic: Copper print, colorit: original colored, condition: Perfect condition, size (in cm): 30 x 39,5 cm, Map shows the pyramides of Egypt. The Giza pyramid complex, also called the Giza Necropolis, is an archaeological site on the Giza Plateau, on the outskirts of Cairo, Egypt. Consisting of a necropolis or mortuary complex of the Fourth Dynasty of the Old Kingdom of Ancient Egypt, it includes the three Great Pyramids (Khufu/Cheops, Khafre/Chephren and Menkaure/Mykerinos), the Great Sphinx, several cemeteries, a workers' village and an industrial complex. It is located in the Western Desert. The pyramids of the complex have historically been common as emblems of ancient Egypt in the Western imagination, were popularised in Hellenistic times, when the Great Pyramid was listed by Antipater of Sidon as one of the Seven Wonders of the World. It is by far the oldest of the ancient Wonders and the only one still in existence.

Huella: 32x43. Papel: 40x51. Vista óptica de gran tamaño de la catedral de Sevilla. Grabado al cobre, con mágnifico color de época. Leyenda en parte inferior en cuatro idiomas. Título superior al revés. Muy buen estado. Hacia los finales del siglo XVIII y principios del XIX, estos grabados populares se usaron para mostrar a la gente imágenes de lugares del mundo, a través de un aparato óptico. Los artistas se permitían más de un toque de fantasía, lo cual añade a su encanto.

Incisione in rame, mm 320x420, coloritura a mano d'epoca. Non comune veduta pubblicata da Probst sul modello di Cristoforo Dall'Acqua. Raffigura una animata scena popolare nella piazza racchiusa fra la Basilica e le colonne sul fondo. Nr.cat: Cod 2418.

Technic: Copper print, colorit: colored, condition: Printed on 2 sheets joined together, size (in cm): 38 x 104 cm, Large and very decorative view of the city of Strasbourg in Alsace, featuring detailed descriptions of the buildings numbered 1?40 in the top right-hand corner in German, with the French and Latin versions below. Furthermore, in the top left-hand corner is the city coat of arms held by two putti, and in the foreground are shepherds, locals and cavalry.

Technic: Copper print, colorit: original colored, condition: Perfect condition, size (in cm): 29,5 x 40,5, Decorative view of the city center of Munich with the Marienplace and the St. Peter or the St. Peters church.

[Der obere Rand bis zur Begrenzungslinie beschnitten, an der linken oberen Ecke etwas Farbverlust, das Blatt etwas angeschmutz, sonst ordentliches Exemplar]. Hübsche Ansicht. Ein Guckkastenbild ist ein optischen Druck, auch "vue optique" oder "vue d'optique" genannt, der für die Betrachtung durch ein Zograscope, oder entsprechende andere Apparate, hergestellt wurde, mit denen die optische Illusion räumlicher Tiefe erzeugt wird. Vollständiger unter der Darstellung gedruckter Text: Amstella intus respiciens ex ponte versus Orphanotrophæum Amstellodamensis. / l'Amstel au dedans qu'on voit du pont bleu vers la maison des Orphelins d'Amsterdam / De binnen Amstel, van de blaauwe brug naa het Diaken huys te zien tot Amsterdam / Die Amstel von innen wie man sie siehet von der Blauen Brug gegen das Waÿßen Hauß zu Amsterdam. ------------------------------------------------------------------------- ------------------------------------------------------------ ------------------------------------------------------------ --------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland.

Pas de couverture. Condition: Assez bon. Georg Balthasar PROBST (illustrator). GRAVURE ANCIENNE VUE D'OPTIQUE L' AMSTEL AU DEDANS QU'ON VOIT DU PONT BLEU VERS LA MAISON DES ORPHELINS D'AMSTERDAM CIRCA 1750 Georg Balthasar PROBST (1732-1801) à Augsbourg, gravure réhaussée de couleurs à la main (Gravure authentique du XVIIIe siècle-original print) Dimensions de la feuille : 48,5 x 32,5 cm environ Dimensions de la gravure au coup de planche : 40,7 x 29,5 cm environ Etat : lacunes de papier marginales, belle couleur, agréable estampe.