Roth Ernest D (26 results)

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Stated First Printing after the linen bound limited edition of 75 copies. Bound in mottled grey paper over boards with title on paper labels on the front cover and spine. The corners are lightly worn and spine caps bumped. The endpapers have age-tanning. Otherwise, pages are clean, and unmarked. The binding is tight. Includes 12 tipped in plates in black and white. The top edges of pages with tipped in plates are uncut. 12" X9".…

Flexible Boards. Condition: Good. 4to. Dusty brown boards, spine in disrepair, top edge of the text block has been left fused/uncut. The condition of the book is Good (stamp from former owner on first free end paper, text block aged in margins, binding weakened by lack of spine). Unpaginated papers.

Hardcover. Condition: Good+. Dust Jacket Condition: Good. Third Printing. Covers have a lot of very small holes in the cloth - probably bug damage. Owner's name. Jacket has some small tears and edgewear. 12 plates. One of a series of 12 works on American etchers. ; 4to 11" - 13" tall.

hardcover. Condition: near fine. very good(-). Third. Introduction by Elizabeth Whitmore. 12 tipped-in black-and-white plates. Slim 4to, red cloth, d.w. New York: Crafton Collection, (1929). Third printing. A near fine copy in a very good(-) dust wrapper. Roth, Ernest D. (illustrator).

Hardbound. Condition: VG/VG in age-toned cloth. Thick woven cloth with remnants of dustjacket. 72 pp., with 21 tissue-guarded bw plates. Reminiscences of American artist Alexander Shilling (1860-1937) by friends and fellow artists. A rare collaboration of this many individuals, that stands as testament to this artist's influence and esteem.…

Taschenbuch. Condition: Neu. Neuware - 'American Etchers' Volume I offers a profound look into the masterful craftsmanship of Ernest D. Roth, a celebrated figure in early 20th-century American printmaking. As a distinguished member of the National Academy, Roth's work is renowned for its architectural precision and atmospheric depth, particularly in his depictions of European and American urban landscapes. This volume serves as a curated showcase of his technique, highlighting his skill in etching and drypoint.The work provides an essential overview of Roth's artistic contributions during a pivotal era for the American graphic arts. It features a collection of his significant plates, providing critical insights that contextualize his place among the premier etchers of his generation. For collectors, art historians, and enthusiasts of fine printmaking, 'American Etchers' remains an invaluable resource for understanding the aesthetic sensibilities and technical rigor that defined the period. Through detailed representations, the volume captures the intricate linework and tonal nuances that established Roth as a leader in the world of professional etching.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hard Cover. Condition: Good. First Edition. FIRST EDITION, first printing. 12 tipped-in plates. Pages are in very good condition; bright and clean. Gray boards with yellow titles on white labels on the spine and upper cover. Spine label is a little chipped. Corners, head/tail of spine a little bumped and frayed. Photos available upon request. Size: Folio - over 12" - 15" tall. Hardcover.…

Condition: very good. Hbk 4to unpaginated, stated 1st Printing, illustr 12 tipped-in b+w plates, no dj as issued, fine gray paper-covered boards with labels front and spine, light crease to front endpaper and faint even toning, otherwise a very good+ clean tight unmarked copy, becoming harder to find.…

hardcover. Condition: very good(-). First. Introduction by Elizabeth Whitmore. 12 tipped-in black-and-white plates. Slim 4to, gray boards with paper label on spine and front cover; spine and edges worn, hinges starting. New York: T. Spencer Hutson, (1929). Plates fine, butr overall a very good(-) copy. Roth, Ernest D. (illustrator). …

Hardcover. Condition: Very Good. First Edition. 12 tipped-in plates. Pages are in very good condition; bright and clean. Grey boards with yellow titles on white labels on the spine and upper cover. Spine label is a little chipped. Corners, head/tail of spine a little bumped and frayed. No dust jacket. VG Size: 9 x 12. Book.…

Cloth. Condition: Very Good. Dust Jacket Condition: Good. First. Tan jute or burlap cloth, gold pasted label on front cover. Same label pasted on faded blue DJ. Fine tissue guarded plates. Fold out letter from his friends.

Condition: New. Print on Demand.

Hardcover. Condition: Fair. No Jacket. 1st Edition. Illustrated volume is missing approx. 50% of the paper spine label, bumped and worn corners and spine and cover wear thus fair. What makes this copy special is that on the front fep is the dated neat tiny signature of Roth. It is dated December1929. Signed by Author(s). Book.…

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Soft cover. Condition: Very Good. 1st Edition. 8vo. Original paper wrappers, sewn. With an introduction by Frank Jewett Mather.71 item catalogue. With the loose card insert.

Hardcover. Condition: Very Good. 1st. [11] pages, 12 mounted plates; 31 cm. Compiled by the Crafton collection. SIGNED and dated by the artist in the year of publication. A very good copy with moderate shelfwear to boards, rubbing & wear to extremities. Stated First Printing. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** Ernest D. Roth (1879-1964), as the letters NA after his name suggest, was a member of the National Academy, who immigrated from Germany to the United States as a child. It appears that the artist's plates were used in the production of this volume. Size: 4to. SIGNED. Collectible.…

Hardcover. Condition: Very good. Small quarto. (11)pp. In his inscription, the author praises Dard Hunter's many contributions to the project: "The paper, type and the printing." Produced for the Chicago Society of Etchers, each copy with a laid-in etching by Ernest D. Roth, who has signed and dated the plate. An ornate floral headpiece bears Hunter's monogram, and appears above a matching six-line initial. An early work by Hunter, who has set two watermarks in the paper, one a "DH" set in a heart, and the other the insignia of the Society. Laid in articles evince the high esteem with which the Society held Hunter. A triptych brochure announces Hunter's other collaboration with the Society, The Etching of Figures, which the Society claims "as far as can be discovered.will be the first book issued in America which represents the entire work of one man." A manuscript addition to the brochure, in reference to Hunter's Marlborough-on-Hudson paper mill, notes that he "built the mill - grew the rushes and thatched the roof himself." The prospectus for the present work likewise praises Hunter's capabilities and forecasts the importance of the edition to the history of modern bookmaking. Bound in quarter vellum with tan paper over boards and paper label to upper cover. Light chipping to label, overall soiling, including minor biopredation, to boards, bumping to corners and toning to vellum, else very good. Also laid in is a bifold roster of members of the Society in 1916. One of 270 copies. Inscribed at the front cover by the author.…

Hardcover. Condition: Near fine. Small quarto. (11)pp. With a laid-in etching editioned for the publication by Ernest D. Roth, who has signed and dated the plate. An ornate floral headpiece bears Hunter's monogram, and appears above a matching six-line initial. An early work by Hunter, who has set two watermarks in the paper, one a "DH" set in a heart, and the other the insignia of the Society. To-order binding by Oakwood Binders of Pittsfield, Massachusetts, originally offered for $10. Ornamentation matches the interior decoration by Hunter. Spine in five compartments with titling in blind, binder's stamp at rear board. Trace rubbing, some internal foxing, else near fine. With original box from binder, in two pieces but entirely present. All housed in modern clamshell. Laid in is an additional etching by William Bucher. One of 270 copies produced for the Chicago Society of Etchers. This copy is in a special pigskin binding, designed by Dard Hunter and advertised to Society members "who are interested in preserving their copies in permanent bindings contemporaneous with the printing.".…

Hardcover. Condition: Fine. No Jacket. Limited Edition. A complete set of the deluxe twelve printed volumes, published from 1929 to 1931. Each contains an original etching by the artist and twelve reproductions of other works by him; each original and each reproduction has a tissue guard; each original etching is signed (one is initialed) by the artist in pencil. Each volume contains an essay on the artist. From an edition limited to 75 copies. Each volume contains the original typed and notarized certificate of authenticity. Each has been opened to verify the presence of the original and the copies; the ribbons, seals, glassine wrappers, and certificates are present. Except for the etching in Volume X, the paper of which shows ripples, all etchings and all reproductions are fine, as are the bindings and text pages. Neither Volume I, Volume II, nor Volume XII has a box. Each of these three is wrapped in heavy brown paper as issued with a part of the red seal intact. Volume I is copy #2 of 75. Volume II is exactly like Volume I except it bears copy #45. Volumes III to XI are housed in the original brown boxes. Each box has a neat pen inscription of the artist's last name on the edge of the spine of the box. Four of the boxes have a slight damp stain on the bottom edge. Volumes III through XII bear copy #32 of 75. The artists and the signed print are as follows: Vol. I ERNEST D. ROTH; Union Square, N.Y.C., dated in pencil Vol. II ALFRED HUTTY; In a Southern City, dated in pencil Vol. III CHILDE HASSAM; Egeria (C. 324) Vol. IV PHILIP KAPPEL; Barranquilla, Colombia, S.A., titled in pencil Vol. V JOHN TAYLOR ARMS; Rio dei Santi Apostoli, Venice (F. 226), dated and inscribed 'Ed. 75,' Vol. VI ARTHUR WILLIAM HEINTZELMAN; Bambino, inscribed 'Ed. 75' Vol. VII GEORGE ELBERT BURR; Arizona Night, printed in gray-green, titled in pencil Vol. VIII KERR EBY; Ploughing, inscribed 'Ed. 75' Vol. IX TROY KINNEY; Ruth St. Denis Vol. X LOUIS C. ROSENBERG; Bab-el-Khoukha, Kairovah, printed in brown. Vol. XI MARTIN LEWIS; Little Penthouse (McC. 101) Vol. XII FRANK W. BENSON; Two Black Geese. Very scarce and very rare in this condition. The set weighs 25 lbs. Postage may be extra on this item. Signed by Illustrator(s).…

Hardcover. Condition: Very Good. AMERICAN ETCHERS. New York, The Crafton Collection, [1929-1930]. 3rd printing. 12 monographs featuring the art of: Ernest D. Roth, Alfred Hutty, Childe Hassam, Philip Kappel, John Taylor Arms, Arthur Heintzelman, George Elbert Burr, Kerr Eby, Troy Kinney, Louis C. Rosenberg, Martin Lewis, and Frank W. Benson. Each plate is mounted on an unopened double leaf. Very good condition. …

signed lower right "Ernest D. Roth, 1950 ". 19 x 14-1/2 inches. Fine. Matted. In original printed envelope signed lower right "Ernest D. Roth, 1950 ". 19 x 14-1/2 inches. Signed.

Paperback. Condition: new. Paperback. "American Etchers" Volume I offers a profound look into the masterful craftsmanship of Ernest D. Roth, a celebrated figure in early 20th-century American printmaking. As a distinguished member of the National Academy, Roth's work is renowned for its architectural precision and atmospheric depth, particularly in his depictions of European and American urban landscapes. This volume serves as a curated showcase of his technique, highlighting his skill in etching and drypoint.The work provides an essential overview of Roth's artistic contributions during a pivotal era for the American graphic arts. It features a collection of his significant plates, providing critical insights that contextualize his place among the premier etchers of his generation. For collectors, art historians, and enthusiasts of fine printmaking, "American Etchers" remains an invaluable resource for understanding the aesthetic sensibilities and technical rigor that defined the period. Through detailed representations, the volume captures the intricate linework and tonal nuances that established Roth as a leader in the world of professional etching.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…