Thomas J Scanlan (34 results)

Condition: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

hardcover. Condition: Very Good. Dust Jacket Condition: No dustjacket as issued. First Edition. Book is in Very Good condition, with minimal handling and light shelfwear, binding is tight, corners are sharp, interior is clean, text is free of markings.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780521643054.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condition: New.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Hardcover. Condition: Like New. First Edition. A firm and square hardback with sharp corners and strong joints, just showing a few very minor rubs. Hence a non-text page has a small 'damaged' stamp. Despite such this book is actually in nearly new condition. Thus the contents are crisp, fresh and tight. Now offered for sale at a very sensible price.

Condition: New. In.

Paperback. Condition: New.

Condition: New. Looks at implications of colonialism for both English and Americans. Num Pages: 264 pages, 11 b/w illus. BIC Classification: 1DBKE; 1KB; 2AB; DSBD. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 15. Weight in Grams: 390. . 2008. Illustrated. paperback. . . . .

Condition: New. pp. 264.

Condition: New. Looks at implications of colonialism for both English and Americans. Num Pages: 264 pages, 11 b/w illus. BIC Classification: 1DBKE; 1KB; 2AB; DSBD. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 15. Weight in Grams: 390. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Most scholars of Anglo-American colonial history have treated colonialism either as an exclusively American phenomenon or, conversely, as a European one. Colonial Writing and the New World 1583-1671 argues for a reading of the colonial period that attempts to render an account of both the European origins of colonial expansion and its specifically American consequences. The author offers an account of the simultaneous emergence of colonialism and nationalism during the early modern period, and of the role that English interactions with native populations played in attempts to articulate a coherent English identity. He draws on a wide variety of texts ranging from travel narratives and accounts of the colony in Virginia to sermons, conversion tracts and writings about the Algonquin language.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condition: New.

Condition: New. In.

Condition: New. Looks at implications of colonialism for both English and Americans. Num Pages: 264 pages, 11 b/w illus. BIC Classification: 1DBKE; 1KB; 2ABM; 3JB; 3JD; DSBB; DSBD. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 19. Weight in Grams: 560. . 1999. Illustrated. hardcover. . . . .

Condition: New. Looks at implications of colonialism for both English and Americans. Num Pages: 264 pages, 11 b/w illus. BIC Classification: 1DBKE; 1KB; 2ABM; 3JB; 3JD; DSBB; DSBD. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 19. Weight in Grams: 560. . 1999. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condition: Like New. Like New. book.

Paperback. Condition: new. Paperback. Most scholars of Anglo-American colonial history have treated colonialism either as an exclusively American phenomenon or, conversely, as a European one. Colonial Writing and the New World 15831671 argues for a reading of the colonial period that attempts to render an account of both the European origins of colonial expansion and its specifically American consequences. The author offers an account of the simultaneous emergence of colonialism and nationalism during the early modern period, and of the role that English interactions with native populations played in attempts to articulate a coherent English identity. He draws on a wide variety of texts ranging from travel narratives and accounts of the colony in Virginia to sermons, conversion tracts and writings about the Algonquin language. Colonial Writing and the New World 15831671 offers an account of the simultaneous emergence of colonialism and nationalism during the early modern period. It suggests that colonialism is best understood as a phenomenon which had profound significance for people on both sides of the Atlantic. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Brand New. 1st edition. 242 pages. 9.00x6.00x0.75 inches. In Stock. This item is printed on demand.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Print on Demand pp. 264 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condition: New. PRINT ON DEMAND pp. 264.

Paperback. Condition: new. Paperback. Most scholars of Anglo-American colonial history have treated colonialism either as an exclusively American phenomenon or, conversely, as a European one. Colonial Writing and the New World 15831671 argues for a reading of the colonial period that attempts to render an account of both the European origins of colonial expansion and its specifically American consequences. The author offers an account of the simultaneous emergence of colonialism and nationalism during the early modern period, and of the role that English interactions with native populations played in attempts to articulate a coherent English identity. He draws on a wide variety of texts ranging from travel narratives and accounts of the colony in Virginia to sermons, conversion tracts and writings about the Algonquin language. Colonial Writing and the New World 15831671 offers an account of the simultaneous emergence of colonialism and nationalism during the early modern period. It suggests that colonialism is best understood as a phenomenon which had profound significance for people on both sides of the Atlantic. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Colonial Writing and the New World 1583-1671 offers an account of the simultaneous emergence of colonialism and nationalism during the early modern period. It suggests that colonialism is best understood as a phenomenon which had profound significance for p.

Paperback. Condition: new. Paperback. Most scholars of Anglo-American colonial history have treated colonialism either as an exclusively American phenomenon or, conversely, as a European one. Colonial Writing and the New World 15831671 argues for a reading of the colonial period that attempts to render an account of both the European origins of colonial expansion and its specifically American consequences. The author offers an account of the simultaneous emergence of colonialism and nationalism during the early modern period, and of the role that English interactions with native populations played in attempts to articulate a coherent English identity. He draws on a wide variety of texts ranging from travel narratives and accounts of the colony in Virginia to sermons, conversion tracts and writings about the Algonquin language. Colonial Writing and the New World 15831671 offers an account of the simultaneous emergence of colonialism and nationalism during the early modern period. It suggests that colonialism is best understood as a phenomenon which had profound significance for people on both sides of the Atlantic. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: new. Hardcover. Colonial Writing in the New World 1583-1671 offers an account of the simultaneous emergence of colonialism and nationalism during the early modern period. It looks at the role that English interactions with native populations played in attempts to articulate a coherent English identity. Unlike most other studies of the subject, it suggests that colonialism is best understood as a phenomenon that had profound significance for people on both sides of the Atlantic. Offers an account of the simultaneous emergence of colonialism and nationalism during the early modern period. It suggests that colonialism is best understood as a phenomenon which had profound significance for people on both sides of the Atlantic. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.