Stoichita V I (5 results)

Hardcover. Condition: Fine. Dust Jacket Condition: Good. Text in English. Publisher is Abbey Library, London. 1979. Lightly read if read at all. DJ, with shelf wear to edges, is beginning to delaminate at some edges.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN.…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN.…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN.…

Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. prima edizione. Harvey Miller Studies in Baroque Art(HMSBA 4) V. I. Stoichita The Self-Aware Image. A Revised and Updated Edition An Insight Into Early Modern Meta-Painting Add to basket -> VI+337 p., 138 colour ill., 220 x 280 mm, 2015 ISBN: 978-1-909400-11-5 Languages: English Hardback The publication is available. Retail price: EUR 190,00 V. I. Stoichita The Self-Aware Image. A Revised and Updated Edition An Insight Into Early Modern Meta-Painting The notion of the painting as an art object is a relatively recent invention. The Self-Aware Image offers an impressive and complex account of the origins and development of this invention from the late Renaissance through the end of the baroque age. In comparison to the "old" image characterized by its preeminently liturgical function and its display in a predetermined space, the painting as the "new" image is increasingly autonomous and movable. As a modern art object, the painting becomes the focus of an aesthetic contemplation through its insertion into a gallery or a collection. As a result of the Protestant iconoclasm and the advancement of scientific knowledge, the essence and role of the image is put into question and thematized not only by theologians and scholars, but especially by artists. The painting thus becomes a field of visual experimentation in which art reflects on itself, its potential, its limits, its truth, and its nothingness. The representation of windows, doors, niches, mirrors, and paintings enable artists to embed the image within the image, to "frame" the fictiveness of the image in order to deceive, puzzle, and challenge the beholder. The pictorial devices through which artists introduce their authorial self into the image and stage the making of the image itself form the foundation of a new poetics: the poetics of metapainting. First published in French in 1993, Victor Stoichita's Self-Aware Image has become a classic of the history of art. This new, updated, and improved English edition marks the twentieth anniversary of a work that radically changed the perception of seventeenth-century art and that constitutes an ever-valid reference for contemporary scholarship. An introduction by Lorenzo Pericolo illustrates the great importance of the book for our comprehension of baroque painting Size: 220 X280 mm-. …