Schick Steven (36 results)

Trade Paperback. Condition: Very Good. No Jacket. The cover has some light scuffing and tiny corner creases. Inscribed by the author on the dedication page. Signed by Author(s).

Soft cover. Condition: Very Good. No Jacket. box 29 6"x9"; 233 pages; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. Contains the following essays: Foreword: I Wink, Therefore I Am by Michael Jackson; Introduction & Mill vs. Miller, or Higher and Lower Pleasures by Hales, Steven D.; Thirst for Authenticity: An Aesthetics of the Brewer's Art by Dale Jacquette; The Beer Matrix: Reality vs Facsimile in Brewing by Garrett Oliver; The Truth about Beer by Michael P. Lynch; Good Beer, or How to Properly siapute Taste by Peter Machamer; Quality, Schmality: Talking Naturally about the Aesthetics of Beer; or Why is American Beer So Lousy? By Martin Stack & George Gale; Extreme Brewing in America by Sam Calagione; Beer and Autonomy by Alan McLeod; Another Pitcher? On Beer, Friendship, and Character by Jason Kawall; Beer and Gnosis: The Mead of Inspirations by Theodore Schick; The Unreasonable Effectiveness of Beer by Neil A. Manson; What's a Beer Style? By Matt Dunn; Drink On, the Jolly Prelate Cries by Davis Hilbert; Beer Googles and Transcendental Idealism by Steven M. Bayne; Beyond Grolsch and Orval: Beer, Intoxication, and Power in Nietzsche's Thought by Rex Weshon.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

Wrappers. Condition: New. 160 pages. Color illustrations. Still in shrink-wrap. Illustrated wraps. Book.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Hardcover - clean, no marks, clean inside, clean dj - from a private collection -.

Condition: New.

Condition: New.

Condition: good. Book is in good condition and has some writing, underlining, and or highlighting inside. Cover may have some cosmetic wear.

Hardcover. Condition: Fine.

Condition: As New. Unread book in perfect condition.

Mixed Media Product. Condition: New. The Percussionist's Art: Same Bed, Different Dreams [With CD]. Media.

Hardback. Condition: New. An engaging, practical, sometimes poetic account of the new world of percussion music -- from the 1930s (Varese, Cage) to today -- by one of its leading practitioners.In the beginning, there was noise. Drumming, the world's most ancient instrumental tradition, re-emerged explosively in the concert music of the twentieth century as music for percussion, involving drums and many other kinds of noisemakers. The music that resulted has spanned an expressive and intellectual gamut: from Cage, Varèse, and Cowell came the first ear-splitting sounds of an American percussion revolution that began in the 1930s; from Stockhausen,Ferneyhough, and Xenakis we have music whose intellectual demands are matched by a vibrant physicality; Feldman gave us gently unfolding structures; John Luther Adams finds music within the earth itself. The Percussionist's Art: Same Bed, Different Dreams examines this music through the eyes of a performer. The book is a practical philosophy, looking not just at the big ideas behind these and other pieces, but also at how those ideas find expressionin sound. Foreword written by Paul Griffiths. Steven Schick is the world's leading exponent of solo percussion music involving multiple instruments. He has commissioned more than one hundred pieces from renowned composers including David Lang, Brian Ferneyhough, and Roger Reynolds. He was a founding member of the Bang on a Can All-Stars (1992-2002) and Artistic Director of the Centre International de Percussion de Genève (Switzerland, 2002-4). He teaches at the University of California, San Diego, where he directs the percussion group "red fish blue fish.".

Condition: very_good. The book does not look new and has been read but is in excellent condition. There is no obvious damage to the cover the dust jacket if applicable is included for hard covers. There are no missing or damaged pages, no creases or tears, and no underlining highlighting of text or writing in the margins. It may have very minimal identifying marks on the inside cover as well as very minimal wear and tear. See the seller's listing for full details and a description of any imperfections.

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Hardback. Condition: New. An engaging, practical, sometimes poetic account of the new world of percussion music -- from the 1930s (Varese, Cage) to today -- by one of its leading practitioners.In the beginning, there was noise. Drumming, the world's most ancient instrumental tradition, re-emerged explosively in the concert music of the twentieth century as music for percussion, involving drums and many other kinds of noisemakers. The music that resulted has spanned an expressive and intellectual gamut: from Cage, Varèse, and Cowell came the first ear-splitting sounds of an American percussion revolution that began in the 1930s; from Stockhausen,Ferneyhough, and Xenakis we have music whose intellectual demands are matched by a vibrant physicality; Feldman gave us gently unfolding structures; John Luther Adams finds music within the earth itself. The Percussionist's Art: Same Bed, Different Dreams examines this music through the eyes of a performer. The book is a practical philosophy, looking not just at the big ideas behind these and other pieces, but also at how those ideas find expressionin sound. Foreword written by Paul Griffiths. Steven Schick is the world's leading exponent of solo percussion music involving multiple instruments. He has commissioned more than one hundred pieces from renowned composers including David Lang, Brian Ferneyhough, and Roger Reynolds. He was a founding member of the Bang on a Can All-Stars (1992-2002) and Artistic Director of the Centre International de Percussion de Genève (Switzerland, 2002-4). He teaches at the University of California, San Diego, where he directs the percussion group "red fish blue fish.".

Softcover. Condition: Very good condition. xi, 159 pp. Metropolitan Museum of Art Symposia. Softcover.

Condition: New. In.

Condition: New.

Condition: Neuf. Gygi, Fabrice (illustrator).

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. hardback/cd edition. 248 pages. 8.00x8.25x1.00 inches. In Stock.

Hardback. Condition: New. An engaging, practical, sometimes poetic account of the new world of percussion music -- from the 1930s (Varese, Cage) to today -- by one of its leading practitioners.In the beginning, there was noise. Drumming, the world's most ancient instrumental tradition, re-emerged explosively in the concert music of the twentieth century as music for percussion, involving drums and many other kinds of noisemakers. The music that resulted has spanned an expressive and intellectual gamut: from Cage, Varèse, and Cowell came the first ear-splitting sounds of an American percussion revolution that began in the 1930s; from Stockhausen,Ferneyhough, and Xenakis we have music whose intellectual demands are matched by a vibrant physicality; Feldman gave us gently unfolding structures; John Luther Adams finds music within the earth itself. The Percussionist's Art: Same Bed, Different Dreams examines this music through the eyes of a performer. The book is a practical philosophy, looking not just at the big ideas behind these and other pieces, but also at how those ideas find expressionin sound. Foreword written by Paul Griffiths. Steven Schick is the world's leading exponent of solo percussion music involving multiple instruments. He has commissioned more than one hundred pieces from renowned composers including David Lang, Brian Ferneyhough, and Roger Reynolds. He was a founding member of the Bang on a Can All-Stars (1992-2002) and Artistic Director of the Centre International de Percussion de Genève (Switzerland, 2002-4). He teaches at the University of California, San Diego, where he directs the percussion group "red fish blue fish.".

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardback. Condition: New. An engaging, practical, sometimes poetic account of the new world of percussion music -- from the 1930s (Varese, Cage) to today -- by one of its leading practitioners.In the beginning there was noise. Drumming, the world's most ancient instrumental tradition, re-emerged explosively in the concert music of the twentieth century as music for percussion, involving drums and many other kinds of noisemakers. The music that resulted has spanned an expressive and intellectual gamut: from Cage, Varèse, and Cowell came the first ear-splitting sounds of an American percussion revolution that began in the 1930s; from Stockhausen,Ferneyhough, and Xenakis we have music whose intellectual demands are matched by a vibrant physicality; Feldman gave us gently unfolding structures; John Luther Adams finds music within the earth itself. The Percussionist's Art: Same Bed, Different Dreams examines this music through the eyes of a performer. The book is a practical philosophy, looking not just at the big ideas behind these and other pieces, but also at how those ideas find expressionin sound. Foreword written by Paul Griffiths. Contains a Compact Disc of Steven Schick performing eight musical works that he discusses in detail in the book. Composers include John Luther Adams, Brian Ferneyhough, Michael Gordon, David Lang, Edgard Varèse, Charles Wuorinen, and Iannis Xenakis. Steven Schick is the world's leading exponent of solo percussion music involving multiple instruments. He has commissioned more than one hundred piecesfrom renowned composers including David Lang, Brian Ferneyhough, and Roger Reynolds. He was a founding member of the Bang on a Can All-Stars (1992-2002) and Artistic Director of the Centre International de Percussion de Genève (Switzerland, 2002-4). He teaches at the University of California, San Diego, where he directs the percussion group "red fish blue fish.".

Hardcover. Condition: Wie neu. Hardcover. 21x21cm. 248pp. As new, complete with the unopened CD.

Condition: fine. Gygi, Fabrice (illustrator). très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie,Déchirure sur la couverture. 360594-1 - La percussion contemporaine Mémoires du CIP à Eklekto, 2024.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. Print on Demand pp. xx + 248 Illus.