Sofya Dmitrieva (5 results)

Soft cover. Condition: As New. 1st Edition. pp. 1-73. Print version of this international quarterly. Editorial: 'Reproductions, a Special Issue of "History of Photography"' (Sofya Dmitrieva, Dominique de Font-Réaulx, Michelle Henning & Patrizia Di Bello); Articles: 'Numbering "The Ladies Waldegrave": Questions of Status and Display' (Madeleine S. J. Page); 'Manet and Photography: Looking at "Olympia"' (Kathryn Kremnitzer); 'Panoramic Ambitions: Collecting Rubens's Oeuvre in Reproduction, 1877-1927' (Griet Bonne); 'Cultural Capital and Photographic Technologies at the Berlin Photographic Company in the USA' (Julie Codell), and 'Artwork Reproductions in Polish Identity Building after World War II' (Dorota Luczak & Aleksandra Paradowska).

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This first volume of a series exploring the history, composition, and arrangementof the art collection of the Académie royale de peinture et de sculpture focusses onthe reception pieces. From its founding in 1648 to its dissolution in 1793, theAcadémie royale amassed a collection of more than 15 000 artworks: reception piecesdonated artworks, commissioned portraits of the Académie's patrons, paintings andbas-reliefs awarded the Prix de Rome, académie drawings, plaster casts of classicalsculptures, and other objects. Today, these works provide valuable insights into theaesthetic canons, educational practices, and behind-the-scenes networks. Thereception pieces, which, throughout its century-and-a-half history, remain theconceptual core of the collection. Embodying the Académie's admission practices andinternal hierarchies, reception pieces are key to understanding the collection as awhole, as well as fascinating and often overlooked objects of study in their ownright. In this volume, Hannah Williams, Melissa Hyde, Catherine Girard, MarkLedbury, Susanna Caviglia, Yuriko Jackall, Alden Gordon, and Antoine Gallay explorethe role of reception pieces for the Académie, the academicians, and beyond. 292 pp. Englisch.

Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This first volume of a series exploring the history, composition, and arrangementof the art collection of the Académie royale de peinture et de sculpture focusses onthe reception pieces. From its founding in 1648 to its dissolution in 1793, theAcadémie royale amassed a collection of more than 15 000 artworks: reception piecesdonated artworks, commissioned portraits of the Académie's patrons, paintings andbas-reliefs awarded the Prix de Rome, académie drawings, plaster casts of classicalsculptures, and other objects. Today, these works provide valuable insights into theaesthetic canons, educational practices, and behind-the-scenes networks. Thereception pieces, which, throughout its century-and-a-half history, remain theconceptual core of the collection. Embodying the Académie's admission practices andinternal hierarchies, reception pieces are key to understanding the collection as awhole, as well as fascinating and often overlooked objects of study in their ownright. In this volume, Hannah Williams, Melissa Hyde, Catherine Girard, MarkLedbury, Susanna Caviglia, Yuriko Jackall, Alden Gordon, and Antoine Gallay explorethe role of reception pieces for the Académie, the academicians, and beyond.arthistoricum.net, Plöck 107-109, 69047 Heidelberg, Neckar 292 pp. Englisch.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This first volume of a series exploring the history, composition, and arrangementof the art collection of the Académie royale de peinture et de sculpture focusses onthe reception pieces. From its founding in 1648 to its dissolution in 1793, theAcadémie royale amassed a collection of more than 15 000 artworks: reception piecesdonated artworks, commissioned portraits of the Académie's patrons, paintings andbas-reliefs awarded the Prix de Rome, académie drawings, plaster casts of classicalsculptures, and other objects. Today, these works provide valuable insights into theaesthetic canons, educational practices, and behind-the-scenes networks. Thereception pieces, which, throughout its century-and-a-half history, remain theconceptual core of the collection. Embodying the Académie's admission practices andinternal hierarchies, reception pieces are key to understanding the collection as awhole, as well as fascinating and often overlooked objects of study in their ownright. In this volume, Hannah Williams, Melissa Hyde, Catherine Girard, MarkLedbury, Susanna Caviglia, Yuriko Jackall, Alden Gordon, and Antoine Gallay explorethe role of reception pieces for the Académie, the academicians, and beyond.

Buch. Condition: Neu. The Académie Royale Art Collection | Vol. I Reception Pieces | Sofya Dmitrieva (u. a.) | Buch | Passages online 32 | Englisch | 2025 | [.] | EAN 9783985013135 | Verantwortliche Person für die EU: [.], Plöck 107-109, 69047 Heidelberg, Neckar, ub[at]ub[dot]uni-heidelberg[dot]de | Anbieter: preigu Print on Demand.