Smith Daniel Scott (27 results)

Condition: good. A well-loved companion. Corners and cover might show a little wear, and you could find some notes or highlights. The dust jacket might be MIA, it might have been a library book and extras aren't guaranteedâ"but the story's all there!

Hardcover. Condition: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Satisfaction 100% guaranteed.

Soft cover. Condition: Very Good+.

Pamphlet. Condition: Very Good. 1st Edition. Vol 96, No 1, Feb, 1991, pp. 44-79, Illus, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, , last page in facsimile, else VG, 1st ed.

Trade Paperback. Condition: Fine. 1st Printing. A fine trade paperback 1st printing. Probably never read.

Softcover. xviii, 188 pp. Softcover. LCC: 9736015 Very good condition; a few notations in pencil; touches of wear to covers.

Softcover. Condition: Very Good. Minor wear only. The pages are clean with no highlighting or writing detected. 30-day returns. Shipments destined outside Canada may be subject to duties in the country where the customer resides. ; 8vo 8" - 9" tall; R0 s0.

Condition: Fine. First edition. A fine first edition paperback copy with no spine creases or remainder marks. Bindings are tight and straight. A nice collectable copy.

Hardback in Dust Wrapper. Condition: Very Good. Dust Jacket Condition: Very Good. Daniel Smith (illustrator). Condition Notes: Gently faded at the spine. Price Clipped; Hardback. Dust wrapper over brown boards with gilt titles to the spine; Measures 12½" x 10ĵ" (1.7 kg); pp (vii) 165; Index; Contains: Colour photographs; Appendix; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #180853 ||.

Paperback. Condition: New.

Hardcover. Condition: Very good condition. lxxxvi, 1188 pp. Volume 84: Covering work published in 2003.

Condition: New. In.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. New. In publisher's plastic wrap as issued.

Condition: New. The essays in this collection argue that ? contrary to some private-sector populists ? the state is in the best position to lead in making policy in a rapidly changing world and should retain and refine this responsibility.&Uumlber den Autor.

Condition: New. Satisfaction Guaranteed or your money back.

Taschenbuch. Condition: Neu. Neuware - Is the government becoming less powerful Is it in retreat vis-a-vis a proliferation of non-governmental agencies, multinational corporations, and international organizations The essays in this collection argue that -contrary to some private-sector populists -the state is in the best position to lead in making policy in a rapidly changing world and should retain and refine this responsibility. Examining the interaction of government, international organizations, civil society, and the private sector, the contributors show that government, far from being stagnant, is in a constant state of transformation and revitalization. It may work to prepare citizens for changes that often seem inevitable and sometimes it challenges, even resists, the directions or modes of such change. It remains an important -perhaps the most crucial -actor in the governance process.

Condition: very good. 28 cm, 198, v.1 only of two-vol. set, wraps, figures, tables, appendices, references.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 316 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Condition: New.

Hardcover. Condition: New.

Paperback. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Paperback magazine with stapled spine, no dustjacket as issued. Colour and b/w photographs , illustrations and advertisements throughout. Not library copy, no inscriptions. (1/2).

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Stċhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.

Billy Shire established the La Luz de Jesus Gallery in 1986, first on Melrose Ave in Los Angeles and later in the Silverlake district on Hollywood Blvd to exhibit what became known as Lowbrow Art, Pop Surrealism and Underground artists. This collection includes about 115 art invites and ephemera from 1995-2005 including postcards by the following. Contact me for more complete list: Robert Williams, Joe Coleman, Shag, XnO, Calef Brown, Owen Smith, Alan Forbes, Joel Nakamura, Ned Baughman, Krystine Kryttre, Alex de Leon, Anthony X Del Rio, The Pizz, Beth Love, Kalynn Campbell, Dennis Worden, Tony Fitzpatrick, Stacy Lande, Aaron Marshall , Brian O'Connor, Glen C Davies, Liz Mcgrath, Glenn Barr, Norbert Kox, Matt Fink, Gin Stevens, Mark Ryden, El Vez, Daniel Martin Diaz, Scott Musgrove, Michael Teague, James Taylors, R.K. Sloane, Michael Hussar, Brian O'Connor, Jonathon Rosen, Clayton Brothers, Gary Baseman, Lucha Libre and many others. Foreign shipping may be extra.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.