Schick Steven (36 results)

Trade Paperback. Condition: Very Good. No Jacket. The cover has some light scuffing and tiny corner creases. Inscribed by the author on the dedication page. Signed by Author(s).

Soft cover. Condition: Very Good. No Jacket. box 29 6"x9"; 233 pages; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. Contains the following essays: Foreword: I Wink, Therefore I Am by Michael Jackson; Introduction & Mill vs. Miller, or Higher and Lower Pleasures by Hales, Steven D.; Thirst for Authenticity: An Aesthetics of the Brewer's Art by Dale Jacquette; The Beer Matrix: Reality vs Facsimile in Brewing by Garrett Oliver; The Truth about Beer by Michael P. Lynch; Good Beer, or How to Properly siapute Taste by Peter Machamer; Quality, Schmality: Talking Naturally about the Aesthetics of Beer; or Why is American Beer So Lousy? By Martin Stack & George Gale; Extreme Brewing in America by Sam Calagione; Beer and Autonomy by Alan McLeod; Another Pitcher? On Beer, Friendship, and Character by Jason Kawall; Beer and Gnosis: The Mead of Inspirations by Theodore Schick; The Unreasonable Effectiveness of Beer by Neil A. Manson; What's a Beer Style? By Matt Dunn; Drink On, the Jolly Prelate Cries by Davis Hilbert; Beer Googles and Transcendental Idealism by Steven M. Bayne; Beyond Grolsch and Orval: Beer, Intoxication, and Power in Nietzsche's Thought by Rex Weshon.…

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: good. Book is in good condition and has some writing, underlining, and or highlighting inside. Cover may have some cosmetic wear.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Wrappers. Condition: New. 160 pages. Color illustrations. Still in shrink-wrap. Illustrated wraps. Book.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Hardcover - clean, no marks, clean inside, clean dj - from a private collection -.

Condition: New.

Condition: New.

Hardcover. Condition: Fine.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. An engaging, practical, sometimes poetic account of the new world of percussion music -- from the 1930s (Varese, Cage) to today -- by one of its leading practitioners.In the beginning, there was noise. Drumming, the world's most ancient instrumental tradition, re-emerged explosively in the concert music of the twentieth century as music for percussion, involving drums and many other kinds of noisemakers. The music that resulted has spanned an expressive and intellectual gamut: from Cage, Varèse, and Cowell came the first ear-splitting sounds of an American percussion revolution that began in the 1930s; from Stockhausen,Ferneyhough, and Xenakis we have music whose intellectual demands are matched by a vibrant physicality; Feldman gave us gently unfolding structures; John Luther Adams finds music within the earth itself. The Percussionist's Art: Same Bed, Different Dreams examines this music through the eyes of a performer. The book is a practical philosophy, looking not just at the big ideas behind these and other pieces, but also at how those ideas find expressionin sound. Foreword written by Paul Griffiths. Steven Schick is the world's leading exponent of solo percussion music involving multiple instruments. He has commissioned more than one hundred pieces from renowned composers including David Lang, Brian Ferneyhough, and Roger Reynolds. He was a founding member of the Bang on a Can All-Stars (1992-2002) and Artistic Director of the Centre International de Percussion de Genève (Switzerland, 2002-4). He teaches at the University of California, San Diego, where he directs the percussion group "red fish blue fish.".…

Mixed Media Product. Condition: New. The Percussionist's Art: Same Bed, Different Dreams [With CD]. Media.

Hardback. Condition: New. An engaging, practical, sometimes poetic account of the new world of percussion music -- from the 1930s (Varese, Cage) to today -- by one of its leading practitioners.In the beginning, there was noise. Drumming, the world's most ancient instrumental tradition, re-emerged explosively in the concert music of the twentieth century as music for percussion, involving drums and many other kinds of noisemakers. The music that resulted has spanned an expressive and intellectual gamut: from Cage, Varèse, and Cowell came the first ear-splitting sounds of an American percussion revolution that began in the 1930s; from Stockhausen,Ferneyhough, and Xenakis we have music whose intellectual demands are matched by a vibrant physicality; Feldman gave us gently unfolding structures; John Luther Adams finds music within the earth itself. The Percussionist's Art: Same Bed, Different Dreams examines this music through the eyes of a performer. The book is a practical philosophy, looking not just at the big ideas behind these and other pieces, but also at how those ideas find expressionin sound. Foreword written by Paul Griffiths. Steven Schick is the world's leading exponent of solo percussion music involving multiple instruments. He has commissioned more than one hundred pieces from renowned composers including David Lang, Brian Ferneyhough, and Roger Reynolds. He was a founding member of the Bang on a Can All-Stars (1992-2002) and Artistic Director of the Centre International de Percussion de Genève (Switzerland, 2002-4). He teaches at the University of California, San Diego, where he directs the percussion group "red fish blue fish.".…

Softcover. Condition: Very good condition. xi, 159 pp. Metropolitan Museum of Art Symposia. Softcover.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. hardback/cd edition. 248 pages. 8.00x8.25x1.00 inches. In Stock.

Hardback. Condition: New. An engaging, practical, sometimes poetic account of the new world of percussion music -- from the 1930s (Varese, Cage) to today -- by one of its leading practitioners.In the beginning, there was noise. Drumming, the world's most ancient instrumental tradition, re-emerged explosively in the concert music of the twentieth century as music for percussion, involving drums and many other kinds of noisemakers. The music that resulted has spanned an expressive and intellectual gamut: from Cage, Varèse, and Cowell came the first ear-splitting sounds of an American percussion revolution that began in the 1930s; from Stockhausen,Ferneyhough, and Xenakis we have music whose intellectual demands are matched by a vibrant physicality; Feldman gave us gently unfolding structures; John Luther Adams finds music within the earth itself. The Percussionist's Art: Same Bed, Different Dreams examines this music through the eyes of a performer. The book is a practical philosophy, looking not just at the big ideas behind these and other pieces, but also at how those ideas find expressionin sound. Foreword written by Paul Griffiths. Steven Schick is the world's leading exponent of solo percussion music involving multiple instruments. He has commissioned more than one hundred pieces from renowned composers including David Lang, Brian Ferneyhough, and Roger Reynolds. He was a founding member of the Bang on a Can All-Stars (1992-2002) and Artistic Director of the Centre International de Percussion de Genève (Switzerland, 2002-4). He teaches at the University of California, San Diego, where he directs the percussion group "red fish blue fish.".…

Condition: Neuf. Gygi, Fabrice (illustrator).

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Hardback. Condition: New. An engaging, practical, sometimes poetic account of the new world of percussion music -- from the 1930s (Varese, Cage) to today -- by one of its leading practitioners.In the beginning, there was noise. Drumming, the world's most ancient instrumental tradition, re-emerged explosively in the concert music of the twentieth century as music for percussion, involving drums and many other kinds of noisemakers. The music that resulted has spanned an expressive and intellectual gamut: from Cage, Varèse, and Cowell came the first ear-splitting sounds of an American percussion revolution that began in the 1930s; from Stockhausen,Ferneyhough, and Xenakis we have music whose intellectual demands are matched by a vibrant physicality; Feldman gave us gently unfolding structures; John Luther Adams finds music within the earth itself. The Percussionist's Art: Same Bed, Different Dreams examines this music through the eyes of a performer. The book is a practical philosophy, looking not just at the big ideas behind these and other pieces, but also at how those ideas find expressionin sound. Foreword written by Paul Griffiths. Steven Schick is the world's leading exponent of solo percussion music involving multiple instruments. He has commissioned more than one hundred pieces from renowned composers including David Lang, Brian Ferneyhough, and Roger Reynolds. He was a founding member of the Bang on a Can All-Stars (1992-2002) and Artistic Director of the Centre International de Percussion de Genève (Switzerland, 2002-4). He teaches at the University of California, San Diego, where he directs the percussion group "red fish blue fish.".…

Hardcover. Condition: Wie neu. Hardcover. 21x21cm. 248pp. As new, complete with the unopened CD.

Condition: fine. très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie,Déchirure sur la couverture. 360594-1 - La percussion contemporaine Mémoires du CIP à Eklekto, 2024. Gygi, Fabrice (illustrator).

Paperback. Condition: New.

University of Rochester Press, Rochester 2006. Square 8vo. 250 pages. Orig. black cloth in dust wrappers. Near fine-/near fine- wrapper condition. * Incuding CD.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.