The Studio Limited (24 results)

First Edition. Near fine copy in the original publisher's gilt-blocked cloth, edges very slightly toned. Corners sharp with an overall tight, bright and clean impression.Library marks remain. Provenance; from the Hastings Corporation Library with its armorial bookplate. Physical description; 192 pages. Subjects; The Studio. 20th century periodicals. 1 Kg.…

First Edition. Near fine copy in the original publisher's gilt-blocked cloth, edges very slightly toned. Corners sharp with an overall tight, bright and clean impression.Library marks remain. Provenance; from the Hastings Corporation Library with its armorial bookplate. Physical description; 192 pages. Subjects; The Studio. 20th century periodicals. 1 Kg.…

Paperback. Condition: Fair. No Jacket. First Edition First Printing. CATALOGUE OF RECENT AND FORTHCOMING PUBLICATIONS OF WILLIAM EDWIN RUDGE NEW YORK 1931. Pale brown cover with black title. Heavy water staining in red to cover that sinks in to the front & rear pages with some mild page rippling and some auction price marginalia. About 9 x 6 with 36 pages. Scarce rare book catalogue in fair condition only! 8vo - over 7¾ - 9¾" tall Size: 8vo - over 7¾ - 9¾" tall. Book.…

First Edition. Near fine copy in the original publisher's gilt-blocked cloth, edges very slightly toned. Corners sharp with an overall tight, bright and clean impression.Library marks remain. Provenance; from the Hastings Corporation Library with its armorial bookplate. Physical description; 192 pages. Subjects; The Studio. 20th century periodicals. 1 Kg.…

First Edition. Near fine copy in the original publisher's gilt-blocked cloth, edges very slightly toned. Corners sharp with an overall tight, bright and clean impression.Library marks remain. Provenance; from the Hastings Corporation Library with its armorial bookplate. Physical description; 192 pages. Subjects; The Studio. 20th century periodicals. 1 Kg.…

Hardcover. Condition: Good. No Dust Jacket. color illustrations. About 30 pages. Wear and tear on the bottom of the front spine joint. Light foxing on the top exterior edge of textblock. Light foxing on prelims. Good condition otherwise. No other noteworthy defects. No markings.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.…

Soft Cover. Condition: Good. Paperback. 31cm x 25.5cm. 8 colour tipped in plates. Covers are slightly marked and worn. Private ownership. (bs106).

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. This is a near fine hardcover 1928 survey of fine press books, an update of the 1914 the Art of the Book by The Studio. Vellum spine, patterned boards, t.e.g. untrimmed edges. A section each on USA and 13 European countries. 40 plates of the grand new Art Deco style, Printed at the Curwen Press before Fascism 1.0 ruined everything.…

Soft cover. Condition: Good. No Jacket. 1st Edition. Large paperback copy in tan card cover with black lettering and illustration, no dustjacket as issued. 8 colour tipped-in plates with facing descriptions. Not library copy, no inscriptions, some page foxing, few marks to cover. (1/1).

Hardcover. Condition: Very Good. Pages clean and bright, no markings, wear to edges. Complete with numerous illustrations. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Gebundene Ausgabe. Condition: Sehr gut. Fourth Edition. 144 S. Ohne SU. Hellroter Leinenbuchdeckel leicht berieben/bestossen. Innenteil tadellos - keine Risse, Knicke, Anmerkungen. ! Altersbedingt leicht nachgedunkelt! KEINE Mängelausgabe! Versand aus München FFF-019 Sprache: Englisch Gewicht in Gramm: 662.…

VII + 276 S. OLwd. In engl. Sprache. Mit allen Tafeln. - Schn. leicht stockfleckig, vorderes Gelenk m. Japanpapier verstärkt, leichte Gbrsp. Schönes Expl.

4° Leinen. Condition: Gut. 194 Buchrücken und Einband an den Ecken und Kanten leicht berieben / bestoßen. Goldkopfschnitt. Sonst sehr ordentlich - sauber, fest und vollständig. 1153387 Sprache: Englisch Gewicht in Gramm: 1200.

#1190 of a limited edition of 1500 copies SIGNED BY ILLUSTRATOR REGINALD MARSH AT PUBLISHER'S REAR COLOPHON. i-xv, [1], 1-354, [1] pages. Copper foil-covered slipcase strongly rubbed and soiled with several small/slender peeled patches to surface; some slender wear at seams which otherwise remain firm. Acetate dust jacket with usual light toning, some chips, nicks, and tears. Hardcover - blue padded glazed chintz (silk-like) binding; copper leaf stamping to spine and front board remains bright; small rubbed patch at spine center. Speckled text block edges. Interior pages are bright and clean. Binding retains some crispness. Laid-in slipcase are LEC's pre-shipment "Number Eleven" paper slip (which announces pagination as 376) and folded four page "The Monthly Letter of The Limited Editions Club" for April 1954, Number 249. Please note that this book has an approximate shipping weight of 2.75 pounds (1.25 kg) and may require additional postage for any postal class other than domestic Media Mail.…

Blauer Original-Leinenband mit Prägung und Kopfgoldschnitt, 4°, 194 Seiten. Einband und Rücken berieben und bestossen, Rücken leicht verblichen, Vorsatz gestempelt und leicht beschädigt, sonst gut.

Blauer Original-Leinenband mit Prägung und Kopfgoldschnitt, 4°, 190 Seiten. Einband und Rücken berieben und bestossen, Rücken leicht verblichen, Vorsatz und Titelgestempelt, sonst gut.

1st edition. Paperback copy with edges somewhat dust-dulled and nicked. Remains quite well-preserved overall. Tissue-guarded plates. Scattered foxing throughout. Physical description; [1 part] illustrations (col), 12 x 9 in. Notes; Chromo process plates. Subjects; Sporting events. Famous sporting. Sporting prints. Sports - illustrations. The Derby. 1 Kg. …

1st edition. Paperback copy with edges somewhat dust-dulled and nicked. Remains quite well-preserved overall. Tissue-guarded plates. Scattered foxing throughout. Physical description; [1 part] illustrations (col), 12 x 9 in. Notes; Chromo process plates. Subjects; Sporting events. Famous sporting. Sporting prints. Sports - illustrations. The Derby. 1 Kg. …

Deutsche Bauzeitung G.m.b.H., Abteilung Studio Vertrieb, Berlin, 1925. XV, 194 S. mit zahlreichen Abbildungen, blind- und goldgeprägter Leineneinband mit Kopfgoldschnitt, quart, (Rücken leicht ausgeblichen)---- sonst gutes Exemplar / good condition / Text englisch - 1125 Gramm.

Hardcover Monograph. Condition: As New. T-Friestu; The Studio Limited; Freeman, Martin (introduction) Peter Paul Rubens 1577 - 1640 (Master Draughtsmen Number 3).

Paperback. Condition: Very Good Indeed. First edition. The vanishingly scarce first collaboration between the celebrated artists Eric Ravilious and Edward Bawden. One of the earliest examples of their impressive artwork, being an advertisement for Christmas gift books from 'The Studio'. The first edition.A vanishingly scarce piece of art history, being the first ever collaboration between Eric Ravilious and Edward Bawden. Not held by any institutional library.Illustrated with their dual tone wood engraving to the title page, and six pages of dual tone wood engraved vignettes. Collated, complete.An advertisement insert for the December issue for 'The Studio', advertising a number of Christmas gift books published by 'The Studio' and other notable publishers. 'The Studio' was an illustrated art magazine and publisher of art and design works. This advertisement is one of the earliest known published works for the noted artists, Eric Ravilious and Edward Bawden, and is the first collaboration between the two, made while the two were still studying at the 'Royal College of Art'.Both Bawden and Ravilious are notable artists from the first half of the twentieth century, being renowned for their work as war artists during WWII. The two collaborated many times on murals and other projects.In the publisher's original paper covers. In the publisher's original paper covers. Externally excellent with only minimal creasing. Bookseller's label to the verso of the rear cover. Internally firmly bound with light spotting. Very Good Indeed. Eric Ravilious; Edward Bawden (illustrator). book.…

Deutsche Bauzeitung, Bln., 1925. SV S./194 S. mit zahlr. Bildern, original blindgeprägter Leinen-Einband mit Goldprägung, Quart (Rücken etwas verblichen)---- Text englisch - gutes Exemplar - 750 Gramm.

Paperback. Condition: new. Paperback. "Posters & Publicity" serves as a comprehensive visual survey of the burgeoning field of commercial art and advertising design during the mid-1920s. This work captures a pivotal era when graphic design transitioned into a sophisticated discipline, blending fine art aesthetics with the practical demands of modern commerce. Through a curated collection of international examples, the book showcases the evolution of posters, press advertisements, and typographical layouts from leading artists and designers of the period.The volume highlights the creative strategies used to captivate the public imagination, ranging from bold lithographic posters to intricate commercial illustrations. It explores the diverse styles that defined the decade, reflecting the influence of Art Deco, modernism, and traditional craftsmanship. For historians, designers, and collectors, "Posters & Publicity" offers invaluable insight into the visual language of the early 20th century and the foundational techniques that shaped the future of global marketing and visual communication. By documenting the intersection of art and industry, this work remains an essential reference for understanding the heritage of graphic design and the power of the printed image in the modern age.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condition: new. Hardcover. "Posters & Publicity" serves as a comprehensive visual survey of the burgeoning field of commercial art and advertising design during the mid-1920s. This work captures a pivotal era when graphic design transitioned into a sophisticated discipline, blending fine art aesthetics with the practical demands of modern commerce. Through a curated collection of international examples, the book showcases the evolution of posters, press advertisements, and typographical layouts from leading artists and designers of the period.The volume highlights the creative strategies used to captivate the public imagination, ranging from bold lithographic posters to intricate commercial illustrations. It explores the diverse styles that defined the decade, reflecting the influence of Art Deco, modernism, and traditional craftsmanship. For historians, designers, and collectors, "Posters & Publicity" offers invaluable insight into the visual language of the early 20th century and the foundational techniques that shaped the future of global marketing and visual communication. By documenting the intersection of art and industry, this work remains an essential reference for understanding the heritage of graphic design and the power of the printed image in the modern age.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…