Anne Klammt (10 results)

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 292 | Sprache: Englisch | Produktart: Bücher | This first volume of a series exploring the history, composition, and arrangement of the art collection of the Académie royale de peinture et de sculpture focusses on the reception pieces. From its founding in 1648 to its dissolution in 1793, the Académie royale amassed a collection of more than 15 000 artworks: reception pieces, donated artworks, commissioned portraits of the Académie's patrons, paintings and bas-reliefs awarded the Prix de Rome, académie drawings, plaster casts of classical sculptures, and other objects. Today, these works provide valuable insights into the aesthetic canons, educational practices, and behind-the-scenes networks. The reception pieces, which, throughout its century-and-a-half history, remain the conceptual core of the collection. Embodying the Académie's admission practices and internal hierarchies, reception pieces are key to understanding the collection as a whole, as well as fascinating and often overlooked objects of study in their own right. In this volume, Hannah Williams, Melissa Hyde, Catherine Girard, Mark Ledbury, Susanna Caviglia, Yuriko Jackall, Alden Gordon, and Antoine Gallay explore the role of reception pieces for the Académie, the academicians, and beyond.…

Archäologisches Museum Hamburg, Hamburg 2014. 4to. 508 pages. Illustrations in b/w and colour. Orig. boards. Fine.

Soft cover. Condition: New. 294 pages : illustrations ; 30 cm + 1 CD-ROM, 12 folded color maps : 30 cm. In German.

Hardcover. Condition: Gut. 1. Auflage. Erstausgabe & Katalog der Ausstellung. Band der Schriftenreihe Nr. 107. Grossformat & fast 3 Kilo schwer. Hardcover, gebunden, 508 Seiten mit zahlreichen Illustrationen, Grundrissen. Tabellen, Einband an den Ecken gering gestaucht (Standspuren), keine Einträge oder Unterstreichungen & moderate Gebrauchsspuren Da es sich um ein begehrtes Buch handelt bezahlen Sie diese Position bitte per Kreditkarte o. Vorauskasse (Banküberweisung) * Der Versand erfolgt als schnellere Paketsendung *Shipping costs outside of Germany please inquire first (large size & high weight).…

300 x 240 mm. Condition: Sehr gut. 1. Auflage. 508 Seiten Gebrauchtes Exemplar in sehr gutem Zustand. KEINE Eintragungen/Markierungen. Die Hammaburg Keimzelle Hamburgs wird seit Jahrhunderten auf dem Domplatz im Herzen der Stadt vermutet. Die spannende Suche nach der historischen Hammaburg ist dabei fast zum Mythos geworden. Mit der Ausstellung »Mythos Hammaburg Archäologische Entdeckungen zu den Anfängen Hamburgs« verknüpft das Archäologische Museum Hamburg erstmals die schriftliche Überlieferung mit den aktuellen Ergebnissen archäologischer Ausgrabungstätigkeit. Der Begleitband zur Ausstellung präsentiert in über 40 reich illustrierten Beiträgen ein neues Bild von den Ursprüngen Hamburgs zwischen dem 8. und 12. Jahrhundert. Erstmals kann die Stadtwerdung der Hansestadt lückenlos von einer spätsächsischen Siedlung bis zur blühenden Hansestadt des Hochmittelalters aufgezeigt werden. Die renommierten wissenschaftlichen Autoren betten zudem in fundierten Fachbeiträgen die Hammaburg in ihr frühmittelalterliches Umfeld zwischen Franken, Slawen und Wikingern ein. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Deutsch Gewicht in Gramm: 500.…

Condition: gut. 2015. Mythos Hammaburg Archäologische Entdeckungen zu den Anfängen Hamburgs In deutscher Sprache. pages.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This first volume of a series exploring the history, composition, and arrangementof the art collection of the Académie royale de peinture et de sculpture focusses onthe reception pieces. From its founding in 1648 to its dissolution in 1793, theAcadémie royale amassed a collection of more than 15 000 artworks: reception piecesdonated artworks, commissioned portraits of the Académie's patrons, paintings andbas-reliefs awarded the Prix de Rome, académie drawings, plaster casts of classicalsculptures, and other objects. Today, these works provide valuable insights into theaesthetic canons, educational practices, and behind-the-scenes networks. Thereception pieces, which, throughout its century-and-a-half history, remain theconceptual core of the collection. Embodying the Académie's admission practices andinternal hierarchies, reception pieces are key to understanding the collection as awhole, as well as fascinating and often overlooked objects of study in their ownright. In this volume, Hannah Williams, Melissa Hyde, Catherine Girard, MarkLedbury, Susanna Caviglia, Yuriko Jackall, Alden Gordon, and Antoine Gallay explorethe role of reception pieces for the Académie, the academicians, and beyond. 292 pp. Englisch.…

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This first volume of a series exploring the history, composition, and arrangement of the art collection of the Académie royale de peinture et de sculpture focusses on the reception pieces. From its founding in 1648 to its dissolution in 1793, the Académie royale amassed a collection of more than 15 000 artworks: reception pieces, donated artworks, commissioned portraits of the Académie's patrons, paintings and bas-reliefs awarded the Prix de Rome, académie drawings, plaster casts of classical sculptures, and other objects. Today, these works provide valuable insights into the aesthetic canons, educational practices, and behind-the-scenes networks. The reception pieces, which, throughout its century-and-a-half history, remain the conceptual core of the collection. Embodying the Académie's admission practices and internal hierarchies, reception pieces are key to understanding the collection as a whole, as well as fascinating and often overlooked objects of study in their own right. In this volume, Hannah Williams, Melissa Hyde, Catherine Girard, Mark Ledbury, Susanna Caviglia, Yuriko Jackall, Alden Gordon, and Antoine Gallay explore the role of reception pieces for the Académie, the academicians, and beyond.…

Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This first volume of a series exploring the history, composition, and arrangementof the art collection of the Académie royale de peinture et de sculpture focusses onthe reception pieces. From its founding in 1648 to its dissolution in 1793, theAcadémie royale amassed a collection of more than 15 000 artworks: reception piecesdonated artworks, commissioned portraits of the Académie's patrons, paintings andbas-reliefs awarded the Prix de Rome, académie drawings, plaster casts of classicalsculptures, and other objects. Today, these works provide valuable insights into theaesthetic canons, educational practices, and behind-the-scenes networks. Thereception pieces, which, throughout its century-and-a-half history, remain theconceptual core of the collection. Embodying the Académie's admission practices andinternal hierarchies, reception pieces are key to understanding the collection as awhole, as well as fascinating and often overlooked objects of study in their ownright. In this volume, Hannah Williams, Melissa Hyde, Catherine Girard, MarkLedbury, Susanna Caviglia, Yuriko Jackall, Alden Gordon, and Antoine Gallay explorethe role of reception pieces for the Académie, the academicians, and beyond.arthistoricum.net, Plöck 107-109, 69047 Heidelberg, Neckar 292 pp. Englisch.…

Buch. Condition: Neu. The Académie Royale Art Collection | Vol. I Reception Pieces | Sofya Dmitrieva (u. a.) | Buch | Passages online 32 | Englisch | 2025 | [.] | EAN 9783985013135 | Verantwortliche Person für die EU: [.], Plöck 107-109, 69047 Heidelberg, Neckar, ub[at]ub[dot]uni-heidelberg[dot]de | Anbieter: preigu Print on Demand.…