Raynor Robert (19 results)

Paperback. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very good+. Dust Jacket Condition: Very good+. First Edition. Ryan Raynor (illustrator).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Oversized hardcover. The book and the dust jacket are bright and crisp with no noticeable wear. Ryan Raynor (illustrator).

Hardcover. Condition: Fair. No Jacket. No dj, cover wear and bumping, light browning on edges, text block clear and binding good.

Hardcover. Condition: New. NEW! 2007 Hardcover Edition. Ryan Raynor (illustrator).

hardcover. Condition: Good. Hardcover with dust jacket. Very good condition. Corners square, pages are crisp and clean, biding is strong. No date on the title page. Copyright page dated 2007. 260 pages. This listing was written by a real person with the book in front of me for inspection. Please send us an email if you have questions or would like to request photos. Ryan Raynor (illustrator).…

Paperback. Condition: New. This volume presents the findings of the largest campaign of archaeological investigation yet undertaken along Liverpool's historic waterfront, by Oxford Archaeology North and the National Museums Liverpool Field Archaeology Unit. This work centred on the areas of Mann Island, Pier Head, and the Central Docks, all places that either fall within, or are directly adjacent to, the Liverpool - Maritime Mercantile City World Heritage Site, and it formed a prelude to the construction of a commercial development and the Museum of Liverpool, and also the extension of the Leeds and Liverpool Canal. The investigations uncovered numerous remains relating to eighteenth- and nineteenth-century dock building and land reclamation, as well as concomitant evidence for the use and occupation of the waterfront, and the wider town, during these periods.The archaeological evidence has been complemented by detailed historical research, which together provide significant insights into the dynamic and evolving system of dock and quayside development, occurring between the early eighteenth and early twentieth centuries. This development was integral to Liverpool's wider history, and the archaeological remains reflect the port's nascent post-medieval growth, commercial zenith during the nineteenth century, and eventual twentieth-century decline, prior to the extensive schemes of urban regeneration which now characterise the present-day waterfront. Moreover, this extensive campaign of investigation indicates how archaeology along the waterfront represents an important technique for uncovering the nuances of an area that was integral to the rise and success of Liverpool, and which also continues to exert a significant sway on Liverpool's cultural and economic identity.…

Condition: New. This volume presents the findings of the largest campaign of archaeological investigation yet undertaken along Liverpool's historic waterfront, by Oxford Archaeology North and the National Museums Liverpool Field Archaeology Unit. Num Pages: 266 pages, 89 illustrations, 206 plates, 5 tables. BIC Classification: HDA; HDD. Category: (P) Professional & Vocational. Dimension: 295 x 208 x 18. Weight in Grams: 1066. . 2014. Paperback. . . . .…

Condition: New. In.

Condition: New. This volume presents the findings of the largest campaign of archaeological investigation yet undertaken along Liverpool's historic waterfront, by Oxford Archaeology North and the National Museums Liverpool Field Archaeology Unit. Num Pages: 266 pages, 89 illustrations, 206 plates, 5 tables. BIC Classification: HDA; HDD. Category: (P) Professional & Vocational. Dimension: 295 x 208 x 18. Weight in Grams: 1066. . 2014. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condition: Brand New. 266 pages. 11.50x8.00x0.75 inches. In Stock.

Super octavo hardcover (VG+) in d/w (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.…

Hardcover. Edited by Ethan Raynor and Ryan Raynor. 4to. Grey cloth with gilt lettering and pictorial giltstamping, pictorial dust jacket. vii, 260pp. Numerous illustrations, pictorial endpapers. Fine/fine. A superb, tight and pristine first edition of this useful reference, an updated version of Michael Reese's pioneering effort. Ryan Raynor (illustrator).…

Paperback. Condition: New. This volume presents the findings of the largest campaign of archaeological investigation yet undertaken along Liverpool's historic waterfront, by Oxford Archaeology North and the National Museums Liverpool Field Archaeology Unit. This work centred on the areas of Mann Island, Pier Head, and the Central Docks, all places that either fall within, or are directly adjacent to, the Liverpool - Maritime Mercantile City World Heritage Site, and it formed a prelude to the construction of a commercial development and the Museum of Liverpool, and also the extension of the Leeds and Liverpool Canal. The investigations uncovered numerous remains relating to eighteenth- and nineteenth-century dock building and land reclamation, as well as concomitant evidence for the use and occupation of the waterfront, and the wider town, during these periods.The archaeological evidence has been complemented by detailed historical research, which together provide significant insights into the dynamic and evolving system of dock and quayside development, occurring between the early eighteenth and early twentieth centuries. This development was integral to Liverpool's wider history, and the archaeological remains reflect the port's nascent post-medieval growth, commercial zenith during the nineteenth century, and eventual twentieth-century decline, prior to the extensive schemes of urban regeneration which now characterise the present-day waterfront. Moreover, this extensive campaign of investigation indicates how archaeology along the waterfront represents an important technique for uncovering the nuances of an area that was integral to the rise and success of Liverpool, and which also continues to exert a significant sway on Liverpool's cultural and economic identity.…

Vintage studio still photograph from, "My Dog, the Thief," the 1969 two-part episode of the 1954-1997 television series. With mimeo snipe on the verso advertising the episodes' airing on Sunday April 27 and Sunday May 4. When an air-traffic reporter's ratings fall, he starts featuring his pet St. Bernard. His ratings begin to climb again but his dog gets into trouble, including stealing some valuable jewels. 8 x 10 inches. Near Fine. …

194 pp.; 30.3 x 23 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Annual periodical edited by William Seitz, "Contemporary Sculpture : Arts Yearbook 8," is a compendium of essays on sculpture of the early 1960s. This volume contains the first publication of Donald Judd's seminal essay "Specific Objects," as well as Judd's review of the Howard and Jean Lipman Collection. Additional texts by Seitz, Robert Goldwater, Sidney Geist, Gene Baro, Clement Greenberg, Werner Hofmann, Vivien Raynor, Annette Michelson, Martica Sawin, Dora Vallier, Anita Ventura, Mercedes Molleda, José María Moreno Galván, Bruce Glaser, Lyman Kipp, George Sugarman, David Weinrib, Richard Stankiewicz, Richard Hamilton, George Rickey, Herbert Bronstein, Anne Hoene, Jacqueline Barnitz, Margaret Buhler. Contains commentary and illustrations of works by David Smith, Alexander Calder, Jacques Lipchitz, Reuben Nakian, Louise Nevelson, Richard Hunt, James Rosati, Raoul Hague, Edward Higgins, Fritz Bultman, Isamu Noguchi, Gabriel Kohn, Naum Gabo, Peter Agostini, Louise Bourgeois, Peter Grippe, Mark di Suvero, Mike Nevelson, George Spaventa, Dimitri Hadzi, Paul von Ringelheim, Jason Seley, Frederick Kiesler, Lyman E. Kipp, Wilfrid Zogbaum, Paul Granlund, Jack Squier, Italo Scanga, Anthony Caro, Fritz Wotruba, Costantino Nivola, Miguel Berrocal, William King, Etienne Hajdu, Manuel Neri, Eduardo Chillida, Pablo Serrano, Anne Arnold, Mary Frank, Alvin Light, Henry Moore, Barbara Hepworth, Hans Arp, Rudolf Hoflehner, Robert Jacobsen, Etienne-Martin, Alberto Giacometti, Giacomo Manzu, William Turnbull, Kenneth Armitage, Max Bill, Robert Müller, Lynn Chadwick, Shamai, Haber, Reg Butler, Hubert Dalwood, Robert Adams, Eugene Dodeigne, Elizabeth Frink, Emil Cimiotti, Yitzchak Danziger, jean Ipoustéguy, Lee Bontecou, James Wines, Ronald Bladen. Judd's "Specific Objects" is illustrated with works by Claes Oldenburg, Bontecou, Robert Rauschenberg, George Ortman, Yves Klein, Jasper Johns, Frank Stella, Phillip King, Richard Smith, John Anderson, Tony Delap, Robert Watts, H.C. Westermann, Robert Morris, Dan Flavin, Richard Artschwager, Lucas Samaras, Yayoi Kusama, John Chamberlain. Good. Former library copy. Moderate rubbing to covers and bumping to edges and corners. "1965" written in blue pen on spine and on recto. 2 cm. tear to spine. "3339" written in blue pen twice on title page and once on inside of recto which also has a name plate for the Library of the San Francisco Museum of Art. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Soft cover. Condition: Very Good. 1st Edition. Vol. 87, No. 4 from Poetry magazine. Wraps. Themed "First Appearance Number," it appears that all the contributors in this issue are making their first appearance in the magazine. Further notable because it includes Michael McClure's first publication in general, "2 for Theodore Roethke." As his contributor note says, "Michael McClure is twenty-three years old and lives in San Francisco. His two poems this month mark his first publication anywhere." The famous Six Gallery Reading, during which Ginsberg read "Howl" for the first time, and Gary Snyder read "A Berry Feast," and Michael McClure read as the youngest, was only in October of the preceding year, 1955. In this issue William Carlos Williams also writes on Wallace Stevens. And much more. Very good with sunning to spine and some minor stains to rear cover. Front cover is clean, a nice shade of blue.…