Randy Gragg (17 results)

Condition: Very Good. First edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. Very Good, clean text, trade paperback binding, light wear to corners and edges, satisfaction guaranteed. Earthlight Books is a family owned and operated, independent bookstore serving Walla Walla, Washington since 1973.

Trade Paperback. Condition: Near Fine. Dust Jacket Condition: Near Fine. A clean, unmarked copy with a tight binding. In wraps, with dust jacket. 416 pages.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paper. Condition: Good. Good paper copy ex. cat. October 2003. 416 pp, A city-wide exhibition of contemporary art, 10 pp intro, this was a collective effort by 135 artists, copiously illus mostly in 4/C, 31 essays, bios on artists and writers. Separate CD.

Soft cover. Condition: Good. Periodical, softcover, 10 by 7 1/4 inches, 120 pages, illustrated. Articles include: Frank Boyden, Malina Monks, David Potter, Varda Yatom, Michael Flynn, 1995 Westerwald Prize, Lara Scobie, Steve Davis, Walter Ostrom, Bill Burton, Delia Prvacki, Paul Chaleff, Hirotsune Tashima, Ken eastman, Shepparton Awards and more. Covers have only very slight wear and the pages are clean.…

Paperback. Condition: Near Fine. 1st. 416 pages, illustrations (some colour); 15 cm. + 1 CD-ROM (4 3/4 in.). Near fine. Tight, clean copy. Slipcase with light edgewear. *** "Core Sample was an artist-initiated, citywide exhibition of contemporary art that took place in Portland, Oregon, in October 2003. A collective effort of 135 artists, Core Sample provided the pleasures of permanent arts institutions--coherence, visibility, excellence--without incurring many of the expenses and obligations such institutions entail. This catalog documents Core Sample's methods and results. It serves as both a practical guide to the mobilization of noninstitutional cultures and a reflection on the worth of such projects. Color photographs document each exhibit, and the DVD, filmed and edited by Matt McCormick, includes interviews with the artists and organizers. With essays by Lynne Tillman, Cecilia Dougherty, Peter Culley, and Lawrence Rinder." - Publisher. Size: 16mo. Collectible.…

Condition: New. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? NEW.

Soft cover. First edition. Illustrated in black, white and color. With DVD. Very scarce in this condition. Fine copy in fine sleeve.

Condition: good. Signs of wear and consistent use.

Hardcover. Condition: New.

Soft cover. Condition: As New. No Jacket. 1st Edition. Between 1963 and 1970, Lawrence Halprin and Associates realized a quartet of public plazas in Portland, Oregon, that redefined the city and set a bold new precedent for urban landscape architecture. Dubbed the Portland Open Space Sequence and composed of the Lovejoy Fountain, Pettygrove Park, and Forecourt Fountain (later renamed Ira Keller Fountain), plus the lesser known Source Fountain, the plazas were a dynamic collage of striking concrete forms, gushing water, and alpine flora that, in their seamless mix of nature and theater, created a playful metaphorical watershed coursing through the central city. Where the Revolution Began is the story of how these plazas came to be. Born of the creative experimentation and collaboration between Halprin and his wife, pioneering choreographer/ dancer Anna Halprin, the sequence came to life in the unlikely setting of the city's first scrape-and-rebuild urban renewal project. But Halprin defied the conventions of both American urban renewal and midcentury modernism, designing the kind of inviting, exuberant public space not seen seen since Renaissance Rome's Trevi Fountain and Piazza Navonna. For Halprin, the plazas became the first step in a career-long exploration of sequential works of landscape design, from the Haas Promenade in Jerusalem to the Roosevelt Memorial in Washington, D.C. For Portland, Halprin's work marked the beginning of a tradition of remaking the city around interactive public spaces such as the famed Pioneer Courthouse Square. And for landscape architecture, the plazas offer some of the earliest precedents for the ecologically and socially responsive urbanism ascendant today.…

416 S., CD. Kl.8°, OBrosch. mit ill.OU. in OSchuber. Schuber an Ecken bestoßen und berieben, mit kleinem Einriß an Kante; Umschlag minimal an oberem Kapital bestoßen, sonst sehr gut erhaltenes Buch. 1000 gr.

Hardcover. Condition: New. 8.31 X 0.77 X 9.76 inches; 144 pages.

Hardcover. Condition: New.

Paperback. Condition: New. Between 1963 and 1970, Lawrence Halprin and Associates realized a quartet of public plazas in Portland, Oregon, that redefined the city and set a bold new precedent for urban landscape architecture. Dubbed the Portland Open Space Sequence and composed of the Lovejoy Fountain, Pettygrove Park, and Forecourt Fountain (later renamed Ira Keller Fountain), plus the lesser known Source Fountain, the plazas were a dynamic collage of striking concrete forms, gushing water, and alpine flora that, in their seamless mix of nature and theater, created a playful metaphorical watershed coursing through the central city. Where the Revolution Began is the story of how these plazas came to be. Born of the creative experimentation and collaboration between Halprin and his wife, pioneering choreographer/ dancer Anna Halprin, the sequence came to life in the unlikely setting of the city's first scrape-and-rebuild urban renewal project. But Halprin defied the conventions of both American urban renewal and midcentury modernism, designing the kind of inviting, exuberant public space not seen seen since Renaissance Rome's Trevi Fountain and Piazza Navonna. For Halprin, the plazas became the first step in a career-long exploration of sequential works of landscape design, from the Haas Promenade in Jerusalem to the Roosevelt Memorial in Washington, D.C. For Portland, Halprin's work marked the beginning of a tradition of remaking the city around interactive public spaces such as the famed Pioneer Courthouse Square. And for landscape architecture, the plazas offer some of the earliest precedents for the ecologically and socially responsive urbanism ascendant today.…