Sampson John Editor (32 results)

Paperback. Condition: Very Good. Salem House Publisher, 1985. Book has mild rubbing to covers with light smudges to back, modest wear to edges and corners, a touch of toning to edges of pages. otherwise in great condition, strong binding, unmarked text; an overall sturdy copy with sharp text.

paperback. Condition: Fine. First Edition. New York: Space and Time 2009 First edition. Magazine. Oversize [about 8.25" x 11"] pictorial wrappers, saddle-stapled, 48+ pages, illustrated. Fine copy. bx150E.

Single Issue Magazine. Condition: Very Good. Cover art by H.R. Van Dongen (illustrator). First Edition, First printing. NY, Science Fiction Publications, 1953 First Edition, 160 pages, Contents page in Photos. A very good copy with edge wear, light dust soiling, text lightly toned. See Photos pulp bx 3.

Paperback. Condition: Good. First Edition. NY: Future Publications, Inc. Publication: Science Fiction Adventures, Vol. 1 No. 4 May 1953 Editor: Lester de Rey Date: 1953 Publisher: Future Publications, Inc. Pages: 160 Format: Digest Type: Magazine Contents The Other Cheek a Feature Novel by Theodore R. Cogswell Streets of Gold a Novelet by Irving E. Cox What Goes Up a Short Story by Richard Sheckley Survivors a Short Story by Richard K. Snodgrass The Rocket Pistol a Short Story by Robert D. Sampson Police Your Planet a Serial by Erik van Lhin being the 2nd of 3 parts And much more. Condition: Good with wear to edges and spine. Chipping to heel of spine. Light toning to pages. See photos. Whbx 7 E.

Hardcover. Condition: As New. Dust Jacket Condition: Missing. Red cloth covered boards with gold spine titles; minimal edge wear; red smudges on edges; 8vo - over 7 3/4" to 9 3/4" tall; no jacket. Interior clean and unmarked; 877 pages.

Hardcover. Condition: New. Brand New. Still sealed in original publisher's box.

Hardcover. Condition: Good. First Thus. 12mo. Wear to extremities.Mark to front cover. Worn through on three corner edges. Some spotting. Note to feps in pencil. Book.

hardcover. Condition: Acceptable. Spine is cracked and the pages are separating from cover but intact. Hardcover book no dust jacket. Light wear to book cover and book edges.

Half-Leather. Condition: Good. No Jacket. 453 pages. Gilt top edges. "Including the unpublished French Revolution together with the Minor Phophetic Books and Selections from The Four Zoas, Milton & Jerusalem" Edges of leather show some wear. Leather has discolored edges of free endpapers where it touches them both front and back. Size: 12mo - over 6¾" - 7¾" tall.

[0-295-95299-7] 1973. (hardcover) Good in very good dust jacket. li, 179+. 8vo. DJ shows moderate wear, with small tears to top edge. Rust-coloured cloth boards. There is a singular tear to page 45, but all information remains intact. Else is clean, tight and bright. B / W ills. And port.

Hardcover. Condition: Like New. First Edition. Firm, square and tight with sturdy hinges, just showing a few minor rubs and some mild cosmetic wear. Hence a non-text page is stamped 'damaged'. Despite such this book is in nearly new condition. Thus the contents are crisp, fresh and clean. It has no pen-marks and is not from a library so no such stamps or labels. Offered for sale at a very sensible price.

Soft cover. Condition: Near Fine. 1st Edition. New York: Future Publications, Inc., 1953. First Edition. May, 1953 issue, Volume 1, Number 4. 12mo, illustrated wraps; 157 numbered pages + ads. About as near to fine as near fine gets with paperback pulp fiction from the fifties, in my experience. See scans. Penciled old price of 35 cents on the cover, two light mark at underlying staples. Contents toned, of course, but flawless. A tour de force of sci-fi luminaries Theodore R. Cogswell, Irving E. Cox, Robert Sheckley, Richard K. Snodgrass, Robert D. Sampson, and Erik van Lhin. Art by Von Dongen (vover), and Beecham, Ebel, Eberle, and Orban (interior) in the style we all like. Startlingly high-grade copy, at least to me. L24.

Hardcover. Condition: Good. With dust jacket. Photograph available on request.

Hardcover. Condition: Very Good. lvi + 453pp, portrait, bound in red cloth, gilt decorated front bard and gilt lettered, Provenance: with the bookplate of D. E. K. Bishop, very good condition, Oxford University Press, Oxford, 1928.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: Brand New. illustrated edition. 388 pages. 8.58x5.67x1.18 inches. In Stock.

Paperback. Condition: Brand New. 96 pages. 8.43x5.85x0.73 inches. In Stock.

Hardcover. Condition: Brand New. 1st edition. 210 pages. 9.50x6.50x0.75 inches. In Stock.

Paperback. Condition: Brand New. 1st edition. 268 pages. 9.25x6.25x0.75 inches. In Stock.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Oxford University Press, 1928. Hardcover. Condition: Very Good. 1st Edition.

Hardcover. Condition: New. Hardcover. No dust jacket. Good binding and cover. Clean, unmarked pages.

Paperback. Condition: Brand New. 2005 edition. 307 pages. 9.00x6.25x0.75 inches. In Stock.

Hardcover. Condition: Brand New. 701 pages. 9.50x7.00x2.50 inches. In Stock.

Hardcover. Condition: Very Good. PARKER Agnes Miller 1895-1980 (illustrator). Limited Edition. With impeccable provenance! and 8 wood engravings by Agnes Miller Parker. A Limited edition of 250 copies, in the publishers full mustard yellow sheepskin covers, gilt titles, rounded edges, mark to upper cover & a few small spots to covers, gilt spine titles. Internally, half title, [6], (vii-xi), [3], 108 pp, [1], [1] limitation, 8 magnificent woodcuts by Parker, + some printers devices, text block edges uncut, some offsetting to leather turn-ins. (280*192 mm). (Harrop 27, p120).

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. Blake, William (illustrator). First Edition Thus. 1934 at title page. Fine, coated, smooth, navy buckram (cloth) boards, blind-stamped borders at front and back, gilt embossed spine titles and Oxford cover insignia, lt. shelf wear. Pages fine, navy top edge; vintage decorative bookplate of Douglas R. Vining at frt. endp. Bind fine, straight; hinges intact. Dj moderate wear; protected in new clear sleeve. Beige matte texture w/wrap-around band pictorial design w/cover, spine titles. Near fine, well preserved example. Includes the unpublished "French Revolution" together with the "Minor Prophetic Books" and Selections from "The Four Zoas, Milton and Jerusalem". Includes sixteen illustrations by Blake at title-pages of respective pieces. With this remarkable work Sampson produced the first scholarly edition of William Blake's work, in which he returned to the original texts, taking into account Blake's own handwritten corrections. At copyright: "Henry Frowde, M.A., Publisher to the University of Oxford, London, Edinburgh, New York and Toronto". Printed in Great Britain. 453 pages and lvi (56) introductory pages at front. Insured post. Size: 8vo - over 7¾ - 9¾" Tall.

Condition: Good. 8vo. 88 pp. Dark blue cloth-covered boards with gilt spine. Very good with marginal edgewear on spine, staining on covers and toning on pages. Nameplate on interior of front cover. A compilation of lectures compiled posthumously from manuscripts by John Couch. Adams. First edition.

Condition: Good. 4to. 646 pp. Very good with edgewear and staining along spine. Dark blue cloth-covered boards with gilt spine. Mostly two-toned illustrations and some fold-out maps. Volume II includes extracts from unpublished manuscripts and the essay, "Terrestial Magnetism." Early edition.

Hardcover. Condition: VG+. First Edition Thus. Full vellum, lightly spotted, gilt spine titles, gte, xxxviii, 343 (3). Some foxing to endpapers, neat owner stamp front opastedown, Solid, unsophisticated copy. Printed at the Florence Press.

Limited Edition. 8 wood engravings by Agnes Miller Parker, In original publisher's full mustard yellow sheepskin covers, title in gilt, rounded edges. Some spotting and light rubbing as usual, in watermarked 'Goatskin' plain paper wrapper and slipcase titles in gilt. Exceptional example of Agnes Miller Parker's work.