Scotin G (7 results)
More imagesHogarth and his times : serious comedy. [Hogarth's Public: Finding An Audience; Politeness and Roman Satire; Hogarth and 'The Spirit of Party'; Disenchantment: Hogarth, God and Science; Hogarthomania and the Collecting of Hogarth; Redefining Hogarth: Twentieth to Eighteenth Centuries; The Satirical Engraver and His Public; The Targets of Satire: The Orders of Society; The Political Stage; Intellectual Warfare: The Analysis of Beauty and Its Reception; Last Battles; Index of Hogarth's Works Illustrated]
Bindman, David, 1940- [book design, Harry green ; art, Hogarth, William, 1697-1764, Thomas Rowlandson, James Gillray, Raphael, Michael Sweerts, David Hockney, W P Frith, Giles King, David Chodowiecki, John Trusler, L P Boitard, P L Ghezzi, George Townshend, G Scotin, B Baron, Arthur Pond, Robert Pranker, Marcellus Laroon, James Thornhill, George Bickham, B Picart, Francis Hayman, Giles Hussey, Paul Sandby; prefaces, Jacquelynn Baas; Antony Griffiths]
Language: English
Published by Berkeley : University of California Press, 1997 1997
- Softcover
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.Joseph Valles - Books
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Soft cover. Condition: Fine. No Jacket. 208 p. : ill. ; 29 cm. ; ISBN: 0520213009 (pbk.); 9780520213005 (pbk.) LCCN: 97-20496 ; OCLC: 36900938 ; LC: NC1479.H613; Dewey: 741.5/942 ; pictorial stiff paper wrappers ; Contents: 1. Whose Hogarth? -- 2. Hogarth's Public: Finding An Audience -- 3. Politeness and Roman Satire -- 4. Hoga…rth and 'The Spirit of Party' -- 5. Disenchantment: Hogarth, God and Science -- App. Hogarthomania and the Collecting of Hogarth / Sheila O'Connell -- Catalogue -- Redefining Hogarth: Twentieth to Eighteenth Centuries -- The Satirical Engraver and His Public -- The Targets of Satire: The Orders of Society -- The Political Stage -- Intellectual Warfare: The Analysis of Beauty and Its Reception -- Last Battles -- Index of Hogarth's Works Illustrated. ; Catalog of exhibitions held at the British Museums, London, from 26 Sept. 1997 to 4 Jan. 1998, and other North American museums from 28 Jan. to 21 Nov. 1998./ Includes bibliographical references (p. 204-205) and indexes. ; "This volume.looks at the varied reactions's to Hogarth's prints and the different identities imposed upon the artist over the centuries: witty satirist, stern moralist, libertine, aggressive self-promoter, detached observer, and man of the people."--Jacket. ; exhibition dates . British Museum, London, from 26 September 1997 to 4 January 1998 . Berkeley Art Museum, University of California: 28 January - 19 April 1998, National Gallery of Canada, Ottawa: 18 June - 23 August 1998, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York: 15 September - 21 November 1998] ; "The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. " ; FINE. Book.
More imagesLanguage: French
Published by P. Rouquette, Paris 1883
- Hardcover
Seller: Docsenstock, Paris, FranceDocsenstock
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Couverture rigide. Condition: Bon. SCARRON. Le Roman Comique de SCARRON, peint par J.B. Pater et J. Dumont le Romain, peintres du Roi, réduit d'après les gravures au burin de Surugue père et fils, Benoit Audran, Edme Jeaurat, Lépicié, G. Scotin, graveurs du Roi, par M. Tiburce de Mare, et accompagné de notices explicatives par M…. Anatole de Montaiglon. Paris, P. Rouquette, 1883. Grand In-4 (33 x 23 cm), 4 ffnch.(titre sur couverture conservée, faux titre, portrait de SCARRON en frontispice, titre illustré imprimée noir et rouge), VII pages., 16 planches sous serpentes, 1 fnch (Table), couvertures conservées, reliure d¿éditeur réalisé par M. ENGEL percaline rouge, plats encadrés d¿un triple filet noir, fleurons noirs aux angles. 1er plat titre et mention d¿éditeur dorés. 2ème plat nom du relieur au centre dans un encadré décoratif noir en relief. Fines réductions d'une suite de 16 gravures composées entre 1729 et 1738 d'après les peintures de Pater et Dumont, accompagnées de l'extrait du texte correspondant. Quelques petites taches sur les plats. Très bon état intérieur. Bel exemplaire. Bon état général malgré les défauts signalés. Surugue père et fils, Benoit Audran, Edme Jeaurat, Lépicié, G. Scotin, Tiburce de Mare (illustrator).
A Prospect on the River Manyfold, at Wetton-Mill
SMITH of Derby, Thomas (c.1720-1767). Engraved by P. G. SCOTIN
Published by Published by Smith, London 1757
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving with beautiful hand-colour. Printed on watermarked laid paper. In good condition with the exception of some staining in the margins. Two creases along bottom corners. Label on verso of sheet. Image size: 15 x 20 7/8 inches. A stunning view of the River Manyfold, by Smith of Derby, one of the most celebrated English lan…dscape painters. Towards the middle of the eighteenth century a trend developed amongst English artists and printmakers, which sought to visually record the natural beauties of England and Wales. Sparked by a sense of national confidence and patriotism, English printmakers began to publish topographical prints of the important sights in the British Isles. In addition to being a visual record of the countryside they were meant to encourage public recognition of the beauty and history of England. They were aimed at English and foreign tourists who desired a memento of their travels, or at those vicarious tourists who collected topographical prints instead of traveling. One of the earliest and most influential landscape artists to begin this trend was Thomas Smith who came to be known as "Smith of Derby". Smith traveled the north of England painting famous houses and beautiful views. He was one of the first artists to depict wild landscape scenes, which became immensely fashionable with the development of the "picturesque landscape" towards the end of the century. Smith's paintings not only captured the English countryside at the onset of the Industrial Revolution, but also recorded the activities of visiting tourists and local inhabitants. These works capture a period in England's history, which was forever changed by the wheels of progress. Before the mills and the factories came to dominate the landscape of northern England Smith depicted its wild beauty and breathtaking scenery. This lovely print comes from a suite of eight views of Derbyshire and Staffordshire, produced by Smith around 1743. The views were then engraved and offered for sale by subscription, along with letterpress explanations of the sites. This important suite represent the first appearance of precipes and cascades in English landscapes, and mark a pivotal point in the concept of the countryside as sublime. The set was republished twice, first by Smith in 1757 and later by Boydell in 1769. This print is from Smith's second edition. Wetton Mill in the distance was a river run mill for grinding corn. River Manyfold (now Manifold) appears well-named as it forms a large loop before the viewer. Wetton is in Staffordshire. Clayton The English Print 1688-1802 page 155-157, 299.
More imagesLes dix Livres d'architecture de Vitruve : corrigez et traduits nouvellement en françois, avec des notes et des figures Seconde édition, reveue?, corrigée, et augmentée, par M. Perrault . Original printing.
Vitruve (Author); Claude Perrault (Translator, Commentator); Tournier; Le Pautre, G. Scotin; S. Le Clerc; N. Pitau. artists and engravers
Published by Paris: Jean Baptiste Coignard,1684 1684
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Condition: Good. Folio. 27 x 41.5cm. Original calf covers laid onto new goatskin binding by the artisan binder Sasha Mosalov. [20], 3254, [16]pp. Numerous engravings.Very good.OCLC Number / Unique Identifier:493493105.
Fontaine de Latone; Fontaine de l'Encelade dans un des Bosquets des Jardin de Versailles; L'Isle Royale; Fontaine d'Apollon; Bassins de Neptune; L'Arc de Triomphe.
SCOTIN, G.; Girard; Fonbonne; Rochefort, P.; Daigremont; Baquoy, Maurice.
Published by [c.1715] 1715
Seller: Peter Harrington. ABA/ ILAB., London, United KingdomPeter Harrington. ABA/ ILAB.
Contact seller5-star sellerCondition: Used
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A set of six magnificent engravings of the Fountains at Versailles: 'Fontaine de Latone.' Artist: Engraved by Scotin, G. A spectacular view of the Latona Fountain at Versailles, as it was in the early eighteenth century, surrounded by citizenry strolling, courting and playing. The fountain was built in 1671 and still is still in… existence. 'Fontaine de l'Encelade dans un des Bosquets des Jardin de Versailles.' Artist: Girard. A spectacular view of the 'Fontaine de l'Encelade' at Versailles. The centre fountain has a plume 78 feet high shooting from the mouth of a bronze giant and is surrounded by smaller fountains made from rocks from Mount Ossa and Olympia. The fountain is surrounded by citizenry, strolling, courting and playing. Two lines of text in French below the engraving describe the fountain. 'L'Isle Royale.' Engraved by Fonbonne. Magnificent engraving of L'Isle Royale,a large pond at Versailles, with seven 45 foot fountains. Courtiers stroll, and a procession of hand drawn coaches snake along the walkway surrounding the pond. Elegant statues and manicured trees line the walkway. Four lines of text in French below the engraving describe the seven fountains. 'Fontaine d'Apollon.' Engraved by de Rochefort, P. A spectacular view of the fountain of Apollo at Versailles, as it was in the early eighteenth century, surrounded by citizenry strolling, courting and playing. The main fountain has the figure of Apollo being guided by four horses, surrounded by water bearers. Text below the engraving gives a description and brief history of the fountain. It is still in existence today. 'Bassins de Neptune' Engraved by Daigremont A spectacular view of the Bassin de Neptune at Versailles in the early eighteenth century. Text below the engraving gives a description and brief history of the fountain: 'This grand piece of water is decorated with 22 beautiful vases, designed by Le Brun.' (translation). A fountain erupts from each vase. Six fifty foot fountains, and many smaller fountains adorn this extraordinary water feature, whilst wealthy courtiers amble around it. 'L'Arc de Triomphe.' Engraved by Baquoy, Maurice. A detailed view of the opulent 'L'Arc de Triomphe', a woodland garden of fountains at Versailles in the early eighteenth century. Two lines of text below the engraving give a description and brief history. Numerous courtiers stroll amidst the profusion of fountains and cascades in a forest glade. Copper engraving. Fine condition, good margins. Uncoloured. Size: 55 x 43 cm. (21½ x 17 inches).
Language: German
Published by Ohne Verlagsangabe um 1780. 1780
- Art Print
Seller: Antiquariat Buchseite, Purkersdorf, , AustriaAntiquariat Buchseite
Contact seller5-star sellerCondition: Used - Very good
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Condition: Gut. Auflage ohne Angaben. 1 Blatt Kupferstich, hinter Passepatout, guter Zustand. Sprache: Deutsch Gewicht in Gramm: 1100 Bildformat 25 x 36 - 38 x 51,5 cm inkl. Passepartout.
More images- Hardcover
- Print on Demand
Seller: Gyan Books Pvt. Ltd., Delhi, , IndiaGyan Books Pvt. Ltd.
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Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine len…ds an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1751. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 426, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 426 426.
