Susan a Levine (30 results)

Condition: Good. . Former Library book. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping. All orders guaranteed and ship within 24 hours.

Paperback. Condition: Good.

Hardcover. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Guevara, Susan (illustrator).

Condition: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Guevara, Susan (illustrator).

Condition: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Guevara, Susan (illustrator). …

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Guevara, Susan (illustrator).

Paperback. Condition: Good.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Guevara, Susan (illustrator).

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Guevara, Susan (illustrator).

A Pictoral Hardback. Condition: Very Good. faint scratches externally. Guevara, Susan (illustrator). Closed Children's Shop.

Paperback. Condition: Good. No Jacket. Describes things children can do to help save the environment in the categories of garbage, water, air, animals, and earth. Piece(s) of the spine missing. Ex-Libris and is stamped as such. Solid binding. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.…

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition; First Printing. 9.13 X 6.57 X 1.11 inches fmc2%262D. Guevara, Susan (illustrator).

Pictorial Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. In this modernixed version of the Grimm fairy tals ''Brother and Sister'' Brooklyn siblings Myron and Sadie are victims of a spell cast by a greedy witch. Int. VG. Susan Guevara (illustrator).

hardcover. Condition: As New. Super light jacket wear. Inside with no flaws or issues. Guevara, Susan (illustrator).

Hardcover. Condition: Fine. First Edition. First printing. Fine copy. Near Fine jacket. In laminated pictorial covers. Blue endpapers. Square, clean, unmarked copy. Jacket: Price intact. Minor shelf wear. In new protective jacket cover. Pictures upon request. Thank you for your patronage. Size: 4to - over 9¾" - 12" tall. Susan Guevara (illustrator).…

Condition: FINE. First printing. An updated version of the Grimm Brothers fairy tale "Brother and Sister" set in late 19th century Brooklyn with a wicked witch who runs a sweatshop and a real estate tycoon who rescues Sadie. Warmly and exuberantly INSCRIBED on the dedication page by the illustrator Susan Guevara "For . . . Who made magic for me! Thank you! Thank you! Thank you!" and dated in 1998. Large format, unpaginated. Fine in fine dust jacket.…

Paperback. Condition: Collectible-Very Good. Describes things children can do to help save the environment in the categories of garbage, water, air, animals, and earth.

Soft cover. Condition: Very Good+. Softcover. Clean and unmarked. 180 pages. Papers given at the June 1983 symposium, held at Utah State University: - Introduction (Brock K. Kilbourne). - Identifying Coercion and Deception in Social Systems (Susan Anderson). - What's Wrong with the Study of New Religions an dWhat We Can Do About It (Robert W. Balch). - Using Psychiatry to Fight ''Cults'': Three Cases (Lee Coleman). What is ''Brainwashing'' and Who Says So? (Joel Fort). - New Religious Movements and Large-Group Psychology (Marc Galanter). - Standardized Procedures, Psychological Norms, and New Religious Affiliation (Michael D. Langon and John G. Clark, Jr.). - Religious Cults: A Social-Psychiatric Analysis (Edward Levine). - Neglected Issues in the Study of Conversion (Richard Machalek and David A. Snow). - Methodological Considerations in the Study of New Religions (James T. Richardson). - Are Conflicting Images of ''Cults'' Susceptible to Empirical Resolution (Thomas Robbins). - Viewing the Cults: Differences of Opinion (Lita Linzer Schwartz). - The Pied Piper Phenomenon: Family Systems and Vulnerability to Cults (Marjorie Fisher Zerin). - [Summary] Researching the Researcher (Thomas Ungerleider).…

Condition: New. Satisfaction Guaranteed or your money back. Guevara, Susan (illustrator).

hardcover. Condition: New. In shrink wrap. Looks like an interesting title. Guevara, Susan (illustrator).

Soft cover. Condition: Fine. No Jacket. 1st Edition. [1st edition, 1st printing] ; viii, 104 pages : color illustrations ; 28 cm ; ISBN: 0836221850; 9780836221855 LCCN: 96-19444 ; LC: N521.M87; Dewey: 708.144/61 ; OCLC: 34640796 ; The Museum of Bad Art book follows the format of publications from other prestigious art museums. Opening with an introductory letter from the director and notes from the curator, this "unlimited edition" catalog highlights 40 masterpieces of the bad art world. Readers with an interest in art or humor will enjoy the bad, the worse, and the worst of this priceless collection. ; "A MOBA publication." ; "[R]ange from the work of talented artists that have gone awry to works of exuberant, although crude, execution by artists barely in control of the brush. What they all have in common is a special quality that sets them apart in one way or another from the merely incompetent." ; includes the works of Bonnie Daly, Tom McKinley, Aimee Lebec, Sanford A Winslow, Jeremy Sacco, Frank Oldfield, Sarah Irani ; FINE. Book.…

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good-. A very good hardcover in a very good- dust jacket with some wear around the edges. No markings.

Taschenbuch. Condition: Neu. The Short Fiction of Edgar Allan Poe | An Annotated Edition | Susan Levine (u. a.) | Taschenbuch | Englisch | 1989 | University of Illinois Press | EAN 9780252061257 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

3 DVD. Condition: Sehr gut. FSK 0, 10 Std.18 Min. Cover leicht berieben, ansonsten sehr gut erhalten. ISBN: 4026411352701 Sprache: Deutsch Gewicht in Gramm: 550.

Condition: New. Mit ihrem Buch ueber die neuroaffektiven Grundlagen der kindlichen Entwicklung und die Anwendung dieser Erkenntnisse im Bereich psychotherapeutischer Arbeit mit Kindern betreten Marianne und Susan wirklich Neuland. Sie beschreiben die verschiedenen Ebenen d.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…

Paperback. Condition: New.