Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Spiral-bound. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. Spiral-bound.
hardcover. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.
Language: English
Published by Phaidon Press, Incorporated, 2008
ISBN 10: 0714846589 ISBN 13: 9780714846583
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Spiral-bound. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority!
Language: English
Published by MIT Press, Cambridge, MA, 2017
ISBN 10: 0262533561 ISBN 13: 9780262533560
Seller: Montana Book Company, Fond du Lac, WI, U.S.A.
Paperback. Condition: Very Good. 239 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark (one small dot) on top fore-edge.
Language: English
Published by Dallas Museum of Art, 2003
ISBN 10: 0936227265 ISBN 13: 9780936227269
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 120 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Language: English
Published by Phaidon Press, Incorporated, 2008
ISBN 10: 0714846589 ISBN 13: 9780714846583
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Spiral-bound. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
hardcover. Condition: Very Good. Your Everyday Art World (The MIT Press) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Spiral-bound. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Language: English
Published by University Galleries, 2007
ISBN 10: 0945558384 ISBN 13: 9780945558385
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condition: New. Dust Jacket Condition: New.
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Language: English
Published by Dallas Museum of Art, 2003
ISBN 10: 0936227265 ISBN 13: 9780936227269
Seller: Mahler Books, PFLUGERVILLE, TX, U.S.A.
Paperback. Condition: New. Still in shrinkwrap. This book is brand new; never used or opened. No remainder marks. ; 0.55 x 11.97 x 8.43 Inches; 120 pages.
Language: English
Published by Dallas Museum of Art, Dallas, Texas, U.S.A., 2003
ISBN 10: 0936227265 ISBN 13: 9780936227269
Seller: A Good Read, LLC, San Antonio, TX, U.S.A.
First Edition
Soft cover. Condition: Very Good. First Edition. 8vo - over 7¾" - 9¾" tall. Oblong softcover book with color reproductions.
Language: English
Published by Dallas Museum of Art, 2003
ISBN 10: 0936227265 ISBN 13: 9780936227269
Condition: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.
hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
Language: English
Published by Papier-Mache Press, Watsonville, CA, 1991
ISBN 10: 0918949165 ISBN 13: 9780918949165
Seller: gearbooks, The Bronx, NY, U.S.A.
Soft Cover. Condition: Good. Lane Relyea (Design & Typography); Deidre Scherer, "Laughing Rose" (Cover Art) (illustrator). 2nd Edition. 177 pp. Solidly bound copy with moderate use and wear. Back cover page corner damaged. Tight binding. Clean text.
Language: English
Published by Museum of Contemporary Art, Los Angeles / Thames and Hudson, 2001
ISBN 10: 0500282846 ISBN 13: 9780500282847
Self-Wraps. Condition: Fine. 4to, 287 pp., color photos.
Language: English
Published by Matthew Marks/Lawrence Markey, Inc., 2002
ISBN 10: 188014638X ISBN 13: 9781880146385
Seller: FITZ BOOKS AND WAFFLES, Buffalo, NY, U.S.A.
First Edition
Hardcover. Condition: Fine. 1st Edition. Art. This is a clean, unmarked, undamaged copy.
Language: English
Published by BostonBoston: Stephen D. Paine Gallery,, 2003
ISBN 10: 0970835760 ISBN 13: 9780970835765
Seller: Outer Print, Richmond, VA, U.S.A.
First Edition
Hardcover. Condition: Fine. 1st Edition. Fine hardcover in decorative brown boards. Overall a bright and attractive copy, as new. Color plates throughout.
Language: English
Published by Matthew Marks/Lawrence Markey, Inc., 2002
ISBN 10: 188014638X ISBN 13: 9781880146385
Seller: Books Anonymous, Hudson, NY, U.S.A.
Hardcover. Condition: Near Fine. No Jacket. 112pp. Exhibition catalogue. No DJ as issued. The Book: Near Fine.
Language: English
Published by Dallas Museum of Art, 2003
ISBN 10: 0936227265 ISBN 13: 9780936227269
Seller: Ammareal, Morangis, France
Softcover. Condition: Comme neuf. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Ammareal gives back up to 15% of this item's net price to charity organizations.
Hardcover. Condition: As New. A critic takes issue with the art world's romanticizing of networks and participatory projects, linking them to the values of a globalized, neoliberal economy. Over the past twenty years, the network has come to dominate the art world, affecting not just interaction among art professionals but the very makeup of the art object itself. The hierarchical and restrictive structure of the museum has been replaced by temporary projects scattered across the globe, staffed by free agents hired on short-term contracts, viewed by spectators defined by their predisposition to participate and make connections. In this book, Lane Relyea tries to make sense of these changes, describing a general organizational shift in the art world that affects not only material infrastructures but also conceptual categories and the construction of meaning. Examining art practice, exhibition strategies, art criticism, and graduate education, Relyea aligns the transformation of the art world with the advent of globalization and the neoliberal economy.
Language: English
Published by Dallas Museum of Art, Dallas, TX, 2003
ISBN 10: 0936227265 ISBN 13: 9780936227269
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
First Edition
Paperback. Condition: Fine. 1st. 120 pages, illustrations (some colour); 22 x 31 cm. Catalogue of an exhibition at the Dallas Museum of Art, February 23 to May 11, 2003. Firm binding, clean inside copy. *** CONTENTS: Growing up absurd, by Lane Relyea; Are you experienced?, by Suzanne Weaver; Emerging criticism in Texas. No place like home, by Jennifer Davy; The plural form of history, by Alexander Dumbadze; Binary system, by Hilary Wilder. / SUZANNE WEAVER is associate curator of contemporary art at the Dallas Museum of Art. LANE RELYEA, formerly associate director of the Glassell School of Art, Museum of Fine Arts, Houston, is an assistant professor of art theory and practice at Northwestern University in Evanston, Illinois." - Publisher. *** Includes participating artists: Augusto Di Stefano - Adrian Esparza - Joey Fauerso - Robyn O'Neil - Robert Pruitt - Juan Miguel Ramos - Irene Roderick - Chris Sauter - Brent Steen - Marshall Thompson - Brad Tucker. Size: Oblong. Collectible.
Language: English
Published by New York: College Art Association, 2013
Seller: James Payne, Books and Prints, New York City, NY, U.S.A.
Softcover. Condition: Fine. [ART HISTORY]. Ed. Lane Relyea. Contributors: Jeanne Dunning, Susan Richmond, Gordon Hall, Rachel Middleman, et al. "Art Journal, Vol. 72, No. 4, Winter 2013." New York: College Art Association, 2013. English language. Softcover magazine with spine. Text with full-color photos. 10 x 8.25 x 0.25 in. 26 x 21 x 1 cm. 11 oz. 89 pp. Wear at bottom of spine. Text clean. Fine. No ISBN. ASIN: B07C49BDK2. ISSN: 0004-3249. "The mission of Art Journal, founded in 1941, is to develop rigorous and shared methods by which modern and contemporary art can be understood; to engage critically with twentieth- and twenty-first-century art and art history in national and global frameworks; to encourage broad and rigorous contributions to our disciplines and to institute, in our peer review and editorial structures, an inclusive, critical, and collaborative approach to the development of new and emerging forms of thought and communities of practice; to address and redress exclusionary histories of art and art history as fields of practice and scholarship; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production as well as within the fields of art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in and beyond the arts; and to promote dialogue and debate.".
Language: English
Published by New York: College Art Association, 2013
Seller: James Payne, Books and Prints, New York City, NY, U.S.A.
Softcover. Condition: Near Fine. [ART HISTORY]. Ed. Lane Relyea. Contributors: Karin Higa, Matthew Goulish, April Dunham, Liam Considine, Sara Greenberger Rafferty, et al. "Art Journal, Vol. 72, No. 3, Fall 2013." New York: College Art Association, 2013. English language. Softcover magazine with spine. Text with full color images. 10 x 8.25 x 0.25 in. 26 x 21 x 1 cm. 12 oz. 92 pp. Bottom of spine worn. Text clean. Smudge on TOC. Near Fine. No ISBN. No ASIN. ISSN: 0004-3249."The mission of Art Journal, founded in 1941, is to develop rigorous and shared methods by which modern and contemporary art can be understood; to engage critically with twentieth- and twenty-first-century art and art history in national and global frameworks; to encourage broad and rigorous contributions to our disciplines and to institute, in our peer review and editorial structures, an inclusive, critical, and collaborative approach to the development of new and emerging forms of thought and communities of practice; to address and redress exclusionary histories of art and art history as fields of practice and scholarship; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production as well as within the fields of art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in and beyond the arts; and to promote dialogue and debate.".