Tamar Cholcman (12 results)

paperback. Condition: As New. Paperback. Never been read, pages are clean and unmarked. Shows light shelf-wear. Corner bumped at top of spine.

paperback. Condition: New. 1st.

paperback. Condition: New. 1st.

Paperback. Condition: Brand New. 01 edition. 568 pages. 10.75x8.50x0.50 inches. In Stock.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2025. 1st Edition. paperback. . . . . .

Condition: New. 2025. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

kart. Condition: Neu. en. 250 Seiten, 27,7 x 21,8 x 1,3 cm, New Book. Original packaged item. 9782503543413 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 788.…

Condition: gut. Festival Emblems A Paradox along the Triumphal Route In deutscher Sprache. pages.

Hardcover. Condition: New.

Paperback Pages: vi + 234 pages, Size:216 x 280 mm Illustrations:2 b/w, 127 col. Language:English *new. ISBN 9782503607214. In early modern culture, civic festivals and emblem books were amongst the more privileged genres of Early Modern culture. Although both are connected in their use of word and image, they are nonetheless separated in their very essence. The former, a public event celebrated usually at night and involving, alongside ephemeral monuments, lights, fireworks, music, ceremonies, and theater performances, was for the spectator an all-encompassing experience. It was intended to propagate either the ruler or the city?s political agenda. The latter was conceived as an intellectual pastime and intended to be read, deciphered, and discussed within the private sphere, in the company and studious ambiance of the literati. Emblems and festivals, nonetheless, maintained a kind of symbiotic exchange. Whereas public monuments of the triumphal entries found their way into the printed form of festival books, emblems migrated from their printed form into the public sphere, where they were used to adorn the ephemeral monuments of the triumphal entries. How then, do the practices of emblem reading, which require careful decryption of words and images, relate to the viewing practices of triumphal processions? The book examines this paradox and argues that the inclusion of emblems in festivals reveals the hermeneutic mechanism of the learned. By using emblems, the designers of civic festivals marked their territory within the power hierarchies and established their dignity and authority as experts in both the civic and intellectual circles. In the festival ambit, festival emblems epitomize the perfect paradoxical union of persuasion and erudition. TABLE OF CONTENTS Chapter One The Intermedial Festival Emblem: An Introduction Chapter Two Caught Between Two Minds: Sambucus?s Arcus aliquot triumphales et monumenta as Festival and Emblem Book Chapter Three Emblems in Triumphal Entries: From Title to Visual Footnotes Chapter Four Emblems as Text: The Academic Triumphus Chapter Five The Interactive Emblem at Festivals: The Reader/Viewer as Player Chapter Six The Emblem Turn: From Festival to Emblem Book Chapter Seven Festival Emblems for a New Elite: An Epilogue Bibliography 0 g.…

Brossura. Condition: nuovo. Pages: vi + 234 p.Illustrations:2 b/w, 127 col. Language(s):English. Publication Year:2025. Brepols. ISBN: 978-2-503-60721-4. Paperback -- Summary In early modern culture, civic festivals and emblem books were amongst the more privileged genres of Early Modern culture. Although both are connected in their use of word and image, they are nonetheless separated in their very essence. The former, a public event celebrated usually at night and involving, alongside ephemeral monuments, lights, fireworks, music, ceremonies, and theater performances, was for the spectator an all-encompassing experience. It was intended to propagate either the ruler or the city's political agenda. The latter was conceived as an intellectual pastime and intended to be read, deciphered, and discussed within the private sphere, in the company and studious ambiance of the literati. Emblems and festivals, nonetheless, maintained a kind of symbiotic exchange. Whereas public monuments of the triumphal entries found their way into the printed form of festival books, emblems migrated from their printed form into the public sphere, where they were used to adorn the ephemeral monuments of the triumphal entries. How then, do the practices of emblem reading, which require careful decryption of words and images, relate to the viewing practices of triumphal processions? The book examines this paradox and argues that the inclusion of emblems in festivals reveals the hermeneutic mechanism of the learned. By using emblems, the designers of civic festivals marked their territory within the power hierarchies and established their dignity and authority as experts in both the civic and intellectual circles. In the festival ambit, festival emblems epitomize the perfect paradoxical union of persuasion and erudition. TABLE OF CONTENTS Chapter One The Intermedial Festival Emblem: An Introduction Chapter Two Caught Between Two Minds: Sambucus's Arcus aliquot triumphales et monumenta as Festival and Emblem Book Chapter Three Emblems in Triumphal Entries: From Title to Visual Footnotes Chapter Four Emblems as Text: The Academic Triumphus Chapter Five The Interactive Emblem at Festivals: The Reader/Viewer as Player Chapter Six The Emblem Turn: From Festival to Emblem Book Chapter Seven Festival Emblems for a New Elite: An Epilogue Bibliography Index. …