Rothohler Simon (58 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Gut. 1. Aufl. 79 S. ; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber und kann entsprechende Merkmale aufweisen (Rückenschild, Instituts-Stempel.). Einband folienkaschiert. Sprache: Deutsch Gewicht in Gramm: 110.

Condition: New.

Paperback. Condition: New. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knörer, Thomas Morsch, Jonathan Rosenbaum and the editors.…

Paperback. Condition: new. Paperback. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knoerer, Thomas Morsch, Jonathan Rosenbaum and the editors. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: new.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: as new. Wie neu/Like new.

Paperback. Condition: New. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knörer, Thomas Morsch, Jonathan Rosenbaum and the editors.…

Condition: New. Num Pages: 208 pages, Illustrations (some col.), ports. (some col.). BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 174 x 199 x 23. Weight in Grams: 390. . 2012. Paperback. . . . .

Condition: New. pp. 208 Illus.

Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: Brand New. 208 pages. 7.80x6.69x0.87 inches. In Stock.

Condition: New. Num Pages: 208 pages, Illustrations (some col.), ports. (some col.). BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 174 x 199 x 23. Weight in Grams: 390. . 2012. Paperback. . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 328 pages. German language. 10.50x6.75x1.00 inches. In Stock.

Condition: New.

Condition: New. In English.

Condition: New. pp. 208.

Taschenbuch. Condition: Neu. Neuware - Vom YouTube-Fenster bis zur IMAX-Leinwand: Immer mehr Bildschirme, Displays und Leinwände durchziehen heute den privaten und öffentlichen Raum. Während die Proliferation des Bewegtbildes oft als Indiz für den 'Tod des Kinos' interpretiert wird, nimmt dieses Buchs erneut die Besonderheiten und Grenzen von Film und Kino in den Blick. Im Zentrum stehen die Position des Kinozuschauers ebenso wie die Transformationen des Kinos angesichts digitaler Distributionsformen, die Aneignung des Experimentalfilms durch installative Kunstformen und die Ästhetik des HD-Bildes. Weitere Beiträge untersuchen, auf welche Weise das Kino mit den übrigen Künsten und Medien wie Theater und Fernsehen interagiert, und welche Herausforderungen die momentane Situation für die Filmtheorie mit sich bringt. (Text in englischer Sprache).…

Condition: Sehr gut. 1. Auflage, 8°, 95 S., farbig illustr. original Kartonage (Paperback), ein sehr gutes, sauberes Exemplar ohne Anstreichungen, ohne Vorbesitzvermerke, ohne Eckknicke etc. und auch kein Nikotin- oder Kellergeruch. Der Buchtitel ist zwar englisch aufgrund der gleichnamigen Netflix-Serie (um die es ja geht), der Text ist aber in deutscher Sprache verfasst. Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.…

Paperback. Condition: New. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knörer, Thomas Morsch, Jonathan Rosenbaum and the editors.…

Taschenbuch. Condition: Neu. Neuware - Das Filmbild, von Serge Daney einst als 'Sonderfall des Bildes' bezeichnet, ist heute unter den Bedingungen der 'post-kinematografischen' Diffusion des Films mit multiplen Identitäten ausgestattet. Eine davon hört auf das Label 'High Definition' und steht nicht nur für einen im Industriekonsens verabredeten Produktionsstandard, sondern zugleich für eine spezifische ästhetische Differenz im visuellen Feld der Gegenwart. Mit Blick auf einzelne HD-Filme wie u.a. Collateral, Leviathan, Holy Motors soll das hochaufgelöste Bild als Sonderfall digitaler Filmästhetik untersucht werden.…

Paperback. Condition: new. Paperback. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knoerer, Thomas Morsch, Jonathan Rosenbaum and the editors. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Softcover. Condition: Sehr gut. 1. Auflage. Z : 100 Seiten - Das Filmbild, von Serge Daney einst als Sonderfall des Bildes bezeichnet, ist heute unter den Bedingungen der post-kinematografischen Diffusion des Films mit multiplen Identitäten ausgestattet. Eine davon hört auf das Label High Definition und steht nicht nur für einen im Industriekonsens verabredeten Produktionsstandard, sondern zugleich für eine spezifische ästhetische Differenz im visuellen Feld der Gegenwart. Mit Blick auf einzelne HD-Filme wie u.a. Collateral, Leviathan, Holy Motors soll das hochaufgelöste Bild als Sonderfall digitaler Filmästhetik untersucht werden.…

hardcover. Condition: New. 1st.

Condition: Befriedigend. Zustandsbeschreibung: bestoßen, Mängelexemplarstempel auf Schnitt/unused, bumped, remainder mark stamp on edge. Stream - Archive - Ambience. Translated into English by Daniel Hendrickson & Textworks Translations. The ubiquity of digital images is an effect of their distributive versatility. They can be stored almost indefinitely, transmitted instantaneously, reproduced without any effort, visualized in many ways, datafied and processed. Their mobilization does not take place randomly, but follows a complex media logistics of format standards, infrastructures and transport calculations. Digital images are distributed: not as sessile objects, fixed entities, but as stream-like modulated processes. The study conceptualizes actors and agendas of image data traffic, examines retro-digitized archive image corpora with regard to their distribution histories, and deals with "calmed" image sensor operations in intelligent environments. VI,331 Seiten mit 36 Farb- und vier s/w-Abb., gebunden (Brill | Fink 2023). Statt EUR 114,00. Gewicht: 720 g - Gebunden/Gebundene Ausgabe.…