Thom Ian Editor (25 results)

Hardcover. Condition: Very Good. Dust Jacket Included. 1993. North America, Native Americans, Art. University of Washington Press. 179p., very good cloth but with scuffing to shiny black surface of dust jacket 12/24.

hardcover. Condition: As New. U.S. orders are shipped from N.Y. state.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. A beautiful crisp clean hardcover copy in fine condition. DJ in near fine condition and in protective mylar cover. PLEASE NOTE: OVERSIZED ITEM, NO INTERNATIONAL ORDERS ON AMAZON.

Paperback. Condition: Brand New. second edition. 160 pages. 8.00x7.00x0.50 inches. In Stock.

hardcover. Condition: Used-Very Good. dj. First Edition. Cloth, dj. Some scuffing and edge wear to dj; former bookseller's sticker on dj spine. Minor shelf wear to boards. Else a bright, clean copy.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hardback book with dust jacket titled DAVID MILNE. Edited by Ian M.Thom. Published by The Vancouver Art Gallery and McMichael Canadian Art Collection in association with Douglas & McIntyre. With over 140 full page illustrations of which a majority are in color. Dust jacket shows light rubbing/scuffing - three pages are creased at lower right tips. Bookseller since 1995. (LL-Base2-D-top-down-L) rareviewbooks Language: eng.…

Original Boards. Condition: Very Good. Dust Jacket Condition: Very Good-. First Edition; First Impression. With colour illustrations. Slight bumping and scuffs to dustjacket edges. Slight wear to spine, covers, corners and dustjacket.; With colour illustrations. Slight bumping and scuffs to dustjacket edges. Slight wear to spine, covers, corners and dustjacket.; Quarto; 180 pages.…

Hardcover. red cloth boards w/ gilt stamped printing. 180 pgs w/ bw, color illustrations. glossy black & illustrated dustjacket w/ red printing. VG/VG (corners bumped & creased. spine ends crinkled. light toning to pg edges. dustjacket scuffed, scratched & scored; edge-wear; curling to edges; creasing to corners). …

Soft cover. Condition: Fine. 180 pages, 110 illus., 50 in colour. The fabulous work of the Haida artist in various media(carving, silver, printmaking) Essays by Aldona Jonaitis & Marianne Jones. The book accompanied his retrospective exhibition at the Vancouver Art Gallery.

Hardcover. Condition: Fine. No Jacket. 1st Edition. Oblong 4to(10"tall)colour pictorial cloth. First Printing, 2015. Fine. **NOTE: A large and heavy book that will require extra packing and postage. NOT AVAILABLE FOR OVERSEAS ORDERS DUE TO EXTREMELY HIGH POSTAGE COST.**.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Folio. 12.5 x 10 in. Full red paper boards. Upper and spine lettered in gilt. Red pasted and free endpapers. With publisher's dust jacket, unclipped, in Mylar. Profusely illustrated, showing Davidson carving, plus many images of totem poles, masks, and other art. Near fine example. Minor edgewear.…

hardcover. Condition: Very Good. SIGNED and dated by David Milne on the front liner page. Tiny nick on bottom corner of dust jacket, otherwise in Fine (Like New) condition. U.S. orders are shipped from N.Y. state. Signed.

Hardcover. Condition: Fine. Near Fine. Dust jacket condition: Near Fine. Touch of wear to jacket. Due to weight, no foreign orders or domestic priority shipments accepted without prior arrangement as to shipping costs, which will exceed our usual rates. This book is too large for our scanner so a partial cover image is shown. Emily Carr's life and work are familiar, but what kind of world shaped this fascinating artist? In the rigid Victorian era, she championed Northwest monumental art. A nature lover, she kept a boardinghouse in the city. Ten essays by distinguished curators and critics offer compelling insight, examining Carr's interactions with other artists, the influence on her work by the First Nations, and the cultural zeitgeist that shaped her goals and aesthetic. Hundreds of images form a vivid narrative of the times. 320 pages.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. David Milne: edited by Ian M. Thom; with essays by Mehan Bice, Christine Boyanoski, Lora Senechal Carney, Francoise-Marc Gagnon, David P. Silcox & Ian M. Thom; The Vancouver Art Gallery and McMichael Canadian Art Collection in association with Douglas & McIntyre Ltd., Vancouver, 1991. From the blurb Art is love wrote David Milne, but not love of man or child, or love of woman, nor love of nature or love of country or of mankind. It is just love, love without an object, a spilling of the oil of love. Art is for the Marys, not for the Marthas. Born in Ontario in 1882, David Milne achieved early success as a painter in New York City. His work as a war artist in England and France in 1919 also attracted the attention of critics in London, where he found himself compared to Vincent van Gogh. Despite the recognition he had earned abroad, success at home in Canada eluded Milne, and he responded to his countrymen's indifference in a variety of ways. Long known as a painter's painter, David Milne has only begun to receive the public recognition he deserves. Over 140 full-page illustrations the majority in colour document the full scope of Milne's painting career. This large book, 223 pages, is in fine condition in a fine dust jacket that is now in a protective mylar wrap. This large volume may require additional postage.…

FIRST EDITION, QUARTO, BASED ON AN EXHIBITION IN VANCOUVER. WITH 110 ILLUSTRATIONS, 50 IN COLOUR. VERY GOOD.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 223 pp. 2 signatures on ffep--one of David Milne (artist's son) and one of Ian Thom); boards slightly bowed, else an excellent copy; dj has light edgewear, else fine; includes b&w and colour artworks, chronology, notes to essays and plates, index. 140 full page illustrations, excerpts from Milne's letters and unpublished papers, a linked series of seven essays, and more. Signed by Author(s).…

Hard Cover. Condition: Fine. Near Fine. First Edition. HEAVY. xii, 179pp; index; bibliography; chronology; 110 ills (50 col). Or red cloth in jacket. Slight edge wear to jacket, 1 very short tear (approx 3mm) at top of front panel. Canadian Native America master carver Robert Davidson has produced an impressive internationally recognized body of work including masks, totems, jewellery, prints and paintings. This monographs showcases many of his works. Essays on his work by Aldona Jonaitis, Marianne Jones & Ian M. Thom round out this beautiful book. Size: Folio.…

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

hardcover. Condition: New. In shrink wrap.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: Very Good. Text is LIKE NEW. Very Clean. No writing or tears to text. Has minor cover wear.

Condition: fine. 1st Edition. 180pp. Folio. Original red cloth, gilt lettering on front and spine. B/W and coloured photos. Pictorial dust jacket is unpriced clipped and unmarked. A beautiful illustrated book. fine Fifty colour plates and sixty photographs plus text illustrate the works in this first book on Davidson's art. Davidson an Haida artist one of North America's most important contemporary artist, carver, painter, jeweler and print maker.…

Hardcover. Condition: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Hardcover. Condition: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 26.5 x 31.5 cm.; 2.9 kg.; 360 pages with 310 colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket shows edge wear, scuffs and scratches on the front cover, spine and back cover. All edges are slightly chipped and scuffed, they also have minor bumps and are slightly turning inwards. The top of the front cover is worn ans show signs of wear, also the top and bottom of the spine are worn and show scuffs, finally the back cover shows wear marks and scratches throughout, two tiny wear marks concern the peeling of the laminated layer of the dust jacket. Interior with signs of wear. Good condition overall.; Catalogue from the exhibition exhibition Samourai: Armure du Guerrier (Samurai: Armor of the Warrior) held at Musée du quai Branly, Paris, November 8, 2011 through January 29, 2012; Musée de la civilisation, Québec, April 4, 2012 through January 27, 2013.; Elements of Japanese armor are often stunning works of art created by master craftsmen of extraordinary skill and imagination. In particular, the rich combination of material and techniques involved in the production of yoroi (armor) and kabuto (helmets) finds no counterpart in other areas of the world. Yet, the importance of this unique art form has largely remained undiscovered in the West. This book introduces the samurai armor collection of the Ann and Gabriel Barbier-Mueller family to the public for the first time. Built over the past twenty-five years and one of the largest of its kind in the world, the Ann and Gabriel Barbier- Mueller collection consists of several hundred objects that dis- play strong sculptural qualities. Included are suits of armor, helmets, masks, and horse armor, dating from the twelfth to the nineteenth century. Many are considered masterpieces. The selected works will be showcased in the traveling exhibition, Samurai: Armor of the Warrior, scheduled to open at the Musée du quai Branly, Paris, in November 2011, and at the Musée de la civilisation, Québec, in April 2012. Essays written by a group of scholars and specialists provide a sociohistorical context for the objects and invite the reader to have an exciting look into the world of the samurai. Morihiro Ogawa, Special Consultant for Japanese Arms and Armor at the Metropolitan Museum of Art, gives an overview on the development and construction of samurai armor. Additional contributions by leading experts cover a wide range of topics such as the development of samurai culture, the roles of women, castle architecture, horse armor, changing warfare, and bushido (the way of the warrior). The in-depth discussions of these themes further contemporary knowledge of samurai culture. The catalog following the essays features one hundred and twenty works of art from the collection accompanied by detailed descriptions. The objects represent the astounding variety of stylistic and technical approaches used by Japanese armor craftsmen. Readers of varied backgrounds will enjoy the dazzling beauty of the armor while gaining a fuller understanding of this dynamic cultural expression.…