Language: English
Published by Cambridge University Press, 2020
ISBN 10: 1108481817 ISBN 13: 9781108481816
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Paperback. Condition: Fine.
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Paperback or Softback. Condition: New. Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy. Book.
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Language: English
Published by Cambridge University Press, 2023
ISBN 10: 1108741436 ISBN 13: 9781108741439
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Language: English
Published by Cambridge University Press April 2020, 2020
ISBN 10: 1108481817 ISBN 13: 9781108481816
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Hardcover. Condition: VG. Dust Jacket Condition: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.
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Hardcover. Condition: Very Good. Never read, pages are clean and unmarked. Our copy is a new hardback, with printed covers, showing two small chips in the cover along the front spine edge. Binding is tight.
Language: English
Published by Cambridge University Press, 2023
ISBN 10: 1108741436 ISBN 13: 9781108741439
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Language: English
Published by Cambridge University Press, 2023
ISBN 10: 1108741436 ISBN 13: 9781108741439
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New.
Language: English
Published by Cambridge University Press, 2023
ISBN 10: 1108741436 ISBN 13: 9781108741439
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New.
Language: English
Published by Cambridge University Press, 2023
ISBN 10: 1108741436 ISBN 13: 9781108741439
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Language: English
Published by Cambridge University Press, 2023
ISBN 10: 1108741436 ISBN 13: 9781108741439
Seller: Revaluation Books, Exeter, United Kingdom
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Add to basketPaperback. Condition: Brand New. 296 pages. 9.00x6.00x0.62 inches. In Stock.
Language: English
Published by Libreria Editrice Viella, 2017
ISBN 10: 8867288431 ISBN 13: 9788867288434
Seller: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italy
Rilegato. Condition: new. A cura di Gardini N. e McLaughlin M.Roma, 2017; ril., pp. 270, cm 24x12.(Viella Historical Research). One of the high-points of Italian Renaissance humanism, Machiavelli's The Prince immediately transcended the time and culture from which it had sprung, circulating throughout Europe and paving the road to an astonishing variety of discussions on power and liberty for centuries to come. Indeed, one could hardly think of a literary work whose reception has been more controversial and arguably more crucial to the fashioning of modernity. This volume explores pivotal aspects of the text's complex identity, focusing on three interrelated areas: 1. The Prince's own ways of appropriating ancient and modern traditions of political thought and ethics; 2. the textual history and interpretive details of the work; 3. translations of the treatise into foreign languages (including English and other translations), with their cultural adaptations and reconceptualizations of the original. All chapters offer highly original insights by leading experts on The Prince, shedding light on hitherto neglected topics and locating Machiavelli's masterpiece in an intriguing network of intersecting perspectives. Libro.
Published by Accademia Senese degli Intronati - Betti Editrice, 2008
Seller: Libreria Tara, Roma, RM, Italy
Condition: buono. Classica Italia Fiction and Poetry Classical Fiction Italy riproduzione in facsimile dell'edizione del 1543 di Gio. Paolo Giovannelli e figlio Stampatori dell'Almo Studio - tela edit. con titoli e fregi oro al piatto ant., dorso muto - due illustrazioni in b.n. nel testo OTTIME CONDIZIONI.
hardcover. Condition: Very Good. Minor wear. No marks in text.
Language: English
Published by Cambridge University Press, 2023
ISBN 10: 1108741436 ISBN 13: 9781108741439
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Condition: NEW. Viella: Viella, 2017 9788867288434 Viella historical research 7 605 270 p. : ill. col., indice, biografia, bibliografia ; 24 cm. One of the high-points of Italian Renaissance humanism, Machiavelli's The Prince immediately transcended the time and culture from which it had sprung, circulating throughout Europe and paving the road to an astonishing variety of discussions on power and liberty for centuries to come. Indeed, one could hardly think of a literary work whose reception has been more controversial and arguably more crucial to the fashioning of modernity. This volume explores pivotal aspects of the text's complex identity, focusing on three interrelated areas: 1. The Prince's own ways of appropriating ancient and modern traditions of political thought and ethics; 2. the textual history and interpretive details of the work; 3. translations of the treatise into foreign languages (including English and other translations), with their cultural adaptations and reconceptualizations of the original. All chapters offer highly original insights by leading experts on The Prince, shedding light on hitherto neglected topics and locating Machiavelli's masterpiece in an intriguing network of intersecting perspectives. One of the high-points of Italian Renaissance humanism, Machiavelli's The Prince immediately transcended the time and culture from which it had sprung, circulating throughout Europe and paving the road to an astonishing variety of discussions on power and liberty for centuries to come. Indeed, one could hardly think of a literary work whose reception has been more controversial and arguably more crucial to the fashioning of modernity. This volume explores pivotal aspects of the text's complex identity, focusing on three interrelated areas: 1. The Prince's own ways of appropriating ancient and modern traditions of political thought and ethics; 2. the textual history and interpretive details of the work; 3. translations of the treatise into foreign languages (including English and other translations), with their cultural adaptations and reconceptualizations of the original. All chapters offer highly original insights by leading experts on The Prince, shedding light on hitherto neglected topics and locating Machiavelli's masterpiece in an intriguing network of intersecting perspectives. Gardini,Nicola - Mclaughlin,Martin.
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Condition: As New. Unread book in perfect condition.
Language: English
Published by Cambridge University Press, 2020
ISBN 10: 1108481817 ISBN 13: 9781108481816
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Cambridge University Press, 2020
ISBN 10: 1108481817 ISBN 13: 9781108481816
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
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Add to basketHRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Add to basketCondition: New.
Language: English
Published by Cambridge University Press, 2020
ISBN 10: 1108481817 ISBN 13: 9781108481816
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
Language: English
Published by Cambridge University Press, 2020
ISBN 10: 1108481817 ISBN 13: 9781108481816
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Language: English
Published by Modern Humanities Research Association, Leeds, 2025
ISBN 10: 1781884404 ISBN 13: 9781781884409
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. As per William Shakespeare, 'all the world's a stage'. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play? These questions are at the core of this study, which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the 'world' on the 'spiritual' stage of the soul.Eugenio Refini is Associate Professor of Italian Studies at New York University. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.