Strummer Joe (24 results)

Soft cover. Condition: Near Fine. Ray Lowry (illustrator). 1st Edition. First Edition/First Printing. Paperback. 238 pages with illustration by Garry Barker. Foreword by Joe Strummer. A tell-all-memoir from roadie and driver for The Clash in the early days, Johnny Green. A fine copy with just a light touch of edgewear.

Paperback. Condition: Brand New. 320 pages. 7.80x5.08x0.98 inches. In Stock.

Condition: New. In.

Paperback. Condition: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good. 1st Edition. First edition with complete number line, hardcover, has a minor skew to the binding with a small gap starting between the text block and case and the head of the spine, a short remainder line to the tail of the text block, and a touch of shelfwear to the spine ends and cover corners. Otherwise, this is a solid, clean Very Good+ copy in an unclipped, Very Good dust jacket, which has light bumps with thin creases to the spine ends and corners, a short snagged tear to the rear fold near the lower corner, rubbing with some small smudges to the covers, and very faint sunning to the spine. The jacket is wrapped in Mylar.

Condition: Good. Good condition. (music, sheet music, songs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: NEW.

Quarto, illus light card wrappers, white lettering to spine, illus eps & prelims, unpaginated, illus/photos, VG+ (light creasing & chafing to coves/edges, sl soiling to spine, light tanning & foxing/soiling to page edges, minor cracking to front gutter).

Hardcover. Condition: Near Fine. Still encased in protective shrinkwrap and appears unmarked and in pristine condition.

Libro. Condition: New. Los Clash fueron un grupo insólito, una perfecta anomalía. Pioneros del punk rock británico, sus incendiarios conciertos y sus lúcidas composiciones, la brillante singularidad de su estilo y la pasión de su compromiso político lograron plasmar el espíritu de una época y los convirtieron en un auténtico fenómeno mundial cuyo legado sigue influyendo en los mejores músicos emergentes y despertando el entusiasmo, cuando no la veneración, de las nuevas audiencias. No deja de ser significativo que su documental autobiográfico Westway to the World obtuviera un premio Grammy o que la revista Rolling Stone escogiese London Calling como uno de los mejores álbumes jamás grabados. Éste es el primer libro hecho por el grupo mismo. Gracias a una laboriosa exploración de su hasta ahora inaccesible archivo, esta obra reúne materiales inéditos (carteles, ilustraciones o fotos de naturaleza muy diversa) acompañados por los comentarios, recuerdos y revelaciones de los propios Clash. Iconos, iconoclastas, arietes de todas las insurgencias, su historia está ya impregnada de leyenda. Mucha gente ha opinado sobre el cómo y el porqué de aquel estruendo, pero ya era hora de que los verdaderos protagonistas nos ofrecieran su versión.

Condition: Nuevo. Los Clash fueron un grupo insólito, una perfecta anomalía. Pioneros del punk rock británico, sus incendiarios conciertos y sus lúcidas composiciones, la brillante singularidad de su estilo y la pasión de su compromiso político lograron plasmar el espíritu de una época y los convirtieron en un auténtico fenómeno mundial cuyo legado sigue influyendo en los mejores músicos emergentes y despertando el entusiasmo, cuando no la veneración, de las nuevas audiencias. No deja de ser significativo que su documental autobiográfico Westway to the World obtuviera un premio Grammy o que la revista Rolling Stone escogiese London Calling como uno de los mejores álbumes jamás grabados. Este es el primer libro hecho por el grupo mismo. Gracias a una laboriosa exploración de su hasta ahora inaccesible archivo, esta obra reúne materiales inéditos (carteles, ilustraciones o fotos de naturaleza muy diversa) acompañados por los comentarios, recuerdos y revelaciones de los propios Clash. Iconos, iconoclastas, arietes de todas las insurgencias, su historia está ya impregnada de leyenda. Mucha gente ha opinado sobre el cómo y el porqué de aquel estruendo, pero ya era hora de que los verdaderos protagonistas nos ofrecieran su versión.

278 s. + 36 planschsidor. Rikt illustrerad. Häftad. Förlagsny.

Soft cover. Condition: Very Good. 1st Edition. First edition. Paperback original. 4to. Pictorial soft covers. 54pp. Covers scratched and creased; sunned to spine; curling to head of front cover and leaves. Interior clean and unmarked. A very good copy of this classic songbook, designed by Derek Boshier. 38 pages of photographs and illustrated lyrics printed on multi-colored paper, followed by 15 pages of sheet music. A masterpiece of punk design. Scarce.

Condition: buono. Musica Moderna Entertainment Music Modern in 4°, tela edit. con titoli argento al dorso e sovrac. ill., piccola rottura alla sovrac. - prima edizione it. - trad. di Claudia Benetello e Anna Mioni - riccamente illustrato in b.n. e a colori nel testo BUONE CONDIZIONI.

Condition: Fine. First edition. Hardback. Octavo. xii, 660pp. Original black boards with gilt spine titles. Fine in fine dust jacket with clear plastic protective cover. HMV Exclusive edition with Bonus CD.

Soft cover. Condition: Very Good. 1st Edition. A Nearly Very Good copy. Book has moderate wear, 1 inch professionally repaired tear to rear cover. Some usual toning to edges. Interior appears clean. First American Edition .

Audio-CD. Condition: Neu. Neuware.

Audio-CD. Condition: Neu. Neuware.

Draft script for the 1993 American-German-Dutch film. Single numeric annotation in manuscript pencil on the title page. Text in English. A struggling jazz musician provides music lessons to make ends meet (although his students are ambivalent at best), while maintaining a romance with a bartender at a local Irish bar. One of two feature films directed by Sara Driver, known for producing the first two films of her longtime partner, director Jim Jarmusch. Shot on location in Hamburg. Mylar front wrapper, black rear wrapper. Title page present, dated 1991, with credits for screenwriter Ray Dobbins and story writer Sara Driver. 91 leaves, with last page of text numbered 90. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, with a black Velo binding.

Audio-CD. Condition: Neu. Neuware.

Vintage studio still photograph from the 1980 film. A blend of fiction and music documentary, featuring extensive footage of The Clash on tour and in the studio, about a young Clash fan who leaves his job at a Soho sex shop to become a roadie for the band. The Clash would later express their dissatisfaction with the completed project due to what they considered to be racist portrayals of Black characters in the film, and printed button-badges reading "I don't want Rude Boy Clash Film" before the film's theatrical release in 1980. 10 x 8 inches. Near Fine. Carlson and Connolly, Destroy All Movies.

Six vintage borderless reference photographs from the 1987 film. With the label of Xanadu Film on the verso. Co-directed by acclaimed photographer and filmmaker Robert Frank (his only feature-length fiction film) and experimental novelist Rudolph Wurlitzer, who wrote the screenplay. A musician's road movie, heavily influenced by the lives of Frank and Wurlitzer, and featuring a cast full of notable musicians such as Tom Waits, Leon Redbone, Dr. John, Joe Strummer, Arto Lindsay, and David Johansen. Set in and shot on location in New York and Cape Breton Island, Nova Scotia. Shot on location in New York and Nova Scotia, Canada. 7 x 5 inches. Fine. Rosenbaum 1000.