Schilb Henry (16 results)

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hardcover. Condition: As New. Never read, no marks or highlighting in the book. Our copy is hardback with a dust jacket, showing light shelf-wear. Heavier book requiring additional postage for shipments outside US.

Hardback. Condition: New. What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term "iconography" to describe such work?The seven essays collected here argue that we should. Their authors set out to evaluate the continuing relevance of iconographic studies to current art-historical scholarship by exploring the fluidity of iconography itself over broad spans of time, place, and culture. These wide-ranging case studies take a diverse set of approaches as they track the transformation of medieval images and their meanings along their respective paths, exploring how medieval iconographies remained stable or changed; how images were reconceived in response to new contexts, ideas, or viewerships; and how modern thinking about medieval images-including the application or rejection of traditional methodologies-has shaped our understanding of what they signify. These essays demonstrate that iconographic work still holds a critical place within the rapidly evolving discipline of art history as well as within the many other disciplines that increasingly prioritize the study of images.This inaugural volume in the series Signa: Papers of the Index of Medieval Art at Princeton University demonstrates the importance of keeping matters of image and meaning-regardless of whether we use the word "iconography"-at the center of modern inquiry into medieval visual culture.In addition to the editors, the contributors to this volume are Kirk Ambrose, Charles Barber, Catherine Fernandez, Elina Gertsman, Jacqueline E. Jung, Dale Kinney, and D. Fairchild Ruggles.

Hardcover. Condition: new. Hardcover. What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term iconography to describe such work?The seven essays collected here argue that we should. Their authors set out to evaluate the continuing relevance of iconographic studies to current art-historical scholarship by exploring the fluidity of iconography itself over broad spans of time, place, and culture. These wide-ranging case studies take a diverse set of approaches as they track the transformation of medieval images and their meanings along their respective paths, exploring how medieval iconographies remained stable or changed; how images were reconceived in response to new contexts, ideas, or viewerships; and how modern thinking about medieval imagesincluding the application or rejection of traditional methodologieshas shaped our understanding of what they signify. These essays demonstrate that iconographic work still holds a critical place within the rapidly evolving discipline of art history as well as within the many other disciplines that increasingly prioritize the study of images.This inaugural volume in the series Signa: Papers of the Index of Medieval Art at Princeton University demonstrates the importance of keeping matters of image and meaningregardless of whether we use the word iconographyat the center of modern inquiry into medieval visual culture.In addition to the editors, the contributors to this volume are Kirk Ambrose, Charles Barber, Catherine Fernandez, Elina Gertsman, Jacqueline E. Jung, Dale Kinney, and D. Fairchild Ruggles. A collection of essays that evaluate the continued relevance of iconographic studies within current art-historical scholarship by exploring the fluidity of iconography itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condition: New. 2020. Hardcover. . . . . .

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Hardcover. Condition: Brand New. sew edition. 232 pages. 10.00x8.00x0.89 inches. In Stock.

Condition: Near Fine. Dust Jacket Condition: Near Fine. University Park, PA: The Pennsylania State University Press, 2021. First Edition. Small quarto. 208 pp. Color and b&w illustrations and photographs. Illustrated dust jacket. Orange cloth boards stamped in gilt. Edges of dust jacket gently rubbed. Boards show light shelfwear. Binding is sound and pages unmarked.

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Gebunden. Condition: New. A collection of essays that evaluate the continued relevance of iconographic studies within current art-historical scholarship by exploring the fluidity of iconography itself.&Uumlber den Autor Pamela A. Patton i.

Hardcover. Condition: new. Hardcover. What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term iconography to describe such work?The seven essays collected here argue that we should. Their authors set out to evaluate the continuing relevance of iconographic studies to current art-historical scholarship by exploring the fluidity of iconography itself over broad spans of time, place, and culture. These wide-ranging case studies take a diverse set of approaches as they track the transformation of medieval images and their meanings along their respective paths, exploring how medieval iconographies remained stable or changed; how images were reconceived in response to new contexts, ideas, or viewerships; and how modern thinking about medieval imagesincluding the application or rejection of traditional methodologieshas shaped our understanding of what they signify. These essays demonstrate that iconographic work still holds a critical place within the rapidly evolving discipline of art history as well as within the many other disciplines that increasingly prioritize the study of images.This inaugural volume in the series Signa: Papers of the Index of Medieval Art at Princeton University demonstrates the importance of keeping matters of image and meaningregardless of whether we use the word iconographyat the center of modern inquiry into medieval visual culture.In addition to the editors, the contributors to this volume are Kirk Ambrose, Charles Barber, Catherine Fernandez, Elina Gertsman, Jacqueline E. Jung, Dale Kinney, and D. Fairchild Ruggles. A collection of essays that evaluate the continued relevance of iconographic studies within current art-historical scholarship by exploring the fluidity of iconography itself. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condition: New. What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term "iconography" to describe such work?The seven essays collected here argue that we should. Their authors set out to evaluate the continuing relevance of iconographic studies to current art-historical scholarship by exploring the fluidity of iconography itself over broad spans of time, place, and culture. These wide-ranging case studies take a diverse set of approaches as they track the transformation of medieval images and their meanings along their respective paths, exploring how medieval iconographies remained stable or changed; how images were reconceived in response to new contexts, ideas, or viewerships; and how modern thinking about medieval images-including the application or rejection of traditional methodologies-has shaped our understanding of what they signify. These essays demonstrate that iconographic work still holds a critical place within the rapidly evolving discipline of art history as well as within the many other disciplines that increasingly prioritize the study of images.This inaugural volume in the series Signa: Papers of the Index of Medieval Art at Princeton University demonstrates the importance of keeping matters of image and meaning-regardless of whether we use the word "iconography"-at the center of modern inquiry into medieval visual culture.In addition to the editors, the contributors to this volume are Kirk Ambrose, Charles Barber, Catherine Fernandez, Elina Gertsman, Jacqueline E. Jung, Dale Kinney, and D. Fairchild Ruggles.

Buch. Condition: Neu. Neuware - A collection of essays that evaluate the continued relevance of iconographic studies within current art-historical scholarship by exploring the fluidity of iconography itself.