Tristan E Franklinos (36 results)

Hardcover. Condition: Very Good. 2020 OUP hardcover edition. Light reading wear else very good condition. Pseudepigrapha Latina offers a new series of modern commentaries on frequently neglected, falsely attributed, and anonymous Latin texts. The individual commentaries engage with questions of authorship and dating, traditional philological issues and style, as well as the literary context of these works. This volume takes as its starting point the appendices attached to three major Augustan poets, exploring how different conditions of production and the differences between their authorizing authors result in different notions of what an appendical text 'ought' to be. Vergil's biography, for instance, leaves ample room for 'juvenilia', while Ovid's does not; the Tibullan appendix, meanwhile, explicitly engages with a wider poetic community. Moving beyond questions of forgery and deception, some chapters ask how we would be able to tell the difference between texts of genuine and of disputed authorship, since most of the stylistic features that distinguish authors are replicable. Other chapters make the case for re-evaluation of poems that have been neglected or disparaged, and still others make sense of individual works in their likely contexts of composition. This volume is the first to treat in conjunction the majority of the appendical works ascribed to these authors, and to draw connections across corpora. In a larger sense, the volume questions how canons are formed and re-formed, challenging readers to move towards a broader notion of reception studies that decentres the very notions of masterpiece and genius and allows for multiple modes of engagement with canonical works. Contents: Authoring, reading, and exploring an Appendix: some introductory thoughts by T. E. Franklinos and Laurel Fulkerson 1. Scylla's lament in the Ciris and the Latin literary tradition by Antony Augoustakis 2. The mythical antecedents of the Ciris by Laurel Fulkerson 3. Author and audience in Catalepton by Joseph Farrell 4. Construing the author as a Catullan reader in the pure iambic Catalepton (6, 10, 12) by T. E. Franklinos 5. Catalepton 9 and Valgius Rufus by Boris Kayachev 6. Echoing Virgil and Narcissus: structure and interpretation of the Culex by Andrew Laird 7. Volcanic wonder: a starry-eyed view of the Aetna by Gareth Williams 8. Teaching the death of elegy: the elegies of Lygdamus ([Tib.] 3.1-6) by Giuseppe La Bua 9. Tibullan impersonation and Callimachean influence in the Messalla Panegyric ([Tib.] 3.7) by Robert Maltby 10. The authorship of Tibullus 3.9: methods and criteria by Jacqueline Fabre-Serris 11. The authorship of Sulpicia by Ian Fielding 12. The Halieutica attributed to Ovid: issues of authenticity, reception, and supplementation by Stephen J. Harrison 13. Plumbing the Ovidian Halieutica by Katharina Volk 14. The Consolatio ad Liuiam and literary history by S. J. Heyworth 15. The lovers and the rebel: reading the double Heroides as an exilic text by Kresimir Vukovic 16. The Nux attributed to Ovid and its Renaissance readers: the case of Erasmus by Matthew McGowan.…

Hardcover. Condition: New. Dust Jacket Condition: New. First Edition. Dark blue hardback with gilt lettered spine, complete with original dustjacket. In new condition: firm and square with strong joints, no bumps, no rubs. Contents are crisp, tight and clean; no pen-marks. Thus a very nice copy that looks and feels unread, now offered for sale at a very reasonable price.…

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Hardback. Condition: New. The Codex Buranus, compiled, in all likelihood, in South Tyrol in the first half of the thirteenth century, has fascinated modern scholars and performers ever since its rediscovery in 1803. Its diverse range of texts (some famously featuring in Carl Orff's Carmina Burana) and music gives testimony to the intensely vibrant, plurilingual, and multicultural milieu in which the Codex Buranus was compiled, but poses a challenge to modern users. Perhaps more so than many other medieval manuscripts, it is an artefact which demands, and benefits from, an interdisciplinary approach. The chapters here, from scholars in a variety of fields, enable the less well-known aspects of the Codex Buranus; textual, musical, and artistic; to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition. They also examine questions of its reception history and audience. …

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Hardback. Condition: New. The Codex Buranus, compiled, in all likelihood, in South Tyrol in the first half of the thirteenth century, has fascinated modern scholars and performers ever since its rediscovery in 1803. Its diverse range of texts (some famously featuring in Carl Orff's Carmina Burana) and music gives testimony to the intensely vibrant, plurilingual, and multicultural milieu in which the Codex Buranus was compiled, but poses a challenge to modern users. Perhaps more so than many other medieval manuscripts, it is an artefact which demands, and benefits from, an interdisciplinary approach. The chapters here, from scholars in a variety of fields, enable the less well-known aspects of the Codex Buranus; textual, musical, and artistic; to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition. They also examine questions of its reception history and audience. …

Hardback. Condition: New. The Codex Buranus, compiled, in all likelihood, in South Tyrol in the first half of the thirteenth century, has fascinated modern scholars and performers ever since its rediscovery in 1803. Its diverse range of texts (some famously featuring in Carl Orff's Carmina Burana) and music gives testimony to the intensely vibrant, plurilingual, and multicultural milieu in which the Codex Buranus was compiled, but poses a challenge to modern users. Perhaps more so than many other medieval manuscripts, it is an artefact which demands, and benefits from, an interdisciplinary approach. The chapters here, from scholars in a variety of fields, enable the less well-known aspects of the Codex Buranus; textual, musical, and artistic; to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition. They also examine questions of its reception history and audience. …

Condition: New. 2020. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 462 pages. 9.25x6.00x1.00 inches. In Stock.

Hardback. Condition: New. The Codex Buranus, compiled, in all likelihood, in South Tyrol in the first half of the thirteenth century, has fascinated modern scholars and performers ever since its rediscovery in 1803. Its diverse range of texts (some famously featuring in Carl Orff's Carmina Burana) and music gives testimony to the intensely vibrant, plurilingual, and multicultural milieu in which the Codex Buranus was compiled, but poses a challenge to modern users. Perhaps more so than many other medieval manuscripts, it is an artefact which demands, and benefits from, an interdisciplinary approach. The chapters here, from scholars in a variety of fields, enable the less well-known aspects of the Codex Buranus; textual, musical, and artistic; to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition. They also examine questions of its reception history and audience. …

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Hardcover. Condition: new. Hardcover. The Augustan period in Rome was a golden age for poetry, and also the age in which the cult of the author began in the west. By examining some early poetic understandings of what it might have meant to be Vergil, Ovid, and Tibullus, Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana explores what those authors meant to near-contemporaries, and what the construction of authorship they were a part of meant to thelater western tradition.Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana takes its starting point from the Appendices attached to three major Augustan poets,exploring how their different conditions of production, and the differences between their authorising authors, result in different notions of what an appendical text 'ought' to contain. So, for instance, Vergil's biography leaves ample room for 'juvenilia', while Ovid's does not; the Tibullan appendix explicitly engages with a wider poetic community. Moving beyond questions of forgery and deception, some chapters ask how we would be able to know the difference between texts of genuine and ofdisputed authorship, given that most of the stylistic features that distinguish authors are replicable. Other chapters make the case for re-evaluation of poems that have been neglected or disparaged,and still others make sense of individual works in their likely context of composition.The volume is the first to treat in conjunction the majority of the appendical works ascribed to Vergil, Ovid, and Tibullus, and to draw connections across corpora. By examining some early poetic understandings of what it might have meant to be Vergil, Ovid, and Tibullus, this volume explores what those authors meant to near-contemporaries, and what the construction of authorship they were a part of meant to the later western tradition. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardcover. Condition: new. Hardcover. The Augustan period in Rome was a golden age for poetry, and also the age in which the cult of the author began in the west. By examining some early poetic understandings of what it might have meant to be Vergil, Ovid, and Tibullus, Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana explores what those authors meant to near-contemporaries, and what the construction of authorship they were a part of meant to thelater western tradition.Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana takes its starting point from the Appendices attached to three major Augustan poets,exploring how their different conditions of production, and the differences between their authorising authors, result in different notions of what an appendical text 'ought' to contain. So, for instance, Vergil's biography leaves ample room for 'juvenilia', while Ovid's does not; the Tibullan appendix explicitly engages with a wider poetic community. Moving beyond questions of forgery and deception, some chapters ask how we would be able to know the difference between texts of genuine and ofdisputed authorship, given that most of the stylistic features that distinguish authors are replicable. Other chapters make the case for re-evaluation of poems that have been neglected or disparaged,and still others make sense of individual works in their likely context of composition.The volume is the first to treat in conjunction the majority of the appendical works ascribed to Vergil, Ovid, and Tibullus, and to draw connections across corpora. By examining some early poetic understandings of what it might have meant to be Vergil, Ovid, and Tibullus, this volume explores what those authors meant to near-contemporaries, and what the construction of authorship they were a part of meant to the later western tradition. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condition: Neu. Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana | Tristan E Franklinos | Buch | Gebunden | Englisch | 2020 | Oxford University Press(UK) | EAN 9780198864417 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…