Sheldon Libby (5 results)

paperback. Condition: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Condition: Very Good. 2014 Archetype Publications large format paperback edition. Light reading wear else very good condition. Contents: 1. Pieter Brueghel as a copyist after Pieter Bruegel by Christina Currie and Dominique Allart, 2. Copies of prototypes by Quentin Massys from the workshop of his son Jan: the case of the Butter Madonna by Maria Clelia Galassi, 3. An unpublished copy of Hieronymus Bosch's Temptation of Saint Anthony by Catheline Perier-D'Ieteren, 4. Emulating van Eyck: the significance of grisaille by Noelle L.W. Streeton, 5. Two versions of a Boutsian Virgin and Child painting: questions of attribution, chronology and function by Eva de la Fuente Pedersen and Troels Filtenborg, 6. Copies and versions: discussing Holbein's legacy in England. Technical examination of copies of Holbein portraits at the National Portrait Gallery by Sophie Plender and Polly Saltmarsh, 7. A technical study of portraits of King James VI and I attributed to John de Critz the Elder (d.1642): artist, workshop and copies by Caroline Rae and Aviva Burnstock, 8. Michiel van Mierevelt, copy master: exploring the oeuvre of the Van Mierevelt workshop by Anita Jansen and Johanneke Verhave, 9. The Assumption of the Virgin by the studio of Peter Paul Rubens from the National Gallery of Art in Washington: between master's piece and student's copy by Julia Burdajewicz, 10. The problem of the portrait copies painted by Rubens in Madrid, 1628-29 by Jeremy Wood, 11. After Raphael: the Hunterian Entombment copy examined in the context of copying practices in early 17th-century Rome by Peter Black, Erma Hermens and Helen Howard, 12. Materials as markers: how useful are distinctive materials as indicators of master or copyist? by Libby Sheldon and Gabriella Macaro, 13. Joseph Booth's chymical and mechanical paintings by David Saunders, 14. The Strawberry Girl: repetition in Reynolds's studio practice by Alexandra Gent, Rachel Morrison and Rica Jones.

Hardcover. Condition: New. Brand New In stock.

Condition: New. &Uumlber den AutorMartha J. McNamara is Director of the New England Arts and Architecture Program in the Department of Art at Wellesley College. She is author of From Tavern to Courthouse: Architecture and Ritual in American Law, .

Condition: New. &Uumlber den AutorrnrnMartha J. McNamara is Director of the New England Arts and Architecture Program in the Department of Art at Wellesley College. She is author of From Tavern to Courthouse: Architecture and Ritual in American Law, 1658.