Rose Capel (5 results)

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1793 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 22 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 22 Bonnes?ur-Bourginie?re, Sime?on-Jacques-Henri,1754-1844,Bonnes?ur-Bourginie?re, Sime?on-Jacques-Henri, 1754-1844,Blutel, Charles-Auguste-Esprit-Rose, 1757-1806. Re?flexions sur le jugement de Louis XVI,Fourmy, Cn. (Jean). Opinion et projet de de?cret, propose?e par le citoyen Fourmy, de?pute? de l'Orme a? la Convention nationale, sur la question de savoir si Louis XVI sera juge?,Capel, J. B. (Jean Baptiste), publisher,France. Convention nationale.

Couverture rigide. Condition: Bon. [Sous la direction de] Rose Capel, Le ciel bleu, hebdomadaire littéraire pour tous. Bruxelles, Rose Capel, 1945. In-folio, 9 numéros de 4p soit 36p. Collection complète du premier hebdomadaire surréaliste. Les neuf numéros parurent du 22 février au 19 avril 1945, avec les participations de grands noms. Les deux derniers numéros sont sur papier bleu-vert. N° 1 (22 février 1945) : André Breton, Pablo Picasso, Lewis Carroll ("Le Morse et le charpentier", traduit par Henri Parisot), Pierre Mabille, Marcel Mariën, Christian Dotremont ("Raymond Roussel, le poète extrème"), Marcel et Gabriel Picqueray, Marcel Lecomte, Paul Colinet, Jean Pfeiffer, Georges Lambrichs. N° 2 (1er mars 1945): André Breton (sur Thomas de Quincey), Paul Colinet, Marcel Mariën, Christian Dotremont, Marcel Béalu, Marcel et Gabriel Picqueray, Georges Lambrichs, Scutenaire, Angèle Scaillet. Dessin de Robert Willems. N° 3 (8 mars 1945) : Marcel Mariën (sur René Magritte), Marcel et Gabriel Picqueray, Christian Dotremont, Paul Colinet, Scutenaire, Edmond Kinds. Illustration de Magritte. N° 4 (15 mars 1945) : Paul Colinet, Marcel Mariën, Christian Dotremont (sur Edgar Poe), Marcel et Gabriel Picqueray, Scutenaire, Edmond Kinds, Hubert Juin. Illustration de Robert Willems. N° 5 (22 mars 1945) : Christian Dotremont ("Comment traverser le miroir"), Car Névisty, Marcel et Gabriel Picqueray, André Souris, Paul Colinet, Scutenaire, Jean Pfeiffer. N° 6 (29 mars 1945) : Jean Pfeiffer ("André Breton"), René Magritte, Marcel et Gabriel Picqueray, Achille Chavée, André de Rache, Christian Dotremont, Scutenaire, Paul Colinet, Marcel Mariën. N° 7 (5 avril 1945) : Georges Henein, Jean Pfeiffer ("Paul Nougé"), Franz Kafka (Notule traduite par Marcel Lecomte et G. Laudier), Marcel et Gabriel Picqueray, Camille Goemans, Scutenaire, Paul Colinet, Marcel Broodhaerts, Christian Dotremont. Dessin de Suzanne Van Damme. N° 8 (12 avril 1945) : André de Rache, Car Névisty, Christian Dotremont, Scutenaire, Marcel Mariën, Fernand Dumont, Hubert Juin, Marcel et Gabriel Picqueray, Dessin de Robert Willems. N° 9 (19 avril 1945) : Angèle Scaillet, Irène Hamoir, Marcel et Gabriel Picqueray, André Souris, Paul Colinet, Christian Dotremont ("Prisme infini de la lenteur"), Armand Permantier, Georges Roux. Journaux pliés (pour l'envoi). Petits défauts. Peu commun.

broadsheets, title printed in blue, the last two issues on blue paper, a tendency to browning, each pp. 4, folio, the sheets with tiny nicks and creases to extremities, all with horizontal fold as issued, the first issue with very short split at edge of fold to front, not touching text, very good. The surrealist touchstone of Lewis Carroll's work dominates the first page of the opening issue, with Henri Parisot's translation of 'The Walrus and the Carpenter' ('Le Morse et le charpentier') - his influence on this generation throughout enshrined by the periodical's subtitle: 'De l'autre côté du miroir' ('From the other side of the looking-glass'). The Parisian translator was the pre-eminent translator of Carroll's work into French - notable also as the recipient of Antonin Artaud's letters from the Rodez asylum, sent to him in the year of this publication (and published as 'Lettres de Rodez' the following year). A Belgian surrealist periodical in newspaper format, issued weekly over the course of two months late during the War. The seventh issue features the first appearance in print of poet and filmmaker Marcel Broodthaers (albeit as Marcel Broodhaerts); Andre Breton, Fernand Dumont, Marcel Mariën, Raymond Roussel, and Pablo Picasso are among the other literary contributors, whilst pictorial elements are provided by René Magritte, Robert Willems, Suzanne van Damme, et al.

9 vols. Folio. (c.368 x 276 mm). [9 bifolia of different newspaper print paper stock, nos. 8 & ( on green paper as isued]. Front cover of each 4-page issue with printed orthographic banner headline in blue (final number in different format in red), printed text in French and monochrome illustration throughout in four columns by various artists, poets etc. (see below), the sheets folded as issued in good condition with some very slight wear to edges and folds. Loose as issued, later protective blue card board box with title to front flap in blue twine, interior with painted vignettes in white of birds in flight. A fine set of the complete series of the Belgian Surrealist review 'Le Ciel Bleu' issued during the closing months of World War II. The Belgian Surrealist periodical, 'Le Ciel Bleu' was directed by Rose Capel together with Paul Colinet, Christian Dotremont and Marcel Mariën. Issued weekly in newspaper format, the review concentrated more on text (prose, poetry, and theory) than on the visual, but did include illustration by Magritte, Robert Willems, Annie Desmets, P. Sanders and Suzanne van Damme. The usual coterie of Surrealist contributors and precursors are present and unpublished work by Breton, Scutenaire, Béalu,Achille Chavée, André Souris, Milk-Yes-La [sic], Picasso, Jean Pfeiffer, Piqueray, and Armand Permantier, amongst others. A young Marcel Broodthaers, 21 at the time of publication, contributed the poem 'L'île sonnante' to issue 7; Broodthaers is cited as 'Marcel Broodhaerts'. 'In the first issue, Mariën's 'Pourquoi le ciel est bleu' sets the tone for post-war Surrealism in Belgium, with its insitence on optimism. 'The sky is blue because it is the symbol par excellence, the concrete image, the memento of the innumerable possibilities of life . / 'A new, human morality, founded on pleasure, the happiness of all, is traced across the tatters of our hypocritical conventions which are the brutal negation of daily reality . / 'At the heart of the storm, of that artificial night which is unrolled today over the world, the blue sky - from the other side of the mirror - is our only chance of safety.'' (Dawn Ades). [Ades 16.42, see pp. 412 - 414 & 417 - 418].

Bruxelles, 1945.Neuf In folio de quatre pages (36,5 x 27,5 cm.). Les numéros 8 et 9 sont imprimés sur papier vert. Pliure centrale à chaque numéro due à l'envoi postal. Quelques légères déchirures aux pliures sinon ensemble en bon état.Direction : Rose Capel. Comité de rédaction : Paul Colinet, Christian Dotremont, Marcel Mariën. Collection complète en 9 numéros, du 22 février au 19 avril 1945.N° 1 (22 février 1945) : André Breton, Pablo Picasso, Lewis Carroll Le Morse et le charpentier, traduit par Henri Parisot, Pierre Mabille, Marcel Mariën, Christian Dotremont Raymond Roussel, le poète extrème, Marcel et Gabriel Picqueray, Marcel Lecomte, Paul Colinet, Jean Pfeiffer, Georges Lambrichs.N° 2 (1er mars 1945): André Breton (sur Thomas de Quincey), Paul Colinet, Marcel Mariën, Christian Dotremont, Marcel Béalu, Marcel et Gabriel Picqueray, Georges Lambrichs, Scutenaire, Angèle Scaillet. Dessin de Robert Willems.N° 3 (8 mars 1945) : Marcel Mariën (sur René Magritte), Marcel et Gabriel Picqueray, Christian Dotremont, Paul Colinet, Scutenaire, Edmond Kinds. Illustration de Magritte.N° 4 (15 mars 1945) : Paul Colinet, Marcel Mariën, Christian Dotremont (sur Edgar Poe), Marcel et Gabriel Picqueray, Scutenaire, Edmond Kinds, Hubert Juin. Illustration de Robert Willems.N° 5 (22 mars 1945) : Christian Dotremont Comment traverser le miroir, Car Névisty, Marcel et Gabriel Picqueray, André Souris, Paul Colinet, Scutenaire, Jean Pfeiffer.N° 6 (29 mars 1945) : Jean Pfeiffer André Breton, René Magritte, Marcel et Gabriel Picqueray, Achille Chavée, André de Rache, Christian Dotremont, Scutenaire, Paul Colinet, Marcel Mariën.N° 7 (5 avril 1945) : Georges Henein, Jean Pfeiffer Paul Nougé, Franz Kafka Notule traduite par Marcel Lecomte et G. Laudier, Marcel et Gabriel Picqueray, Camille Goemans, Scutenaire, Paul Colinet, Marcel Broodhaerts, Christian Dotremont. Dessin de Suzanne Van Damme.N° 8 (12 avril 1945) : André de Rache, Car Névisty, Christian Dotremont, Scutenaire, Marcel Mariën, Fernand Dumont, Hubert Juin, Marcel et Gabriel Picqueray, Dessin de Robert Willems.N° 9 (19 avril 1945) : Angèle Scaillet, Irène Hamoir, Marcel et Gabriel Picqueray, André Souris, Paul Colinet, Christian Dotremont Prisme infini de la lenteur, Armand Permantier, Georges Roux. Livres.