Stian Grøgaard (12 results)

Softcover, 268 pages; in English and Norwegian ?; very good condition, no internal marks.

Softcover, 160 pages; in English and Norwegian very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: New.

Hardback. Condition: New. Jorn + Munch is the first publication to examine the enduring impact Edvard Munch (1863-1944) had on Asger Jorn (1914-1973). In Munch's later works, Danish artist Jorn discovered an artist with a direct, spontaneous, and raw form of expression. Already influenced by surrealism's unprompted painting style, Jorn was naturally drawn to Munch's similarly unbridled compositions. In particular, Jorn was interested in Munch's use of intense colors and his gestural application of paint in the later works. From the middle of the 1940s, and for many years after that, Munch is shown to be a challenging and important reference point for Jorn's own body of work.Distributed for MercatorfondsExhibition Schedule:Munch Museum, Oslo (10/15/16-01/15/17)Jorn Museum, Silkeborg, Denmark (02/11/17-05/28/17).

Cartonato. Condition: new. Edited by Baumann D.Texts by Daniel Baumann, Stian Grøgaard, Martha Kirszenbaum, Agnes Moraux.English Text.Milano, 2022; hardback, pp. 500, col. ill., cm 23x31. In 500 pages with 398 illustrations, three essays and a conversation with the artist, this long-awaited first monograph on the work of Norwegian artist Ida Ekblad introduces her extensive oeuvre and documents her career from 2007 to 2021, focusing on her art and how she continually challenges it through her own exhibitions. With contributions by Daniel Baumann, Stian Grøgaard, Martha Kirszenbaum and Agnes Moraux.Ida Ekblad lives in Oslo. She is a painter, sculptor, publisher, music producer, curator, and designer. She also writes. Her sources of inspiration include folk art, fashion, garbage, Samuel Beckett, youth culture, the natural forces of the elements, Gena Rowlands, traditional crafts, and so on. Everyday life is central to her work-as an imposition, but also conveying grace; as a voracious monster and a source of happiness; as a disaster and a glimmer of hope-for in Ekblad's view, everything is full of promise, including art.Melted Snow, published three years after Ekblad's exhibition FRA ÅRE TIL OVN at Kunsthalle Zürich, is a lavish and riveting collection of works and exhibitions from 2007-2021, accompanied by newly commissioned texts and a conversation between the artist and Agnes Moraux. "Mess can be confusing to deal with," Ekblad concedes, "but mess is never out of focus.". Libro.

Hardcover. Condition: Brand New. 256 pages. 10.75x9.00x1.00 inches. In Stock.

Z : 240 pages - Jorn + Munch is the first publication to examine the enduring impact Edvard Munch (1863-1944) had on Asger Jorn (1914-1973). In Munch's later works, Danish artist Jorn discovered an artist with a direct, spontaneous, and raw form of expression. Already influenced by surrealism's unprompted painting style, Jorn was naturally drawn to Munch's similarly unbridled compositions. In particular, Jorn was interested in Munch's use of intense colors and his gestural application of paint in the later works. From the middle of the 1940s, and for many years after that, Munch is shown to be a challenging and important reference point for Jorn's own body of work.

Mercatorfonds, Brussels, 2016. 240 Seiten mit einem Frontispiz und zahlreichen Abbildungen, Pappband mit aufgezogenen Deckelillustrationen, quart---- gutes Exemplar / good condition / Text englisch - 1425 Gramm.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardback. Condition: New. Jorn + Munch is the first publication to examine the enduring impact Edvard Munch (1863-1944) had on Asger Jorn (1914-1973). In Munch's later works, Danish artist Jorn discovered an artist with a direct, spontaneous, and raw form of expression. Already influenced by surrealism's unprompted painting style, Jorn was naturally drawn to Munch's similarly unbridled compositions. In particular, Jorn was interested in Munch's use of intense colors and his gestural application of paint in the later works. From the middle of the 1940s, and for many years after that, Munch is shown to be a challenging and important reference point for Jorn's own body of work.Distributed for MercatorfondsExhibition Schedule:Munch Museum, Oslo (10/15/16-01/15/17)Jorn Museum, Silkeborg, Denmark (02/11/17-05/28/17).

First Edition. First edition. Softcover. 303 pages. Monograph published in conjunction with a traveling exhibition that had three stops in Oslo, Norway, Stockholm, Sweden and Ishoj, Denmark. Features text contributions by Per BJ Boym, Anette Osterby, Tim Martin, Vibeke Petersen, and Stian Grogaard with much of it in English. Includes numerous color and some black and white illustrations and a checklist. A very good plus copy in wrappers with some bumping to the corners. A fairly ucommon book on this important American artist who sadly died at the young age of only thirty five.

Hardcover, 256 pages, English, 270 x 240 mm, New, very richly illustrated with coloured illustrations, ISBN 9789462301535. Als jonge kunstenaar behoorde Asger Jorn (1914-1973) tot de avant-garde en de surrealistische beweging in het Kopenhagen van de jaren 1930. Maar pas toen hij in de veertig was, ontdekte Jorn zijn ware artistieke expressievorm. Meteen na de wapenstilstand in 1945 reisde de toen dertigjarige Jorn naar Oslo om er een grote retrospectieve tentoonstelling van de werken van Edvard Munch in de Nationale Galerie te bezoeken. Munch stond op het hoogtepunt van zijn internationale faam toen hij in 1944 overleed, maar net als vandaag waren het zijn werken uit de jaren 1890 waarvoor hij het bekendst was. Op de tentoonstelling in de Nationale Galerie waren echter vooral werken uit Munchs latere periode te zien, met andere woorden uit de periode van na de eeuwwisseling. Jorn was al vertrouwd met de vroege kunst van Munch, maar diens latere werken verrasten en overweldigden hem. In de latere Munch ontdekte Jorn een schilder die een directe, spontane en intense expressievorm hanteerde die meteen in de smaak viel bij de jonge kunstenaar, met zijn achtergrond in de spontane schilderkunst van het surrealisme. De artistieke bevrijding die Jorn toen bij Munch vond, vormt het hoofdthema van deze publicatie. Men mag zich nooit te snel aan simpele conclusies omtrent artistieke invloeden wagen. Tussen Munch en Jorn zijn de verschillen veel opmerkelijker dan de overeenkomsten. Zo vertonen hun werken een andere techniek en visuele expressie, terwijl ook hun motieven geen onmiddellijke gelijkenissen bevatten. Toch trad een onmiskenbare verandering op in Jorns werken nadat hij Munchs kunst in de Nationale Galerie had aanschouwd. Jorn was met name geboeid door Munchs intense kleurgebruik en zijn directe gestuele aanpak in de werken van na de eeuwwisseling. Hij was tevens gefascineerd door de organische, gebogen lijnen die Munchs werken vanaf de jaren 1890 kenmerkten. Jorns visuele expressie en schildertrant veranderden ingrijpend in deze periode. Zijn band met Munch kwam niet enkel tot uitdrukking in formele overeenkomsten: we ontwaren ook een diepere thematische en artistieke relatie tussen de twee kunstenaars. Jorn verwees niet alleen in zijn geschriften naar deze relatie maar drukte die ook uit door af en toe motieven en compositorische vormen aan Munch te ontlenen. Vanaf het einde van de jaren 1940, en nog vele jaren nadien, lijkt Munch een uitdagend en belangrijk ijkpunt voor Jorns werk te zijn geweest - wat niet wil zeggen dat Munch de sleutel is voor ons begrip van Jorns hele oeuvre. 0 g.