School Printing (74 results)

Large Softcover. Condition: Near Fine. Limited Edition. Limited edition, one of 5000 copies. Paperback in jacket. Ink gift note on front flyleaf. 1988 Large Softcover. xiii, [3], 79, [1] pp. A history of the award celebrating typographic excellence and its first twenty recipients.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condition: Near Fine. A nice, clean copy. Limited edition of 5,000 copies. ; 10.4 X 7.5 X 0.4 inches; 80 pages.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Bottom end of backstrip lacking, and top end torn; pages slightly toned; bookplate inside front cover; otherwise very good condition. ]. 141p.

Pamphlet. Condition: Used - Very Good. No date, ca 1940? (3) pages. Braille alphabet, sentence. Folded card, 6.25 x 3.5" VG.

Birmingham School of Printing (illustrator). 8vo. stiff paper wrappers, green cord-tied. 13, (3) pages. Printed under the direction of Leonard Jay. Originally a presentation to members of the Birmingham Jewish Literary Association, October 28, 1934. Cover design by Olga Garner. Wrappers lightly tanned, bent at bottom edge. stiff paper wrappers, green cord-tied.

Soft cover. Condition: Fine. Cord sewn printed wrappers, slender 8vo., 9, (1) pages, cover woodcut by Joyce Francis. From "Archiv fur Buchgewerbe" July 1936. Arranged and printed under the direction of Leonard Jay. A fine copy in archival mylar.

Soft cover. Condition: Very Good. 5/10/2016 Birmingham: Central School of. 4to. Pp. [31]. Orig. wrappers. Sewn.

Birmingham School of Printing (illustrator). small 4to. stiff paper wrappers, cord-tied. 23+(1) pages. Prepared under the direction of Leonard Jay. Geofroy Tory border on title re-cut on wood by George W. Jones. Errata tipped-in on inside front wrapper. Wrappers slightly bent and tanned at edges. stiff paper wrappers, cord-tied.

First Edition. Very good copy in the original gilt-blocked leather. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Physical description: 62; 22 cm. Subjects: Specimens; Printing history; Philosophers. 3 Kg.

Soft cover. Condition: Good. 28pp., (ii). Ex-library pamphlet. A number of small bumps and creases and tiny tears to extremities of volume, including pages. Light soiling and some browning to covers, with some browning and light soiling to interior, too. Text clean. Binding sound, with a short tear near one of the staples that holds the volume together. VERY SCARCE Size: 8vo - over 7¾ - 9¾" tall. Book.

Soft cover. Condition: Fine. 1st Edition. Set in 16-point linotype Granjon and decorated with initials and decorations. Colours: black, pale blue and vermillion. Roped into overlapping grey paper covers, titled on the front in terracotta. A fine copy.

single_issue_magazine. Condition: Very Good. Dust Jacket Condition: No Dustjacket. Later Edition. Staple bound 40 Pages. Slight wear to corners and edges. Slight browining to covers. Small 1" mark on top of back cover. Otherwise Tight, sound, unmarked in Very Good condition. No Signature.

Soft cover. Condition: Very Good. Covers lightly marked and slightly dusty, contents fine.

Sm. folio, (295x210mm), [10]p. 4 full-page illustrations printed on a dark buff ground. A good copy in original stiff wrappers. A shortened version of the text produced as a student exercise.

Soft cover. Condition: Very Good. 1st Edition. Sewn into grey card covers, titled in red and black. A very good copy indeed. Good selection of types including Beton, Chisel, Matura, Marina script, Placard, Playbill, Stradivarius and Walbaum.

Stapled Booklet. Condition: Very Good. No Jacket. 1st Edition. A very good cop , for its age, of the presumed first edition of this little handbook for students. No Dust Jacket ( as issued). Cover: pale blue/grey card with black lettering to front, reasonably clean for its age but some marks and slight foxing due to age and use` ; few other signs of shelf wear, perhaps slight rubbing to edges but surprisingly good. Internally: very clean and tightly staple bound; no markings inscriptions or book plates; overall in very good condition. 36 pp. Ideally suited to anyone interested in the history of composing and printing.

First Edition. Very good copy in the original gilt-blocked leather. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Physical description: 62; 22 cm. Subjects: Specimens; Printing history; Philosophers. 1 Kg.

single_issue_magazine. Condition: Very Good. Dust Jacket Condition: No Dustjacket. Later Edition. Pamphlet Stitch binding. 20 Pages. Slight wear to corners and edges. Otherwise Tight, sound, unmarked in Very Good condition. No Signature.

8vo, (222x155mm), 15p. colour printed initial letter. Original stiff wrappers, edges slightly dust-soiled. Printed on the direction of Leonard Jay, an address by Fishenden delivered at the college's annual prize-giving ceremony.

Soft cover. Condition: Near Fine. 1st Edition. Set in 14-point Granjon and printed in black with initials in light blue. Roped into verlapping decorative wrappers titled in black. A very good to fine copy.

Original cloth, ends of the spine worn, minor traces of use, still a (very) good copy. Please see description or ask for photos.

Soft cover. Condition: Very Good. 1st Edition. 11 attractive specimens mounted on grey paper and containted within a grey paper envelope titled in red, green and black. A very good copy indeed.

Paperback. Condition: New. Print on Demand. This book explores typographic design, exploring the relationship between form and function. The author begins with an overview of the history of printing, tracing its evolution from hand-carved blocks to movable type and finally to the digital age. Throughout, the author emphasizes the importance of typography in conveying not only information but also emotion and meaning. The author discusses the various elements of typography, including typefaces, line spacing, and page layout, and provides practical advice on how to use these elements effectively. The author also explores the psychological and cultural implications of typography, arguing that the way we design our text can influence our thinking and behavior. Overall, this book offers a comprehensive and thought-provoking exploration of the art and science of typography, providing valuable insights for designers, printers, and anyone interested in the power of visual communication. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Paperback. Condition: Fair. Session from September 1929 to March 1930. Interior is very good except a few age spots. The end papers are more heavily tanned with some small marks. The cover is heavily scuffed with small tears on the edges and corners. Still firmly bound.

4to, coloured frontis., illustrs., orig. cloth-backed boards. Wallis, p.95.

4to, orig. cloth-backed boards. Wallis, p.84.