Stapleton Annamarie Chamberlain (34 results)

Condition: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condition: Very Good. Dust Jacket Condition: 47867062. 1772710675. 3/5/2026 11:37:55 AM.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. Overall book is Good but pages have atone time been stored in a damp environment as pages have a rippled / wave to them. Gift inscription to inside of front cover, Still suitable as a reading copy. ** 900g ** All orders are sent with a tracking /signature service for your peace of mind, so that you can keep tabs on your parcel. For overseas customers - on some sites we use, parcels weighing over the standard rate may incur an additional charge and we will then contact you with the additional shipping fee required. This is for the postage only we do not charge you for our time or our excellent packaging, which we are noted for. Dispatched in cardboard mailers within 24/48 Hours Mon - Friday 2pm, except bank holidays, otherwise next business day - excellent service guaranteed. AANBE22819.…

Paperback. Condition: New. Jacqueline Groag was probably the most influential textile designer in Britain in the post Second World War era. Although originally Czech, she studied textile and pattern design in Austria in the 1920s. During the late twenties and early thirties she designed textiles for the Wiener Werkstatte in Vienna and subsequently designed and produced unique hand printed lengths of fabrics for many of the leading Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli and Paul Poiret. She was awarded a gold medal for textile design at the Milan Triennale in 1933 and another gold medal for printed textiles at the Paris World Fair in 1937. Jacqueline was not only a serious and highly respected contender in the field of textile and pattern design but, with her husband, the Modernist architect Jacques Groag, was also deeply immersed in the intellectual life of Vienna. In 1938 the sophisticated world of Jacques and Jacqueline was brutally shattered when the Anschluss, the political unification of Austria and Germany, occurred and the German army entered Vienna. Faced with the actuality of the Nazi terror the Groags, who were Jewish, fled to Czechoslovakia and their home city of Prague. After a brief respite they were once more forced to flee in 1939, this time to London. On their arrival in England they were welcomed and championed by leading members of the British design fraternity, amongst whom were Sir Gordon Russell, the doyen of British architects Sir Charles Reilly and Jack Pritchard, founder of the modernist design company, Isokon. Much of the Contemporary style of the textiles and wallpapers shown at the 1951 Festival of Britain were heavily indebted to Jacqueline's influential designs of the 1940s. Many examples of her work were featured prominently at the Festival and from then on she became a major influence on pattern design internationally. She developed a large client group in the United States during the fifties and sixties, amongst whom were Associated American Artists, Hallmark Cards and American Greetings Ohio. In the later 1950s and throughout the 1960s she became increasingly involved with Sir Misha Black and the Design Research Unit (D.R.U.), working on the interiors for boats and planes and trains, particularly the design of textiles and plastic laminates for BOAC and British Rail. One of her last commissions from Misha Black, in the mid-seventies was a distinctive moquette for London Transport, for seating on both buses and tube trains. Her work and influence did not just extend to the large corporations and exclusive couturiers but was familiar to the general public through stores and companies such as John Lewis, Liberty of London, David Whitehead, Edinburgh Weavers, Sandersons, Warerite and Formica. Her remarkable achievement finally received public recognition in 1984 when, at the age of 81, she was made an R.D.I. - a Royal Designer for Industry - the ultimate accolade for any designer in Britain.…

Softcover. Condition: Very Good. 127 pp., Pictorial soft cover. Boards clean with bumping to the corner. Internally clean and bright. Minor wear to the rear hinge with glue exposed otherwise binding firm. Illustrated throughout in colour. 9781851494323 4to.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1997, 1st edition, 1st impression. Very Good hardback book in Very Good dustjacket. No inscriptions or other markings, appears unread. DJ is not clipped, has very light edgewear, upper edge a little dusty. Unread. Publishers ordering postcard laid in.…

Paperback. Condition: Very Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Exhibition Publication. Jacket has light general wear and no tears. Former owner's details to ffep - otherwise internally clean. Binding tight. 128pp Size: 230mm x 275mm. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Book and dustjacket in very good condition. 128pp with colour photographs.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Hardback First Edition from 1997 - As New. Large 4to. in colour printed stiff glossy card covers, 128pp, numerous colour and b/w illustrations in text. The images are not stock photos but is images of the front and back of the dust jacket of one of the two copies available that are in exactly the same condition.…

Condition: New. pp. 272 Illus.

Soft cover. Condition: Fine. 1st Edition. Book measures 30x25cm, 127pp. Illustrated throughout. Bound in original publishers softcover. Binding lightly rubbed with some minor shelf wear. Binding in fine condition, internally pages clean, A very good clean copy.

Hardcover. Condition: near fine/near fine. Quarto. (11" x 9") 128pp. A very nice copy in dust jacket. Jacket in a brodart -protective wrapperl.

Condition: New. pp. 272.

Condition: New. pp. 272.

Soft cover. Condition: Very Good. Dust Jacket Condition: No Jacket as Issued. Exhibition Publication. Minimal wear to covers. Spine not creased. A small area of eraser rubbing to top corner of half-title page, otherwise internally very clean. 128pp A comprehensive introduction by Richard Chamberlain and Geoff Rayner puts the period in its context, giving an historical, perspective and covering contemporary events such as the Painting Into Textiles exhibition at the ICA in 1953. The final section of the book features an alphabetical biography; included are the artists and the manufactures and concentrates on the artists' involvement with applied or decorative arts rather than a list of their fine art achievements. Artists featured include: Edward Bawden, John Catleagh, Jean Cocteau, Andre Derain, Elizabeth Frink, Barbara Hepworth, Patrick Heron, Henry Moore, Ben Nicholson, Eduardo Paolozzi, John Piper, Zandra Rhodes, William Scott and Graham Sutherland. Companies featured include: Ascher, Cresta Silks, Edinburgh Weavers, Heals, Liberty & Co., Porthia Textiles Prints, Sanderson and Warner & Sons. Size: 215mm x 270mm. Book.…

SOFTCOVER. Condition: As New. 1st Edition. Large 4to. in colour printed stiff glossy card covers, 128pp, numerous colour and b/w illustrations in text, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . __To see more of our books on Design type DbbDESIGN in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Soft cover. Condition: Fine. In excellent condition.

Soft cover. Condition: Good. Softcover. Dispatched, from the UK, within 48 hours of ordering. Though second-hand the book is in good condition. The cover shows moderate signs of wear there is a name written on the title page but overall the pages are clean and intact.

FIRST EDITION 4to. softback with French flaps. 303pp., Indexed, profusely illustrated in colour. A clean copy with no previous owners' markings or inscriptions. A VERY GOOD COPY. (Shelf 8) ISBN: 9781851496297 PLEASE NOTE: HEAVY BOOK (1.4 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.…

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback. Condition: New. Jacqueline Groag was probably the most influential textile designer in Britain in the post Second World War era. Although originally Czech, she studied textile and pattern design in Austria in the 1920s. During the late twenties and early thirties she designed textiles for the Wiener Werkstatte in Vienna and subsequently designed and produced unique hand printed lengths of fabrics for many of the leading Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli and Paul Poiret. She was awarded a gold medal for textile design at the Milan Triennale in 1933 and another gold medal for printed textiles at the Paris World Fair in 1937. Jacqueline was not only a serious and highly respected contender in the field of textile and pattern design but, with her husband, the Modernist architect Jacques Groag, was also deeply immersed in the intellectual life of Vienna. In 1938 the sophisticated world of Jacques and Jacqueline was brutally shattered when the Anschluss, the political unification of Austria and Germany, occurred and the German army entered Vienna. Faced with the actuality of the Nazi terror the Groags, who were Jewish, fled to Czechoslovakia and their home city of Prague. After a brief respite they were once more forced to flee in 1939, this time to London. On their arrival in England they were welcomed and championed by leading members of the British design fraternity, amongst whom were Sir Gordon Russell, the doyen of British architects Sir Charles Reilly and Jack Pritchard, founder of the modernist design company, Isokon. Much of the Contemporary style of the textiles and wallpapers shown at the 1951 Festival of Britain were heavily indebted to Jacqueline's influential designs of the 1940s. Many examples of her work were featured prominently at the Festival and from then on she became a major influence on pattern design internationally. She developed a large client group in the United States during the fifties and sixties, amongst whom were Associated American Artists, Hallmark Cards and American Greetings Ohio. In the later 1950s and throughout the 1960s she became increasingly involved with Sir Misha Black and the Design Research Unit (D.R.U.), working on the interiors for boats and planes and trains, particularly the design of textiles and plastic laminates for BOAC and British Rail. One of her last commissions from Misha Black, in the mid-seventies was a distinctive moquette for London Transport, for seating on both buses and tube trains. Her work and influence did not just extend to the large corporations and exclusive couturiers but was familiar to the general public through stores and companies such as John Lewis, Liberty of London, David Whitehead, Edinburgh Weavers, Sandersons, Warerite and Formica. Her remarkable achievement finally received public recognition in 1984 when, at the age of 81, she was made an R.D.I. - a Royal Designer for Industry - the ultimate accolade for any designer in Britain.…

VG bright copy in publishers cloth in slightly scruffy rubbed and chipped dustjacket. 1st edition. Illustrated throughout. ISBN 185894046X.

Soft. Condition: Very Good. Pages clean and bright, soft covers and binding tidy. Size: 4to.

Paperback. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condition: New.