Reginald William Thomas (40 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Random House 1972 1st ed. 273pp Very good with heavy dust soiling top page edges, foxing to page edges, in jacket with closed tear and creasing to the spine head, very light wear. clph.

Condition: New.

Paperback or Softback. Condition: New. The modern Practice of Photography. Book.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Poor. Large format paperback . Covers very worn. Ex-school library copy. 88 pages.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. First Edition. [1st printing] (number line starts with 2 and states First Edition, as is required for 1st Random House)(1972. Jacket design by Boib Silverman. Includes "Introduction: Where Have All the Deflowerers Gone?"; "Push No More" by Robert Silverberg; "Genetic Faux Pas" by Harvey L. Bilker; "First Love, First Fear" by George Zebrowski; "The World Well Lost" by Theodore Sturgeon; "Do Androids Dream of Electric Love?" by Walt Liebscher; "Dinner at Helen's" by William Carlson; "The Criminal" by Joseph N. Gores; "The Mechanical Sweetheart" by Gerald Arthur Alper; "False Dawn" by Chelsea Quinn Yarbro; "I'm with You in Rockland" by Jack M. Dann; "Dr. Birdmouse" by Reginald Bretnor; "Looking-Glass Sea" by Laurence Yep; "What About Us Grils?" by Mel Gilden; "Lambeth Blossom" by Brian W. Aldiss; "The Widening Circle" by Richard McCloud; "The Icebox Blonde" by Thomas N. Scortia; "Khartoum: A Prose Limerick" by Anthony Boucher; "Mother" by Philip Jos??? Farmer; "The Daughter of the Tree" by Miriam Allen deFord. Dj inside flaps are creased and edges show wear. Book.

Soft cover. Condition: Fine. 1st Edition. 1 score ; 23 cm. Principally for mixed voices ISBN 9780193532229, 9780193532212, 0193532212, 0193532220 LCCN m 61002394 LC M2065 .C237 196 OCLC 1468418762 green and white paper wrappers ; SATB accompanied & unaccompanied ; Edited and arranged by Reginald Jacques and David Willcocks Table of Contents: A boy was born/ Britten -- A Christmas Carol/ Kodaly -- A great and mighty wonder/ Kodaly -- A merry Christmas/ Warrell -- A virgin most pure/ Wood -- Adeste fideles/ Willcocks -- And there were shepherds/ Bach/Willcocks -- Angels/ from the realms of glory/ Jacques -- As with gladness men of old/ Kocher/Willcocks -- Away in a manger/ Kirkpatrick/Willcocks -- Away in a manger/ Jacques -- Blessed be that maid Mary/ Willcocks -- The Blessed son of God/ Vaughan Willams -- The Boar's head carol/ Poston -- Carol/ with lullaby/ Tate -- Coventry Carol/ Anon -- Coventry Carol/ Shaw -- Ding dong! merrily on high/ Wood -- The first nowell/ Willcocks -- Gallery carol/ Jacques -- Gloucestershire wassail/ Vaughan Williams -- God rest you merry/ gentlemen/ Willcocks -- Good King Wenceslas/ Jacques -- Hark! the herald angels sing/ Mendelssohn/Willcocks -- The holly and the ivy/ Jacques -- I saw three ships/ Willcocks -- I saw three ships/ Jacques -- In dulci jubilo/ Pearsall/Jacques -- Infant holy/ infant lowly/ Willcocks -- It came upon the midnight clear/ Sullivan -- King Jesus hath a garden/ Wood -- The linden tree carol/ Jacques -- Lute-book lullaby/ Ballet/Shaw -- No sad thought his soul affright/ Vaughan Williams -- O come/ all ye faithful/ Willcocks -- O little one sweet/ Bach -- O little town of Bethlehem/ Vaughan Williams/Armstrong -- O men from the fields/ Cooke -- Once in royal David's city/ Gauntlett/Mann -- Past three a clock/ Wood -- Rejoice and be merry/ Jacques -- Rocking/ Willcocks -- See amid the winter's snow/ Goss/Willcocks -- The Shepherd's farewell/ Berlioz -- Sussex Carol/ Willcocks -- The three kings/ Cornelius/Atkins -- Torches/ Joubert -- Unto us is born a son/ Willcocks -- Up! good Christen folk/ and listen/ Woodward -- We've been a while a-wandering/ Vaughan Williams -- What cheer?/ Walton -- When Christ was born/ Jacques -- While shepherds watched their flocks/ Ravenscroft -- While the shepherds were watching/ Armstrong Gibbs -- Zither Carol/ Sargent ; Reginald Jacques was born in 1894 in Ashby-de-la-Zouch, Leicestershire and studied at Queen's College, Oxford, where he later became organist and director of music in 1926. Reginald Jacques was also conductor of the Oxford Orchestra Society from 1930 to 1936. From 1931 to 1960 he was conductor of The Bach Choir in London. In 1936 he founded his own Jacques Orchestra, which he conducted until 1960. In 1954 he was made Commander of the Order of the British Empire. He died in 1969. John Rutter was born in London in 1945 and studied music at Clare College, Cambridge. His compositions embrace choral, orchestral, and instrumental music, and he has edited or co-edited various choral anthologies, including four Carols for Choirs volumes with Sir David Willcocks and the Oxford Choral Classics series. From 1975 to 1979 he was Director of Music at Clare College, and in 1981 he formed his own choir, the Cambridge Singers. He now divides his time between composition and conducting and is sought after as a guest conductor for the world's leading choirs and orchestras. Born in 1919, David Willcocks began his musical career as a chorister at Westminster Abbey, later winning scholarships to Clifton College and King's College, Cambridge. Following war service, he was elected Fellow of King's College, and later became Organist of Salisbury & Worcester Cathedrals, conducting the Three Choirs Festival whilst at Worcester. Willcocks returned to King's College, Cambridge as Director of Music from 1957-1974, with the first collection of his arrangements in the Carols for Choirs series publishing in 1961. He was Director of Music at the Royal College of Music from 1974-1984, died 2015 ; FINE. Book.

B/w Photos (illustrator). 50 pp.; 25.5 x 20.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 7 - July 12, 1987. Essays by Lynne Tillman, Phil Mariani, and William Olander. Participating artists include Dennis Balk, Nancy Burson, David Cabrera, Laurel Chiten, Cheryl Qamar, Clegg & Guttmann, Mark Dion, Jason Simon, Duvet Brothers, Tim Ebner, John Glascock, Gorilla Tapes, Day Gleeson, Dennis Thomas, Fariba Hajamadi, Reginald Hudlin, Joan Jubela, Stanton Davis, Annette Lemieux, MICA-TV, Paul McMahon, Branda Miller, Peter Nagy, David Robbins, John Scarlett-Davis, Andres Serrano, Shelly Silver, Michael Smith, and Sarah Tuft. Includes list of works in the exhibition. Very Good. Light rubbing of cover edges and gentle bumping of corners. Light dust soiling of text block edges, contents are clean and unmarked.

Condition: New.

Condition: As New. Unread book in perfect condition.

B/w Photos (illustrator). 50 pp.; 25.5 x 20.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 7 - July 12, 1987. Essays by Lynne Tillman, Phil Mariani, and William Olander. Participating artists include Dennis Balk, Nancy Burson, David Cabrera, Laurel Chiten, Cheryl Qamar, Clegg & Guttmann, Mark Dion, Jason Simon, Duvet Brothers, Tim Ebner, John Glascock, Gorilla Tapes, Day Gleeson, Dennis Thomas, Fariba Hajamadi, Reginald Hudlin, Joan Jubela, Stanton Davis, Annette Lemieux, MICA-TV, Paul McMahon, Branda Miller, Peter Nagy, David Robbins, John Scarlett-Davis, Andres Serrano, Shelly Silver, Michael Smith, and Sarah Tuft. Includes list of works in the exhibition. Fine. Covers and contents clean and unmarked.

Hardcover. Condition: Fair. Dust Jacket Condition: Fair. 1st Edition. [1st ed. ; 1st printing] ; 176 p. illus. 23 cm. ; ISBN 9780399502989, 039950298X ; OCLC 3743661 ; LCCN 62000250 ; LOC No DA320 .D6 ; Dewey 914.2 ; ex-library, stamps, pocket ; labels ; crease to front endpaper ; glue marks on endpapers; edge tears to dustjack ; name on front endpaper ; Contents: Kingdom, Queen and court -- Country life -- Town life -- Home life -- The church -- School and college -- Arts and pastimes -- The poor -- Travel at home ; FAIR/FAIR. Book.

Taschenbuch. Condition: Neu. The modern Practice of Photography | Reginald William Thomas | Taschenbuch | 100 S. | Englisch | 2016 | hansebooks | EAN 9783743332348 | Verantwortliche Person für die EU: Hansebooks GmbH, Trakehner Weg 52, 22844 Norderstedt, gb[at]hansebooks[dot]com | Anbieter: preigu.

No Binding. Condition: Very Good. Engraved By William Thomas Fry (illustrator). A splendid portrait, engraved by William Thomas Fry (1787-1835). Mounted/matted and ready to frame. Attractive and decorative.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

First printing. Oblong quarto; hardcover, quarter-bound in cloth with decorated upper board, gilt spine and upper board titles on labels and endpaper maps; 329pp., with a colour frontispiece, maps and many monochrome and colour illustrations. Minor wear; top corner of upper board bumped. Otherwise near fine in bumped illustrated slipcase. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. An account of the art and travels of Samuel Daniell and his nephew William Thomas in India and southeast Asia from 1785-1837. Printed on Lessebo paper by Lego Spa, Vicenza, Italy, and bound by them in three quarter buckram with a front board covered in printed and blocked vegetable parchment.

Hardcover. Condition: Very Good-. Dust Jacket Condition: No Dust Jacket. Top of spine has hard bump which has caused top of pages to crease. Minor shelfwear otherwise. ; Extensive English introduction and commentary with Greek Text. Unchanged reprint of 1936 edition. ; 471 pages.

Condition: New. Print on Demand pp. 102.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The modern Practice of Photography is an unchanged, high-quality reprint of the original edition of 1868.Hans Elektronisches Buch is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hans Elektronisches Buch newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future. 100 pp. Englisch.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

Single Issue Magazine. Condition: Very Good. Verpilleux; Prater, Ernest; De Walton, John; Woodville, R. Caton; Cleaver, Reginald; Elcock, Howard; Wood, Stanley L. (illustrator). First Edition. Abundant black and white illustrations and reproductions of photos. Features: Kidnapped by the "Gavilleros"- the British administrator of a large sugar estate on the West Indian island of Santo Domingo is kidnapped; An Island Paradise - photo-illustrated article on the 'progress, civilized, and thoroughly lovable people' of Fiji; Looking Backwards - 25th Birthday of this publication; An Adventure With a Mad Buffalo; Jimmy's Reformation - Jimmy Boncelek used to be the terror of Stigler, Oklahoma; Seeking the Copper Mountain - photo-illustrated account of an eventful journey through the little-known province of Veraguas, part of the Republic of Panama; A Woman in Unknown Albania - Part II - Rose Wilder Lane describes her adventures among the remote northern mountains, a picturesque country where the tribal blood-feud still flourishes - article with photos; Three Asses in the Pyrenees - Part V - a tramp with a donkey cart, avoiding all modern luxuries; The Tobacco Smugglers of the Belgian Border - photo-illustrated report; A Soldier of Fortune - Part II - remarkable personal narrative smuggled from a man presently incarcerated in a French prison; Splitting the Herd - A cowboy adventure from the Texas plains; Photos of Chinese cave temple at Gunong Rapat in the federated Malay States; and more. 88 pages plus 16 pages of nostalgic ads. Clean and unmarked with light wear. A quality copy of this excellent vintage issue.

Hardcover. Condition: Very Good. 1st Edition. Welsh Poetry, VG+, 1st ed, 1822. Uncommon. In contemporary tree calf boards. Modern re-spine, gilt tooling & titles. Internally, [7], (viii) only, [3], 4-75 pp, [1] adverts, yellow endpapers, text block edges yellowed, small embossed stamp of J Prichard to upper board & tp, new fep to match, old paper repair to end blank edge, hinges strengthened. (92*161 mm). Welsh title: Cyvieithion o Saesoneg: sev, Palestina, can arobryn Heber; Y bardd: awdl arddunawl Gray; ac amrywion gàn Idrison. Uncommon - COPAC shows 3 copies whilst Worldcat shows 2.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1913 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 136 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 136 Volume 35 Language: English.

The five signatories are: Sir Alfred Claud Hollis (1874-1962), Governor of Trinidad and Tobago, 1930-1936, and author of a historical account of Spanish Trinidad; his wife Enid Mabel Hollis (née Longman), Lady Hollis (1888-1939); Sir Edward Brandis Denham (1876-1938), Governor of British Guiana, 19301935, and Jamaica, 19351938; Sir Thomas Reginald St Johnston (1881-1950), Governor of the Leeward Islands, 1929-1936; Sir William Charles Fleming Robertson (1867-1937), Governor of Barbados, 1925-1932. On one side of a 13.5 x 16.5 cm leaf of cream paper torn from an autograph album. In good condition, lightly aged. Three of the governors have signed in a column towards the centre of the page: 'Claud Hollis | Governor, Trinidad | 17.1.32 | Edward . Denham . | Govr. British Guiana. | 26.1.32. | Reginald St. Johnston. | Govr. Leeward Islands.' Hollis's wife has signed to the right of her husband's signature, in the top right-hand corner: 'Enid Hollis', and beneath her signature, in an extremely close hand is the signature of 'W. C. F Robertson. | Govenor Barbados | 31.1.32'.

Condition: no binding. London, HMSO 1962 First Edition. Original Printed patent disbound About 27cm by 18cm some wear and tear due to the disbinding.

Mid-eighteenth century bound collection of 'Graveyard' poems including elegies and meditations such as the earliest publication by John Scott of Amwell (the first notable Quaker poet) and works by Thomas Gray, Edward Young, John Delap and Reginald Heber. Small quarto bound in eighteenth century speckled calf, the boards decorated with a border of coronets, cracking along outer hinges, reinforced within. Two faded spine labels: 'Select Poems Vol I'. Marbled edges to text block. All eleven imprints are complete with the exception of a couple of half-title which are noted below. One of the imprints, Keate's Epistle from Jane Gray, has been sent through the post and still bears an address on the verso of the title page and traces of the wax seal. Eleven imprints: J Langhorne, The Visions of Fancy, 1752, H Payne, pp24 (no half-title); ownership stamp of 'Emile Racaud, La Rochelle', ESTC locates 9 copies William Whitehead Elegies with an Ode to the Tiber, 2nd Ed, 1757, Dodsley, pp24, half-title present; 'Boitard sculp' vignette to title page. John Delap, Elegies, 1760, Dodsley, pp12: ESTC locates 10 copies. Delap wrote these Elegies in imitation of Gray's Elegy, subsequently making his name by writing for David Garrick. [Reginald Heber] An Elegy Written among the Tombs in Westminster Abbey, 1762, Dodsley, pp12 [Thomas Gray]An Elegy Written in a Country Church Yard The Eleventh Edition, 1759, Dodsley, pp12; woodcut decorations to title page [John Scott] Four Elegies Descriptive and Moral, Buckland, 1760, pp24; engraved vignette by Grignion and Wale to title page and engraved tailpiece; half title present. The Elegies are Scott's first separate publication and inspired by Gray they record the passing of the seasons rather than an individual. The verses are written in cross-rhymed quatrains [Edward Jerningham] The Magdalens: an Elegy. By the author of the Nunnery, 1763, Dodsley, pp12; ESTC locates 7 copies; printed dedication to Mary Lepel of Ickworth in Suffolk. William Mason, Elegies. Second Edition, 1763, Robert Horsfield [4] pp22 [George Keate] An Epistle from Lady Jane Gray to Lord Guilford Dudley, 1762, Dodsley, [4] pp20: this has been folded and sent through the post early in its life with an eighteenth century address written on the verso of the title page 'For Mr George Laidler at Newcastle on T[yne]' and a hole to title page where wax seal has been opened. The poem is dedicated to Mary Lepel. [Edward Young] Resignation in Two Parts and a Postscript to Mrs B[oscawen], 1762, William Owen, pp64, advertisement leaf follows title page with 'Erratum' leaf pasted to verso of this leaf, A2. Small loss to A1/A2 close to foreedge at head of page. Young's last work published in his own lifetime. No copy at auction since 1933. [Thomas Denton] The House of Superstition. A Poem, 1762, J Hinxman, [2] pp10; half title present. a poem written in imitation of Spenser's Faerie Queen. Please contact Christian White Rare Books Ltd for more information or images of this item.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1882 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 254 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 254 Language: English.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1882 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 253 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 253 Volume no. 7443 Language: English.

Leather Bound. Condition: new. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago . The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 6, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 6.