Valentin Kockel (82 results)

Condition: New.

Condition: New.

Condition: New.

Hardback. Condition: New. When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash. The Niccolinis' goal was to illustrate all aspects of life in the antique city. Their publication, Le case ed i monumenti di Pompei ("The Houses and Monuments of Pompeii"), which was issued in installments between 1854 and 1896 in Naples, presented over 400 color plates providing not only views, maps, and groundplans of the city and its public buildings, but also offered unprecedented access to Pompeii's private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, and the practical utensils of everyday use, conjuring up a vivid picture of each house as a real domestic space. In addition, "animated" representations visualized daily life in Pompeii's workshops, taverns, and shops, on its public squares, and in its temples, theaters, and baths. This meticulous facsimile revives the Niccolinis' extraordinary achievement with selected color plates and two introductory essays setting the project in its contemporary context and presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art-and by the haunting plaster casts made of victims of the eruption-on the visual arts. Across painting, sculpture, and interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal.

Hardback. Condition: New. When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash. The Niccolinis' goal was to illustrate all aspects of life in the antique city. Their publication, Le case ed i monumenti di Pompei ("The Houses and Monuments of Pompeii"), which was issued in installments between 1854 and 1896 in Naples, presented over 400 color plates providing not only views, maps, and groundplans of the city and its public buildings, but also offered unprecedented access to Pompeii's private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, and the practical utensils of everyday use, conjuring up a vivid picture of each house as a real domestic space. In addition, "animated" representations visualized daily life in Pompeii's workshops, taverns, and shops, on its public squares, and in its temples, theaters, and baths. This meticulous facsimile revives the Niccolinis' extraordinary achievement with selected color plates and two introductory essays setting the project in its contemporary context and presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art-and by the haunting plaster casts made of victims of the eruption-on the visual arts. Across painting, sculpture, and interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: NEW.

Hardcover. Condition: Brand New. 512 pages. 6.14x2.00x8.54 inches. In Stock.

Condition: New.

Condition: New.

Hardcover. Condition: Sehr gut. Heft mit Klammerheftung 20 S. : Ill., graph. Darst. ; 21 cm. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat min. Gebrauchsspuren; Buchrücken min. lichtrandig; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Hardcover. Condition: Brand New. 512 pages. 6.14x2.00x8.54 inches. In Stock.

Cartonato. Numerose immagini e disegni a colori e in b/n n.t.Testi in italiano e tedesco. Texts in Italian and German. Numero di tavole: 0 pp.64 9788837043643 altezza 25 larghezza 0 Esemplare in buone condizioni.Copertina con ingiallimento, tracce di polvere e segni di usura.Pagine leggermente ingiallite.Due panorami a colori su fogli ripiegati posti all'interno di una custodia incollata al contropiatto posteriore.Testi in italiano e tedesco. Texts in Italian and German.

348 S. Mit zahlreichen teils farbigen Abbildungen. 4°. Orig.-Pappbd. (Bayer. Verwaltung d. staatl. Schlösser, Gärten u. Seen. Kataloge d. Kunstslgn.) - (Name auf Vorsatz - gut erhalten).

Condition: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren. Hrsg. von Valentin Kockel und Brigitte Sölch. Der Band beinhaltet u.a. folgende Beiträge: Heilbron: Bianchini as an Astronomer. Dixon: Francesco Bianchini's Images and his Legacy in the Mid-Eighteenth Century. From Capricci to Playing Cards to Proscenium and back. Engelberg: Ricavare l'idea del tutto. Francesco Bianchinis 'Del Palazzo de' Cesari'. De Polignac: Francesco Bianchini et les 'cardinaux antiquaires'. Archéologie, science et politique. Sölch: Das 'Museo Ecclesiastico'. Beginn einer neuen Sammlungsära im Vatikan. 274 Seiten mit einigen Abb., gebunden (Colloquia Augustana; Band 21/Akademie Verlag 2005). Statt EUR 84,95. Gewicht: 800 g - Gebunden/Gebundene Ausgabe.

Condition: Buone. Condizioni dell'esterno: Buone Condizioni dell'interno: Molto buone.

348 S. : zahlr. sw. Ill., graph. Darst., 27 farbige Abbildungen auf Tafeln. Zustand: Fast sehr gut, aber Einband rundum bestossen. - Kolosseum, Pantheon, Konstantinsbogen, Cestius-Pyramide: Diese und viele andere antik-römische Bauten sind im Schloss Johannisburg in Aschaffenburg zu sehen: als Korkmodelle. Mit insgesamt 54 historischen Korkmodellen ist hier weltweit die größte Sammlung solcher Miniaturbauten vereint. Dabei ist der Begriff Miniatur als relative Größe aufzufassen, denn das Kolosseum im Größenmaßstab von etwa 60:1 hat die Ausmaße 3,49 auf 2,94 Meter. Maßstabs- und detailgetreu wurden die meisten dieser Modelle von Carl Joseph May (1747-1822) angefertigt. Die Bayerische Schlösserverwaltung erinnert anlässlich des 200. Todestages am Montag (6. Juni 2022) an Carl Joseph May, der als erster seriöser Korkbildner Deutschlands gilt. ISBN: 9783980220590 Sprache: Deutsch Gewicht in Gramm: 1726 4° (30,5x21,5cm), Hardcover/Pappeinband.

Hardback. Condition: New. When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash. The Niccolinis' goal was to illustrate all aspects of life in the antique city. Their publication, Le case ed i monumenti di Pompei ("The Houses and Monuments of Pompeii"), which was issued in installments between 1854 and 1896 in Naples, presented over 400 color plates providing not only views, maps, and groundplans of the city and its public buildings, but also offered unprecedented access to Pompeii's private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, and the practical utensils of everyday use, conjuring up a vivid picture of each house as a real domestic space. In addition, "animated" representations visualized daily life in Pompeii's workshops, taverns, and shops, on its public squares, and in its temples, theaters, and baths. This meticulous facsimile revives the Niccolinis' extraordinary achievement with selected color plates and two introductory essays setting the project in its contemporary context and presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art-and by the haunting plaster casts made of victims of the eruption-on the visual arts. Across painting, sculpture, and interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal.

Cartoné. Condition: New. Dust Jacket Condition: Nuevo. 01. LIBRO.

Condition: , , mooi exemplaar / fine copy. 2018, hardcover, mooi exemplaar / fine copy.

Hardback. Condition: New. When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash. The Niccolinis' goal was to illustrate all aspects of life in the antique city. Their publication, Le case ed i monumenti di Pompei ("The Houses and Monuments of Pompeii"), which was issued in installments between 1854 and 1896 in Naples, presented over 400 color plates providing not only views, maps, and groundplans of the city and its public buildings, but also offered unprecedented access to Pompeii's private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, and the practical utensils of everyday use, conjuring up a vivid picture of each house as a real domestic space. In addition, "animated" representations visualized daily life in Pompeii's workshops, taverns, and shops, on its public squares, and in its temples, theaters, and baths. This meticulous facsimile revives the Niccolinis' extraordinary achievement with selected color plates and two introductory essays setting the project in its contemporary context and presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art-and by the haunting plaster casts made of victims of the eruption-on the visual arts. Across painting, sculpture, and interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal.

Hardcover. Condition: Used: Like New. libro nuovo. Attenzione la copertina è leggermente rovinata a causa della giacenza su scaffale. Consegna in 24/48 h. 52 g3.

Hardcover. Condition: Sehr gut. 348 S. Groß-4°. Einband minimal bestoßen sowie mit leichten Rand- und Eckläsuren. Innen sauber. Noch sehr gut erhalten.

EA, 30x22 cm, 348 S., OPbd., sehr gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Condition: UsatoBuono. Ril. in cart., cm 24,5x17, pp 64, tavv a colori. - ISBN: 9788837043643.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. EXTRAORDINARY: BEAUTIFUL: SUMPTUOUS: NEW Unstated First Edition (Orig. 2016) Unstated First Printing * ABOUT THE BOOK: When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto & Felice Niccolini were close at hand & ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius & preserved for over 1,600 years under a mantle of volcanic ash. The Niccolinis' goal was to illustrate all aspects of life in the antique city. Their publication, "Le case ed i monumenti di Pompei"--"The Houses & Monuments of Pompeii"--which was issued in installments between 1854 & 1896 in Naples, presented over 400 color plates providing not only views, maps, & ground-plans of the city & its public buildings, but also offered unprecedented access to Pompeii's private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, & the practical utensils of everyday use, conjuring up a vivid picture of ea. house as a real domestic space. In total, the plates illustrated more than 1,000 items, ea. extensively specified & located for the first time, making the publication a major reference in Pompeii research. In addition, "animated" representations visualized daily life in Pompeii's workshops, taverns, & shops, on its public squares, & in its temples, theaters, & baths. This meticulous facsimile revives the Niccolinis' extraordinary achievement w/ all color plates & two introductory essays setting the project in its contemporary context & presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art--& by the haunting plaster casts made of victims of the eruption--on the visual arts. Across painting, sculpture, & interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, & Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal. * ABOUT THE AUTHORS: SEBASTIAN SCHUTZ was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome. He is a member of the academic board of the Istituto Italiano per gli Studi Filosofici in Naples, & a member of the Österreichische Akademie der Wissenschaften. From 2003 to 2009 he held the Bader Chair in Southern Baroque Art at Queen's University in Kingston. In 2009 he was appointed professor of early modern art history at Vienna University. VALENTIN KOCKEL studied classical archaeology & obtained his doctorate in 1978 with a thesis on the necropolises of Pompeii. He has worked at the German Archaeological Institute in Rome, the Technical University of Darmstadt, & until 2014 he was Professor at Augsburg University. Kockel has headed excavations in Ostia Antica & at the Forum in Pompeii. * SHIPPING:

95 S. mit 70 Abb. Orig.-Pappbd. (SUECOROMANA III) - (gut erhalten).

Hardcover. 348 S. Aus der Bibliothek von Professor Dr. Georg Buddruss, langjähriger Lehrstuhlinhaber im Fach Indologie an der Universität Mainz. Wir freuen uns, den Großteil seiner wertvollen Sammlung übernommen zu haben. Sehen Sie sich auch unsere weiteren Angebote an. Sehr guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Leichte Lager- und Gebrauchsspuren. Ansonsten sehr gutes Exemplar. 9783980220590 Sprache: Deutsch Gewicht in Gramm: 2300.

4°. 348 S. m. zahlr. Abb. Ppbd. Name a. Innendeckel.