Sofya Dmitrieva (6 results)

Soft cover. Condition: As New. 1st Edition. pp. 1-73. Print version of this international quarterly. Editorial: 'Reproductions, a Special Issue of "History of Photography"' (Sofya Dmitrieva, Dominique de Font-Réaulx, Michelle Henning & Patrizia Di Bello); Articles: 'Numbering "The Ladies Waldegrave": Questions of Status and Display' (Madeleine S. J. Page); 'Manet and Photography: Looking at "Olympia"' (Kathryn Kremnitzer); 'Panoramic Ambitions: Collecting Rubens's Oeuvre in Reproduction, 1877-1927' (Griet Bonne); 'Cultural Capital and Photographic Technologies at the Berlin Photographic Company in the USA' (Julie Codell), and 'Artwork Reproductions in Polish Identity Building after World War II' (Dorota Luczak & Aleksandra Paradowska).…

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 292 | Sprache: Englisch | Produktart: Bücher | This first volume of a series exploring the history, composition, and arrangement of the art collection of the Académie royale de peinture et de sculpture focusses on the reception pieces. From its founding in 1648 to its dissolution in 1793, the Académie royale amassed a collection of more than 15 000 artworks: reception pieces, donated artworks, commissioned portraits of the Académie's patrons, paintings and bas-reliefs awarded the Prix de Rome, académie drawings, plaster casts of classical sculptures, and other objects. Today, these works provide valuable insights into the aesthetic canons, educational practices, and behind-the-scenes networks. The reception pieces, which, throughout its century-and-a-half history, remain the conceptual core of the collection. Embodying the Académie's admission practices and internal hierarchies, reception pieces are key to understanding the collection as a whole, as well as fascinating and often overlooked objects of study in their own right. In this volume, Hannah Williams, Melissa Hyde, Catherine Girard, Mark Ledbury, Susanna Caviglia, Yuriko Jackall, Alden Gordon, and Antoine Gallay explore the role of reception pieces for the Académie, the academicians, and beyond.…

Hardcover. Condition: gut. 2025. The Académie Royale Art Collection In deutscher Sprache. pages.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This first volume of a series exploring the history, composition, and arrangementof the art collection of the Académie royale de peinture et de sculpture focusses onthe reception pieces. From its founding in 1648 to its dissolution in 1793, theAcadémie royale amassed a collection of more than 15 000 artworks: reception piecesdonated artworks, commissioned portraits of the Académie's patrons, paintings andbas-reliefs awarded the Prix de Rome, académie drawings, plaster casts of classicalsculptures, and other objects. Today, these works provide valuable insights into theaesthetic canons, educational practices, and behind-the-scenes networks. Thereception pieces, which, throughout its century-and-a-half history, remain theconceptual core of the collection. Embodying the Académie's admission practices andinternal hierarchies, reception pieces are key to understanding the collection as awhole, as well as fascinating and often overlooked objects of study in their ownright. In this volume, Hannah Williams, Melissa Hyde, Catherine Girard, MarkLedbury, Susanna Caviglia, Yuriko Jackall, Alden Gordon, and Antoine Gallay explorethe role of reception pieces for the Académie, the academicians, and beyond. 292 pp. Englisch.…

Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This first volume of a series exploring the history, composition, and arrangementof the art collection of the Académie royale de peinture et de sculpture focusses onthe reception pieces. From its founding in 1648 to its dissolution in 1793, theAcadémie royale amassed a collection of more than 15 000 artworks: reception piecesdonated artworks, commissioned portraits of the Académie's patrons, paintings andbas-reliefs awarded the Prix de Rome, académie drawings, plaster casts of classicalsculptures, and other objects. Today, these works provide valuable insights into theaesthetic canons, educational practices, and behind-the-scenes networks. Thereception pieces, which, throughout its century-and-a-half history, remain theconceptual core of the collection. Embodying the Académie's admission practices andinternal hierarchies, reception pieces are key to understanding the collection as awhole, as well as fascinating and often overlooked objects of study in their ownright. In this volume, Hannah Williams, Melissa Hyde, Catherine Girard, MarkLedbury, Susanna Caviglia, Yuriko Jackall, Alden Gordon, and Antoine Gallay explorethe role of reception pieces for the Académie, the academicians, and beyond.arthistoricum.net, Plöck 107-109, 69047 Heidelberg, Neckar 292 pp. Englisch.…

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This first volume of a series exploring the history, composition, and arrangementof the art collection of the Académie royale de peinture et de sculpture focusses onthe reception pieces. From its founding in 1648 to its dissolution in 1793, theAcadémie royale amassed a collection of more than 15 000 artworks: reception piecesdonated artworks, commissioned portraits of the Académie's patrons, paintings andbas-reliefs awarded the Prix de Rome, académie drawings, plaster casts of classicalsculptures, and other objects. Today, these works provide valuable insights into theaesthetic canons, educational practices, and behind-the-scenes networks. Thereception pieces, which, throughout its century-and-a-half history, remain theconceptual core of the collection. Embodying the Académie's admission practices andinternal hierarchies, reception pieces are key to understanding the collection as awhole, as well as fascinating and often overlooked objects of study in their ownright. In this volume, Hannah Williams, Melissa Hyde, Catherine Girard, MarkLedbury, Susanna Caviglia, Yuriko Jackall, Alden Gordon, and Antoine Gallay explorethe role of reception pieces for the Académie, the academicians, and beyond.…