Richardson Robert (Over 3,700 results)

Hardback. Condition: Good. Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in ""The Poet"", ""The American Scholar"", ""Nature"", ""Goethe"", and ""Persian Poetry"", less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today. Emerson advised that 'the way to write is to throw your body at the mark when your arrows are spent'. ""First We Read, Then We Write"" contains numerous such surprises - from 'every word we speak is million-faced' to 'talent alone cannot make a writer' - but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson's hands, the biographical and historical context in which Emerson worked becomes clear. Emerson's advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything - strategies, tricks, makeshifts - speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with 'the birthing stage of art', Emerson's counsel on being a reader and writer will be read and reread for years to come.…

Hardback. Condition: Very Good. Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in ""The Poet"", ""The American Scholar"", ""Nature"", ""Goethe"", and ""Persian Poetry"", less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today. Emerson advised that 'the way to write is to throw your body at the mark when your arrows are spent'. ""First We Read, Then We Write"" contains numerous such surprises - from 'every word we speak is million-faced' to 'talent alone cannot make a writer' - but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson's hands, the biographical and historical context in which Emerson worked becomes clear. Emerson's advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything - strategies, tricks, makeshifts - speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with 'the birthing stage of art', Emerson's counsel on being a reader and writer will be read and reread for years to come.…

Condition: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condition: Fair. Baxter, Robert (illustrator).

Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Baxter, Robert (illustrator).

hardcover. Condition: Fair.

Hardcover. Condition: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condition: Good. Since the discovery of anaesthesia a little over 150 years ago, advances in surgery have had the drama and excitement of a novel. Here is the full, fascinating story of these advances discussed in an eminently readable book. In lively fashion the author describes such outstanding developments as the discovery of anaesthesia and the gradual evolution of the aseptic ritual. Surgery: An Historical Commentary is filled with absorbing accounts of surgical triumphs including the persistence of Lord Lister in the introduction of antisepsis; the role of Theodor Billroth in the development of abdominal surgery; the unmasking of appendicitis by the Harvard pathologist, Reginald Fitz, the brilliance of Harvey Cushing in establishing neurosurgery; the initiative of Sir Harold Gillies in making plastic surgery a speciality; and the work of Halsted in the surgery of hernia and cancer of the breast. The surgery of warfare is reviewed showing not only how it led to progress in civilian practice but also how lessons are all too easily forgotten. This revised and enlarged edition contains much new material particularly on abdominal surgery - the sphere of the 'general' surgeon - and a full bibliography of some 800 entries.…

Hardback. Condition: Very Good. Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in ""The Poet"", ""The American Scholar"", ""Nature"", ""Goethe"", and ""Persian Poetry"", less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today. Emerson advised that 'the way to write is to throw your body at the mark when your arrows are spent'. ""First We Read, Then We Write"" contains numerous such surprises - from 'every word we speak is million-faced' to 'talent alone cannot make a writer' - but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson's hands, the biographical and historical context in which Emerson worked becomes clear. Emerson's advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything - strategies, tricks, makeshifts - speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with 'the birthing stage of art', Emerson's counsel on being a reader and writer will be read and reread for years to come.…

Hardback. Condition: Good. Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in ""The Poet"", ""The American Scholar"", ""Nature"", ""Goethe"", and ""Persian Poetry"", less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today. Emerson advised that 'the way to write is to throw your body at the mark when your arrows are spent'. ""First We Read, Then We Write"" contains numerous such surprises - from 'every word we speak is million-faced' to 'talent alone cannot make a writer' - but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson's hands, the biographical and historical context in which Emerson worked becomes clear. Emerson's advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything - strategies, tricks, makeshifts - speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with 'the birthing stage of art', Emerson's counsel on being a reader and writer will be read and reread for years to come.…

Condition: Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Paperback. Condition: Good. Writing was the central passion of Emerson?s life. While his thoughts on the craft are well developed in ?The Poet,? ?The American Scholar,? Nature, ?Goethe,? and ?Persian Poetry,? less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage?s energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today.Emerson advised that ?the way to write is to throw your body at the mark when your arrows are spent.? First We Read, Then We Write contains numerous such surprises?from ?every word we speak is million-faced? to ?talent alone cannot make a writer??but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson?s hands, the biographical and historical context in which Emerson worked becomes clear. Emerson?s advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything?strategies, tricks, makeshifts?speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with ?the birthing stage of art,? Emerson?s counsel on being a reader and writer will be read and reread for years to come.…

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good.

Paperback. Condition: Very Good. 9. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Good. Dust Jacket Condition: Includes dust jacket. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Mass market. Condition: As New. Paperback. Cover shows very minor shelving wear, otherwise an unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Baxter, Robert (illustrator).