Rossella Lupacchini (60 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Brossura. Condition: new. Pisa, 2020; br., pp. 200, cm 17,5x25. (Analitica. 16). Questo libro nasce dall'idea che il legame tra arte e scienza, da più parti opportunamente interpretato come tratto distintivo della cultura europea del Rinascimento, sia il risultato di una visione condivisa della "verità della forma": la matematica interpreta la bellezza della natura, la natura incarna la bellezza della matematica. Attraverso la riflessione critica sui modi e le finalità della rappresentazione artistica si precisa il compito di definire modi e finalità della rappresentazione scientifica, di edificare una scienza matematica della natura. Se la prospettiva dei pittori mostra l'opportunità di definire un piano che intercetti l'immagine visiva, separando l'occhio che vede dall'oggetto osservato, per Leonardo il pittore deve "diventare mente della natura stessa e farsi interprete tra natura e arte". L'indagine condotta nel presente volume non segue la storia della filosofia della natura né intende offrire un ulteriore approfondimento nell'analisi del rapporto tra la cultura del Rinascimento e l'origine della scienza moderna, ma si concentra su alcuni motivi che hanno contribuito alla formazione dell'ideale scientifico di Leonardo e sui riflessi di questo ideale nelle trasformazioni dell'immagine fisica del mondo. Contempla un duplice obiettivo: mettere in risalto una correlazione prospettica Leonardo-Leibniz, tra geometria naturale e creatività matematica, e sensibilizzare lo sguardo ai caratteri di un'armonia universale che dalla mente della natura si trasmette all'arte della scienza. Libro.…

Paperback. Condition: New.

Condition: New.

Condition: New. In English.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. pp. 223.

Condition: New. pp. 226.

Paperback. Condition: Brand New. reprint edition. 224 pages. 9.25x6.10x0.51 inches. In Stock.

Hardcover. Condition: Brand New. 190 pages. 9.25x6.25x0.75 inches. In Stock.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - In addition to linear perspective, complex numbers and probability were notable discoveries of the Renaissance. While the power of perspective, which transformed Renaissance art, was quickly recognized, the scientific establishment treated both complex numbers and probability with much suspicion. It was only in the twentieth century that quantum theory showed how probability might be molded from complex numbers and defined the notion of 'complex probability amplitude'. From a theoretical point of view, however, the space opened to painting by linear perspective and that opened to science by complex numbers share significant characteristics. The Art of Science explores this shared field with the purpose of extending Leonardo's vision of painting to issues of mathematics and encouraging the reader to see science as an art. The intention is to restore a visual dimension to mathematical sciences - an element dulled, if not obscured, by historians, philosophers, and scientists themselves.…

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - In addition to linear perspective, complex numbers and probability were notable discoveries of the Renaissance. While the power of perspective, which transformed Renaissance art, was quickly recognized, the scientific establishment treated both complex numbers and probability with much suspicion. It was only in the twentieth century that quantum theory showed how probability might be molded from complex numbers and defined the notion of 'complex probability amplitude'. From a theoretical point of view, however, the space opened to painting by linear perspective and that opened to science by complex numbers share significant characteristics. The Art of Science explores this shared field with the purpose of extending Leonardo's vision of painting to issues of mathematics and encouraging the reader to see science as an art. The intention is to restore a visual dimension to mathematical sciences - an element dulled, if not obscured, by historians, philosophers, and scientists themselves.…

Condition: new.

Condition: NEW.

brossura copertina flessibile. Condition: Fine. Volume brossurato con copertina flessibile in ottime condizioni, il volume non presenta difetti. copertina flessibile 191 9788865982426 Ottimo (Fine) .

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Taschenbuch. Condition: Neu. The Art of Science | From Perspective Drawing to Quantum Randomness | Rossella Lupacchini (u. a.) | Taschenbuch | xiii | Englisch | 2016 | Springer | EAN 9783319379074 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume is located in a cross-disciplinary eld bringing together mat- matics, logic, natural science and philosophy. Re ection on the e ectiveness of proof brings out a number of questions that have always been latent in the informal understanding of the subject. What makes a symbolic constr- tion signi cant What makes an assumption reasonable What makes a proof reliable G odel, Church and Turing, in di erent ways, achieve a deep und- standing of the notion of e ective calculability involved in the nature of proof. Turing's work in particular provides a 'precise and unquestionably adequate' de nition of the general notion of a formal system in terms of a machine with a nite number of parts. On the other hand, Eugene Wigner refers to the - reasonable e ectiveness of mathematics in the natural sciences as a miracle. Where should the boundary be traced between mathematical procedures and physical processes What is the characteristic use of a proof as a com- tation, as opposed to its use as an experiment What does natural science tell us about the e ectiveness of proof What is the role of mathematical proofs in the discovery and validation of empirical theories The papers collected in this book are intended to search for some answers, to discuss conceptual and logical issues underlying such questions and, perhaps, to call attention to other relevant questions.…

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | In addition to linear perspective, complex numbers and probability were notable discoveries of the Renaissance. While the power of perspective, which transformed Renaissance art, was quickly recognized, the scientific establishment treated both complex numbers and probability with much suspicion. It was only in the twentieth century that quantum theory showed how probability might be molded from complex numbers and defined the notion of ¿complex probability amplitude¿. From a theoretical point of view, however, the space opened to painting by linear perspective and that opened to science by complex numbers share significant characteristics. The Art of Science explores this shared field with the purpose of extending Leonardös vision of painting to issues of mathematics and encouraging the reader to see science as an art. The intention is to restore a visual dimension to mathematical sciences ¿ an element dulled, if not obscured, by historians, philosophers, and scientists themselves.…