Vid Ingelevics (32 results)

Paperback. Condition: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.

Soft cover. Condition: Very Good (Book condition). [Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair.]. Book.

Soft cover. Condition: Very Good (Book condition). [Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair.]. Book.

Soft cover. Condition: Near Fine (Book Condition). Alltagsgeschichten (some Histories of Everyday life) / >[Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair.]. Book.

Soft cover. Condition: Near Fine (Book Condition). Alltagsgeschichten (some Histories of Everyday life) / >[Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair.]. Book.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Near Fine. No Jacket. Text in French and English.

Soft cover. Condition: Fine. Catalogue from 1999 exhibition at the CMCP in Ottawa tracing the artist's family history during WWII. Faint shelf wear to covers, otherwise no marks, inscriptions or fading. 48 pages. C2.

Paperback. Condition: New. The Berlin Wall divided the city for almost three decades before it fell on 9 November 1989. But this symbol of the Cold War has been travelling longer than it stood still. An object that once seemed immovable now wanders around the world in every format from two-tonne slabs to pocket-sized souvenirs.This collection envisions the atomized and displaced remnants of the Berlin Wall as a mobile ruin with an evolving history. Blake Fitzpatrick and Vid Ingelevics's photographic investigation of the geographical dispersement of its fragments is a form of witness to the history of the wall after it fell. Featuring over one hundred photographs, intercut with powerful contextual writings by artists, scholars, and curators (including people involved in souvenir production and sale), this unique work raises compelling questions about the shifting meaning of Berlin Wall artifacts - essentially banal pieces of concrete - in light of their physical relocation and shifts in geopolitical power.Contributing to our understanding of material history, public commemoration, border politics, and documentary studies, The Mobile Ruin explores the ongoing resonance of the wall and the new life it takes on in a series of unexpected international locations.

Paperback. Condition: new. Paperback. The Berlin Wall divided the city for almost three decades before it fell on 9 November 1989. But this symbol of the Cold War has been travelling longer than it stood still. An object that once seemed immovable now wanders around the world in every format from two-tonne slabs to pocket-sized souvenirs.This collection envisions the atomized and displaced remnants of the Berlin Wall as a mobile ruin with an evolving history. Blake Fitzpatrick and Vid Ingelevicss photographic investigation of the geographical dispersement of its fragments is a form of witness to the history of the wall after it fell. Featuring over one hundred photographs, intercut with powerful contextual writings by artists, scholars, and curators (including people involved in souvenir production and sale), this unique work raises compelling questions about the shifting meaning of Berlin Wall artifacts essentially banal pieces of concrete in light of their physical relocation and shifts in geopolitical power.Contributing to our understanding of material history, public commemoration, border politics, and documentary studies, The Mobile Ruin explores the ongoing resonance of the wall and the new life it takes on in a series of unexpected international locations. Contributing to understandings of material history, public commemoration, border politics, and documentary studies, this compelling visual work envisions the atomized and displaced remnants of the Berlin Wall as a mobile ruin with an evolving history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: new.

Soft cover. Condition: New.

Condition: New.

Condition: New.

Condition: New. 2026. paperback. . . . . .

Soft cover. Condition: Fine.

Condition: New.

Paperback. Condition: Brand New. 224 pages. 10.01x9.01x9.00 inches. In Stock.

Condition: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: NEW.

Paperback. Condition: new. Paperback. The Berlin Wall divided the city for almost three decades before it fell on 9 November 1989. But this symbol of the Cold War has been travelling longer than it stood still. An object that once seemed immovable now wanders around the world in every format from two-tonne slabs to pocket-sized souvenirs.This collection envisions the atomized and displaced remnants of the Berlin Wall as a mobile ruin with an evolving history. Blake Fitzpatrick and Vid Ingelevicss photographic investigation of the geographical dispersement of its fragments is a form of witness to the history of the wall after it fell. Featuring over one hundred photographs, intercut with powerful contextual writings by artists, scholars, and curators (including people involved in souvenir production and sale), this unique work raises compelling questions about the shifting meaning of Berlin Wall artifacts essentially banal pieces of concrete in light of their physical relocation and shifts in geopolitical power.Contributing to our understanding of material history, public commemoration, border politics, and documentary studies, The Mobile Ruin explores the ongoing resonance of the wall and the new life it takes on in a series of unexpected international locations. Contributing to understandings of material history, public commemoration, border politics, and documentary studies, this compelling visual work envisions the atomized and displaced remnants of the Berlin Wall as a mobile ruin with an evolving history. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New.

Taschenbuch. Condition: Neu. Neuware - The Berlin Wall divided the city for almost three decades before it fell on 9 November 1989. But this symbol of the Cold War has been travelling longer than it stood still. An object that once seemed immovable now wanders around the world in every format from two-tonne slabs to pocket-sized souvenirs.This collection envisions the atomized and displaced remnants of the Berlin Wall as a mobile ruin with an evolving history. Blake Fitzpatrick and Vid Ingelevics's photographic investigation of the geographical dispersement of its fragments is a form of witness to the history of the wall after it fell. Featuring over one hundred photographs, intercut with powerful contextual writings by artists, scholars, and curators (including people involved in souvenir production and sale), this unique work raises compelling questions about the shifting meaning of Berlin Wall artifacts essentially banal pieces of concrete in light of their physical relocation and shifts in geopolitical power.Contributing to our understanding of material history, public commemoration, border politics, and documentary studies, The Mobile Ruin explores the ongoing resonance of the wall and the new life it takes on in a series of unexpected international locations.

Paperback. Condition: new. Paperback. The Berlin Wall divided the city for almost three decades before it fell on 9 November 1989. But this symbol of the Cold War has been travelling longer than it stood still. An object that once seemed immovable now wanders around the world in every format from two-tonne slabs to pocket-sized souvenirs.This collection envisions the atomized and displaced remnants of the Berlin Wall as a mobile ruin with an evolving history. Blake Fitzpatrick and Vid Ingelevicss photographic investigation of the geographical dispersement of its fragments is a form of witness to the history of the wall after it fell. Featuring over one hundred photographs, intercut with powerful contextual writings by artists, scholars, and curators (including people involved in souvenir production and sale), this unique work raises compelling questions about the shifting meaning of Berlin Wall artifacts essentially banal pieces of concrete in light of their physical relocation and shifts in geopolitical power.Contributing to our understanding of material history, public commemoration, border politics, and documentary studies, The Mobile Ruin explores the ongoing resonance of the wall and the new life it takes on in a series of unexpected international locations. Contributing to understandings of material history, public commemoration, border politics, and documentary studies, this compelling visual work envisions the atomized and displaced remnants of the Berlin Wall as a mobile ruin with an evolving history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. The Mobile Ruin | The Everyday Life of the Berlin Wall | Blake Fitzpatrick (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | McGill-Queen's University Press | EAN 9780228026860 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Soft cover. Condition: Fine. Artists' book accompanying installation "Labour of Commemoration" at ICA Prefix in Toronto, exploring the history of fragments of the Berlin Wall brought to Nova Scotia. Illustrations in black-and-white with fold-out page in color. Light rubbing to covers. No marks to inside pages. Binding is sound. 79 pages. C6.

Card covers. Condition: Very Good. 32 pages of text, and 14 plates. Some creasing and light wear to covers; interior is clean and unmarked. No creasing to spine.

Paperback. Condition: New. The Berlin Wall divided the city for almost three decades before it fell on 9 November 1989. But this symbol of the Cold War has been travelling longer than it stood still. An object that once seemed immovable now wanders around the world in every format from two-tonne slabs to pocket-sized souvenirs.This collection envisions the atomized and displaced remnants of the Berlin Wall as a mobile ruin with an evolving history. Blake Fitzpatrick and Vid Ingelevics's photographic investigation of the geographical dispersement of its fragments is a form of witness to the history of the wall after it fell. Featuring over one hundred photographs, intercut with powerful contextual writings by artists, scholars, and curators (including people involved in souvenir production and sale), this unique work raises compelling questions about the shifting meaning of Berlin Wall artifacts - essentially banal pieces of concrete - in light of their physical relocation and shifts in geopolitical power.Contributing to our understanding of material history, public commemoration, border politics, and documentary studies, The Mobile Ruin explores the ongoing resonance of the wall and the new life it takes on in a series of unexpected international locations.