Tetenbaum Barbara (8 results)

Paperback. Condition: Fine. First trade edition. (60) pp., 16mo. A universal calendar (good in any year), with elaborate and fanciful designs for each month, hand set using material from the Printer's Ornament Collection of the Silver Buckle Press ("a working typographic museum of nineteenth- and twentieth-century printing equipment located in the University of Wisconsin-Madison Libraries"). Offset edition of 1500, reproducing the original letterpress calendar designed, printed, and hand bound by Barbara Tetenbaum with the assistance of Marta Gomez, Tracy Honn, and Phyllis McGibbon. Minuscule bumps to corners, otherwise as new.…

Soft cover. Condition: Fine. Dust Jacket Condition: Fine. Limited Edition. Brown French wrappers. Number 13 of this Limited Edition of 100. SIGNED on the Dedication page and SIGNED and INSCRIBED on the Colophon, " For Paul with friendship Willis Barnstone". This copy is FINE . No noticeable blemishes. SCARCE. Only 3 other such on Abe as of June 2022. Barbara Tetenbaum (illustrator). Inscribed by Author(s).…

Soft cover. Condition: Very Good. Limited Edition. 24 pages that feature fold-outs, flaps, and shaped edges. All of the words in the text begin with the letter 'o.' "This vast well of information was completed in early May of 1980 under the scholarly guidance and nimble wit of Walter Hamady. Spectrum type was used throughout on Kitikata, Sekishu, and Rives papers; Covers were handmade by the printer and the amazing Walter Tisdale. In an edition of 25 this is number 109 x 116 mm. Soft folded cover sewn to single signature. Joan Flasch Artists' Book Collection. Barbara Tetenbaum and Walter Tisdale are UW-Madison alumni. OCLC 7728092. WorldCat records three copies worldwide (Chicago, Vermont Howe, Wisconsin). The illustrations were created using stencils, string, and other found objects during the printing process. This hands-on, experimental approach to image-making is a hallmark of the artist's style and a key feature of the book's visual appeal. Tetenbaum designed the book to direct the reader's gaze to different locations on the pages. This challenges the conventional, linear act of reading and encourages the reader to physically interact with the book, making them an active participant in the experience. The work features musings on both Tetenbaum herself and her father, adding a layer of personal narrative to the abstract and structural experiments. Published under Tetenbaum's Triangular Press imprint in 1980, this is an early work by an artist who has since become a key figure and influential educator in the contemporary book arts field. …

Hardcover. Condition: Very Good Plus. First Edition. Quarto, 10.6 in. x 7.6 in., pp. 47. Limited edition: #161/1000. Blue cloth spine over natural paper boards. Black title with green design on paper label to front. Light fingerprint stain to front and to back boards. Unmarked interior. Barbara Tetenbaum has been creating limited edition artist books under the imprint Triangular Press since 1979. She is Professor and Department Head of Book Arts at Oregon College of Art & Craft in Portland, Oregon. This book was published to accompany an exhibition at the Portland Public Library, December 2005.…

8° Broschierte Ausgabe. Condition: Sehr gut. Auflage: 75 Exemplare. Rare original copy, signed by both the author and the artist. One of just 75 copies (no. 12/75). Small signs of usage, overall in very good condition. B16-01-03H Sprache: Englisch Gewicht in Gramm: 47.

First Edition. 6.5 x 10 inches, pagination varies. New, in shipping carton, as issued. A collection of eight artist's multiples, published as the catalogue of the exhibition "By All Means: Artist's Books and Objects," on view at the New American Art Union in Portland, Oregon, in May 2007. Each artist contributed a print, pamphlet, or object; the eighth piece is a handbound pamphlet documenting a collaborative installation by Barbara Tetenbaum and David Abel. Techniques used in the creation of the multiples include letterpress, gocco, electrostatic, and offset printing, with hand coloring and hand binding in both traditional and nontraditional formats. The multiples are housed in a brass-hinged plastic box, and are accompanied by a folded letterpress insert, designed and printed by Apolina Green, which serves as table of contents, introduction, and colophon. Edition of 97 copies, of which only 50 were for sale.…

Printed wrappers. Condition: Fine. Limited Edition. Limited Edition. Printed wrappers. Colophon: "Journal Liftings was a collaboration among friends; Pati Scobey cut the linoleum images and Walter Tisdale & Barbara Tetenbaum assisted with the completion of this project. The paper is the printer's handmade Prairie Palm Box. The text face is ten point Palatino Antiqua with nineteenth century wood type titling. I am indebted to the author for his continued enthusiasm and support. Excerpts from the journal writings of Walter Hamady. With some foldouts and linoleum cut illustrations. Cover is of handmade paper printed to edges with a linoleum cut." Near fine. [6 unnumbered, 29, 2 unnumbered pp. illus (b/w)] 25 cm. Printed on beige, grey, and cream papers; glued into paper wrappers with linoleum cuts embellished with some hand-painted details. Edition: 210 copies, this being copy number 158.…

First edition. Small quarto. Cloth and plain boards, printed labels. Color photographs, plates and illustrations. Fine. One of 1000 numbered copies. Schnieder's text is printed in English and German. A well-illustrated catalogue raisonné (1978-2005) and chronology. Laid-in is the artist's printed calling card. Published to accompany an exhibition at the Portland Public Library, December 2005.…