Stella Frank, Signed (30 results)

No Binding. Condition: VG+. A VG+ 8 X 10 still signed by Debbie Reynolds. Size: 8" x 10". Photographic Image.

Hardback. Condition: Very Good. xx 281p burgundy board hardback with gilt lettering to spine, yellow and red dustjacket present with minor wear and tear, from the library of Arnold Burgen, signature present, pages other clean and bright, very good condition Language: English.

Soft cover. Condition: Very Good. 1st Edition. US orders ship with signature confirmation. 1988 oversize paperback exhibition catalog no printing listed (presumed 1st edition) inscribed by the artist on the cover in the year of publication ("For _____ with lots of Love, Mary, 1988" with Love in a drawing of a heart). Small closed tear in window on cover, fraying/small tears on both covers, rubbing on spine, denting/curling on top fore edge through WHOLE BOOK, else text clean, binding tight . Inscribed by Illustrator.

hardcover. Condition: Like New. First Edition. Inscribed to a named person (first name only) with a two sentence note and then signed by Richard H. Axsom on half-title page in blue ink, text tight clean unmarked, absolutely NO age toning, boards new looking & undamaged, dust jacket NOT price-clipped, dj has a little bit of looseness and one very small taped closed tear at top tip back, Near Fine/Very Good Minus overall condition. Signed.

Tadelloses Exemplar. Signiert. Softcover / Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Hardcover. Condition: FINE. First Edition. SIGNED by Frank Stella on the half title and inscribed 'For Lynn and Ben -- Cheers!' d. 2010. 134pp + foldout. Top edge dinged (covers only), scratch to front cover, entirely clean and sharp otherwise. Signed.

Condition: Near fine. Frank Stella (illustrator). First printing. Inscribed first edition, association copy, of this catalogue to accompany the inaugural exhibition at the Singapore Tyler Print Institute - inscribed to the US Ambassador to Singapore, Frank Lavin. With a foreword by Kenneth E. Tyler and an appreciation by Robert C. Hobbs, an especially appropriate association for this uncommon Stella book. 11.5'' x 8''. Original glossy color pictorial boards. No jacket, as issued. One of 2000 copies. 84 pages. Inscribed by Stella: "For Ambassador / Lavin / Cheers! / Frank Stella." Slight lean, trace bumping. Overall, bright and sharp. Signed.

Condition: Fine. First Edition. Phaidon Press, 2018. Signed and dated in the year of publication by Stella on front free endpaper. Illustrated covers, paperbound with French flaps. A fine, bright copy.

Soft Cover. Condition: Near Fine. Dust Jacket Condition: No Jacket - As Published. First Edition. Bound in stiff white wraps with an illustration of a Frank Stella painting on the front panel. 8 pp. Inscribed and signed on the title page to two Lafayette Professors. 4 Color Illustrations. The Exhibition ran from February 5 - March 9 in 2002. Size: 8vo - over 7¾" - 9¾" tall. Inscribed and Signed.

Condition: Good. 4to. 108 pp. Portfolio. First Edition. Very Good. Mostly Black and White Plates, 364 total, 20 in color. Signed. In Hardcover White Plastic Box, with Jasper Johns 'Target 1970' inside covers, with Johns offset-litho-facsimile signature, watercolor pads, paintbrush & catalogue. Includes exhibition checklist and bibliography. Prospectus loosely laid in. Catalogue Raisonne of Gemini's complete publications.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Hardcover. Condition: Near fine. Garnett, R.A.; Austen, John; Gibbings, Robert; Papé, Frank C.; Odle, Alan; Garwood, Tirzah; Hilder, Rowland; Kermode, William; Grant, Duncan; Moon, P.V.; Leighton, Clare; Wolfe, Edward (illustrator). Each volume one of 550 copies, quarto size, approx. 650 total pages, each volume signed by the author. The "Furnival Books" were a series of shorter works from young authors, some of whom would go on to be considered the best of their day. The brainchild of bookseller and publisher A. W. Steele, he published these limited edition copies under two imprints, but the entire series of twelve books were all printed by the Chiswick Press between 1930 and 1932. One of the great bonuses of this series are the frontispiece illustrations, several by some of my own favourite artists: John Austen, Robert Gibbings, Frank Papé, and Clare Leighton. Particulars on the twelve books are as follows: (1) Powys, T.F.; Warner, Sylvia Townsend (Foreword); Garnett, R.A. (Woodcut), "The Key of the Field", 1930, no. 12, 39 pp.; (2) Bates, H.E.; Garnett, Edward (Foreword); Austen, John (Line Engraving), "The Hessian Prisoner:, 1930, no. 477, 42 pp.; (3) Coppard, A.E.; Gibbings, Robert (Woodcut), "The Man From Kilsheelan", 1930, no. 180, 38 pp.; (4) Davies, Rhys; O'Flaherty, Liam (Foreword); Papé, Frank C. (Illustration), "The Stars, The World, and The Women",1930, no. 135, 53 pp.; (5) Hanley, James; Aldington, Richard (Foreword); Odle, Alan (Frontispiece), "The Last Voyage", 1931, no. 232, 73 pp.; (6) Strong, L.A.G.; Coppard, A.E. (Foreword); Garwood, Tirzah (Frontispiece), "The Big Man", 1931, no. 267, 45 pp.; (7) Manhood, H.A.; Williamson, Henry (Foreword); Hilder, Rowland (Frontispiece), "Little Peter the Great", 1931, no. 368, 95 pp.; (8) Warner, Sylvia Townsend; Powys, T.F. (Foreword); Kermode, William (Frontispiece), "A Moral Ending" (also containing "A Parting Gift" and "How to Succeed in Life"), 1931, no. 468, 47 pp.; (9) Garnett, David; Bates, H.E. (Foreword); Grant, Duncan (Frontis), "A Terrible Day", 1932, no. 148, 37 pp.; (10) O'Flaherty, Liam; Davies, Rhys (Foreword); Moon, P.V. (Frontis), "The Wild Swan" (also containing "It Was the Devil's Work" and "Unclean"), 1932, no. 121, 60 pp.; (11) Benson, Stella; West, Geoffrey (Foreword); Leighton, Clare (Frontis), "Christmas Formula" (also containing "Tchotl" and "A Dream"), 1932, no. 419, 67 pp.; [and] (12) Collier, John; Sitwell, Osbert (Foreword); Wolfe, Edward (Frontis), "Green Thoughts", 1932, no. 45, 56 pp. ___DESCRIPTION: The volumes all of a uniform design, with each bound in a different colour of cloth, each with the title in gilt on both the front board and the spine, the author in gilt towards the bottom of the front board, year of publication in gilt at the tail of the spine, top edges gilt, the limitation pages found before the half-titles each signed by the author, each volume with a frontispiece by different artists; binding quarto size (10 1/8" by 6 3/8"), pagination as set forth above. ___CONDITION: The set near fine overall, the boards on most volumes clean (vol. 2 with a thin line on the back board which appears to be some sort of residue, vol. 9 with small spot of soil on the front board, and vol. 12 with what appears to be offsetting from the glue), the corners on most volumes straight and unrubbed but a few volumes lightly bumped and with minimal rubbing, strong, square text blocks with solid hinges, the interiors clean and bright, and the set entirely free of prior owner markings; several volumes with sunning to the boards and most volumes with the spines sunned. Still overall a lovely set, a few condition issues to the bindings, the interiors fine, we noted several signatures unopened. ___POSTAGE: Please note that the combined size and weight of this set will necessitate additional postage, please inquire for details; International customers, also please note that any taxes, duty, or tariffs charged by your country will, of necessity, be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. This copy is signed by all six artists on the title page, with each name overlapping the printed name in 7 unique hands. Amazing to see the signatures of 7 stalwarts of the 20th century all in one place. Overall excellent copy, besides the signatures it is unmarked, with bright and clean pages. Sturdy binding and the cloth is attractive underneath the dustjacket, which is also excellent with one small indent on the front panel and light surface wear elsewear, now in brodart. Signed by Illustrator(s).

Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing. Signed, dated (May 83) and inscribed in black ink on the title page to Joyce Neimanas and Robert Heinecken: "For Joyce and Robert, We enjoyed very much staying at your home. Thank you! Love, [illegible]." Soft cover. Illustrated wrappers. Text (in German) by Christos M. Joachimides, Robert Rosenblum, Hilton Kramer, Walter Bachauer, Karl-Heinz Bohrer, Paul Feyerabend, Vittorio Magnago Lampugnani and Thomas Bernhard. Work by George Baselitz, Joseph Beuys, Jonathan Borofsky, James Lee Byars, Sandro Chia, Francesco Clemente, Gilbert & George, Jörg Immendorff, Anselm Kiefer, Jannis Kounellis, Mario Merz, Malcolm Morley, Sigmar Polke, Susan Rothenberg, David Salle, Julian Schnabel, Frank Stella, Cy Twombly, Andy Warhol and numerous others. Includes biographies of the artists and an exhibition checklist. 120 pp., with numerous color and black and white plates. 11 x 8-3/8 inches. Published on the occasion of the 1982 Berlin International Art Exhibition. Near Fine (some shelf wear and light creasing to the spine). Signed by Author.

Dust Jacket Condition: dj. First edition. First edition. Illustrated. 177 pp. 1 vols. 4to. Inscribed "To Steve & Sigrid love Frank 1986." Brown cloth. Fine in fine dust jacket Illustrated. 177 pp. 1 vols. 4to. Signed.

LILAR Installation in der Empfangshalle des Axel Springer Verlag Hamburg. (Widmungsexemplar / Kunstbuch) Hamburg 1. Auflage 1997, ERSTAUSGABE, 72 SS. 4° gebunden (Hardcover) mit Schutzumschlag, durchweg farbig illustriert, gut erhalten - von Frank Stella eigenhändig signiert.

Kein Einband. Condition: Wie neu. Dust Jacket Condition: Wie neu. Frank Stella - Signed Die Retrospectieve Werke 1958-2012 Exhibition Poster- 2013 ** Hand signed by Frank Stella in blue felt-pen, lower left. Sheet size : 84 x 59,4 cm. ** Exhibition poster, hand-signed, designed for Frank Stella s major retrospective at Kunstmuseum Wolfsburg, held from September 8, 2012, to January 20, 2013. The exhibition presented a comprehensive overview of Stella s artistic evolution, spanning from his iconic minimalist Black Paintings to his later, more dynamic three-dimensional sculptural works. * The striking geometric abstraction featured on the poster is characteristic of Stella s later period, where he pushed the boundaries of painting into sculptural reliefs. The composition, filled with bold colors, layered elements, and optical dynamism, exemplifies his ability to blur the lines between painting, sculpture, and architecture. The poster highlights Stella s unique visual language of movement, form, and color, making it a captivating collector s piece. * Frank Stella (b. 1936) is one of the most influential figures in post-war American art, known for his Minimalism, Hard-Edge Painting, and later Baroque-inspired reliefs. His works are housed in major institutions such as MoMA, the Whitney Museum, the Tate Modern, and the Centre Pompidou. Stella s groundbreaking career has continuously reshaped contemporary abstraction, cementing his legacy as a visionary artist. * This signed exhibition poster is a must-have for collectors of postmodern and contemporary art, offering a glimpse into the bold and transformative career of a legendary artist *** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.

First edition, first printing, number 18 of 50 copies. Signed by Dine, Hockney, Johns, Lichtenstein, Rauschenberg, Rosenquist and Stella on a tipped in folding sheet. Together with a presentation letter from the publisher to Riva Castleman, one of the contributors. The Lilja Art Fund Foundation is a charitable trust of the Lilja family in Sweden which has one of the finest collections of Pop Art prints. Quarto. Illustrated with 201 colour reproductions of prints. Original black boards, titles to spine in white. With dust jacket. Fine in fine dust jacket.

Etching, relief and engraving in colours, 1983, on light mauve TGL handmade paper with their blindstamp lower centre, signed and dated in pencil, numbered from the edition of 5, published by Tyler Graphics Ltd., New York, 1321 x 1321mm (52 x 52 inches). Swan Engraving Circle I is linked to Stella's wider series called Circuits (1980-84), whereby all the artworks are linked through the theme of fragmentation. Swan Engravings is one of Stella's most extensive printmaking projects to date, including twenty-five prints published over three years. The name for the series itself comes from the Swan Engraving Company in Bridgeport, Connecticut with whom Stella worked with. The present work was printed using both the methods of intaglio and relief printmaking and incorporated metal scraps and etched magnesium fragments that Stella found lying around in the Swan Engraving Company. Stella's incorporation of varying elements â" fragmented shapes, lace patterns, letters and numerals â" reminds us of early-20th century cubist collages. Once the metal collages were assembled, ink was applied and printed; the relief elements of the plates created a raised, embossed effect in each print. Stella's style was lively and spontaneous, he never hesitated when assembling the plate nor in the printing process itself, often completing the entire process in a single day in 'one hit'. Axsom 165e.

Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered 'AP', an artist's proof aside from the edition of 100, published by Gemini G.E.L., Los Angeles, 46.9 x 112.8 cm. (18½ x 44½ in.) The brooding 'York factory II' is a variation of the lyrical 'York Factory I' (A. 63), not only in the tone but also in the colour and in the interwoven protractor shapes. Axsom 94.

Lithograph, 1982, on white Arches Cover, mould-made paper, signed and dated an artist's proof aside from the edition of 50, published by Tyler Graphics Ltd., Bedford Village, New York, 133.5 x 97.8 cm. (52 1/2 x 38 1/2 in.) Yellow journal was commissioned by the Howard Metzenbaum for Senate Committee to benefit his re-election to the United States Senate in 1982. Although printed as a lithograph, its design and colour border relate it to Swan Framed I and Swan Engraving II. Axsom 162.

Albumblatt (Postkartenformat) von Frank Stella eigenhändig signiert BEILAGE : Original-Farbgroßfoto (quer 4 to) des Künstlers.

Lithograph, linoleum cut and screenprint in colours with hand-colouring, marbling and collage, 1989, on T.H. Saunders and Somerset wove papers, signed in pencil, dated and numbered from the edition of 60 (there were also ten artist's proofs), published by Waddington Graphics, 170.3 x 139.3 cm. (67 x 54â in.) Axsom 194.

Screenprint in colours, 1997, on White Lana mouldmade paper, signed and dated in pencil, numbered 69th from the edition of 75 (there were also 15 artist's proofs), printed by Tyler Graphics, Ltd., published by The Estate Project for Artists with AIDS, New York, 76 Ã 55.8 cm. (29 15/16 Ã 21 15/16 in.) Axsom 249.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. This signed record features an iconic cover design by Frank Stella, one of the most influential American artists associated with Minimalism and Abstract Expressionism Frank Stella has hand-signed the cover in red ink at the center, making this an exceptionally rare collector s item. Record is professionally framed, in (acid-free) measure-made passe-partout, and handmade bespoke wooden frame with Plexiglas® Optical HC, scratch-resistant and UV-protected. Framed approx. : 45 x 80 cm. The album is carefully preserved in a plastic sleeve, ensuring protection. * A true gem for collectors of both modern art and avant-garde music history * The record is George Perle Piano Works, performed by pianist Michael Boriskin and released by New World Records *** Frank Stella (b. 1936) is an American painter, printmaker, and sculptor, widely recognized as a pioneer of Minimalism and Post-Painterly Abstraction. His early work in the late 1950s and 1960s, particularly his Black Paintings, rejected the expressive brushwork of Abstract Expressionism in favor of precise, geometric compositions with rigid symmetry and flat, bold colors.* Stella became a leading figure in the evolution of modern art, pushing the boundaries between painting and sculpture. His works evolved from stark, hard-edged paintings to increasingly complex, three-dimensional constructions, incorporating vivid colors, dynamic shapes, and architectural depth. His innovative use of industrial materials, such as aluminum and fiberglass, broke traditional artistic conventions and cemented his status as one of the most influential artists of the 20th and 21st centuries. *** Rare & Museum-Exhibited Vinyl Records A Collector s Dream *** Unique Provenance : This vinyl record comes from a specialized collection focused onalbum covers designed by world-renowned artists. Our collection also includes pieces that have beenexhibited in museums, adding to their historical and artistic value. *** Condition: Cover & Vinyl NEAR MINT *** We prioritize thevinyl condition, not just the cover.Near Mint recordsin this state hold exceptionalcollectors value. High-quality photos are provided to ensure complete transparency in the condition description. *** Vinyl Records: The Ultimate Collector s Investment *** Thevinyl revivalis in full swing! In2022, vinyl sales in the U.S. surpassed CDs, generating a staggering$1.2 billion in revenue. AcrossEurope, demand is rising, driving up prices and making rare records harder to find. Even inChina, vinyl is regaining popularity, reflecting a global trend. *** Why Rare Vinyl Is More Valuable Than Ever *** Manyhighly sought-after recordsthat were once widely available have become increasinglyrare, especiallyfirst-pressings and signed editions. Findingpristine, original copiesis now a challenge, making them atop-tier investmentfor collectors and music enthusiasts alike *** Exclusive Signed Vinyl A Rare Find *** Signed records are incrediblyvaluable and hard to find. While artist signings were common in the past, they are now rare, except for unique cases likeKanye West, whose signed records including those with the infamous FUCK Adidas message have skyrocketed in value *** Worldwide Shipping We offerfast, secure, worldwide shipping ***. Signatur des Verfassers.

Unique cotton-pulp relief with hand-colouring and collage, 1975, on coloured HMP handmade paper, signed, dated and annotated 'T.P' in black ink on the reverse, one of 14 unique colorway trial proofs, aside from the edition of 26, published by Tyler Graphics Ltd, Bedford Village, New York, 63.6 x 52.7 x 4 cm. (25 x 20 3/4 x 1 5/8 in.) The series 'Paper Reliefs' is based on the earlier 'Polish Village Series' (1971-73) with the use of relief elements to create the geometric structures which pay homage to the complex architecture of Soviet and Polish wooden synagogues from 16th, 17th and 18th century. The titles of the 'Paper Reliefs' are names of cities, settlements or districts where such synagogues were destroyed during the Holocaust. This series is not intended to be a memorial but rather a celebration of these beautiful, intricate structures and the skilful work of the Jewish architects and craftsmen. Stella and Master Printmaker, Ken Tyler of Tyler Graphics Ltd., collaborated with paper making experts John and Kathleen Koller to make these groundbreaking reliefs. After the paper pulp was applied to the specific mould, Stella would work with the moulded paper reliefs whilst still wet to hand-colour the paper with dye, colour pulp and dry pigments. Once dry, he then hand-painted the geometric shapes within each of the 183 reliefs using acrylic, watercolour and metallic paints. Named after a town in the Grodno region of Belarus, 'Lunna Wola (V)', is a key part of the 'Paper Reliefs' series. Tyler Graphics 546; Axsom 106.5.

Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 51 (there were also twelve artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, on TGL handmade paper, 66.5 x 84 x 4 cm. (26¼ x 3¼ x 1½ in.) Axsom 255.

Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, 54.6 x 55.2 cm. (21½ x 21¾ in.) Over a period of four years, Stella created a body of prints whose titles all came from 'The Dictionary of Imaginary Places' by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the 'Swan Engravings', Stella employed his full palette of printmaking media in this series, to realise these compositions - including lithography, relief printing, etching, aquatint, engraving and screenprinting. The physicality of the works are as inventive and creative as the titles of the series itself. Appearing almost like a psychedelic spectrum, the imagery is deceptively random, in fact Stella constructs a composition that is tight and coherent, showing off his sophisticated design aesthetic and use of printing techniques. Axsom 252.

Relief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered from the edition of 50 in pencil (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, 54.9 x 125 cm. (21½ x 49¼ in.) Over a period of four years, Stella created a body of prints whose titles all came from The Dictionary of Imaginary Places by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teeming compositions of twisting, colliding and knotted forms. The shapes seem to spill out of their rectangular sheet, seemingly trying to escape their frames. As he had done since the Swan Engravings, Stella employed his full palette of printmaking media, to realise these compositions - including lithography, relief printing, etching, aquatint, engraving and screenprinting. Axsom 229.

Lithograph in colours, 1971, on special Arjomari paper, signed, dated and numbered an AP aside from the edition of 78, published by Gemini G.E.L., Los Angeles, 96.5 x 96.5 cm. (38 x 38 in.) The 'Newfoundland Series' prints and their counterparts in the painting series of the same name are variant configurations of the 'Protractor Series' paintings of 1967-71. Their titles refer to two towns and a bay, located on the west coast of Newfoundland. In the prints, the squared and double-squared formats of interlacing protectors are framed by crisp white margins, creating an effect quite different from the overwhelming immediacy of the paintings. The regular margins create a psychological distancing, and in the prints these designs of the paintings are, in a sense, re-presented for our consideration. Axsom 50.

Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, on T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, published by Waddington Graphics, London, 190 x 139 cm. (74¾ x 54¾ in.) max23 Over a period of 12 years, from 1985 to 1997, Frank Stella produced a major series of works in various media that are linked to Herman Melville's monumental novel 'Moby-Dick'. The printed component of this project consists in four different series: The Waves, Moby Dick Engravings, Moby Dick Domes and Moby Dick Deckle Edges. The Waves incorporates all three major motifs of the Moby Dick Project: 1) the first appearance of the wave-whale shape, the most significant shape in the Moby Dick series as a whole 2) a variety of gutter shapes that the artist would develop during the history of the project and 3) the lattice shape. Axsom 188.